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Overview
User Rating:
Director:
Writers:
Ingmar Bergman (writer)
Erland Josephson (writer)
Release Date:
5 October 1964 (USA) more
Tagline:
Ingmar Bergmans första komedi i färg!
Plot:
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days... more | add synopsis
User Comments:
Only for the faithful more (5 total)
Cast
(Complete credited cast) | Bibi Andersson | ... | Humlan |
| Harriet Andersson | ... | Isolde |
| Eva Dahlbeck | ... | Adelaide |
| Karin Kavli | ... | Madame Tussaud |
| Gertrud Fridh | ... | Traviata |
| Mona Malm | ... | Cecilia |
| Barbro Hiort af Ornäs | ... | Beatrica |
| Allan Edwall | ... | Jillker |
| Georg Funkquist | ... | Tristan |
| Carl Billquist | ... | The young man |
| Jarl Kulle | ... | Cornelius |
Additional Details
Also Known As:
All These Women (USA)
Now About These Women (International: English title)
¡Esas mujeres! (Spain) [es]
¡Ni hablar de esas mujeres! (Argentina) [es]
A Força do Sexo Fraco (Portugal) [pt]
A proposito di tutte queste... signore (Italy) [it]
Ach diese Frauen (West Germany) [de]
O tych paniach (Poland) [pl]
Oles aftes oi gynaikes (Greece) [el]
Para Não Falar de Todas Essas Mulheres (Brazil) [pt]
Puhumattakaan naisista (Finland) [fi]
Syv glade enker (Denmark) [da]
Toutes ses femmes (France) [fr]
more
Parents Guide:
Runtime:
80 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
This is Ingmar Bergman's first color film. more
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This FAQ is empty. Add the first question.more (5 total)
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Sweden section |
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Amazing that this film is on DVD. I saw it in 1967 (in suburban Sacramento of all places) and have never seen a trace of it since.
It is a fairly terrible movie, but it does have its place in Bergman's movies. Swedish reviewers at this point in his career were among his severest critics, and this movie was his response. It should have been deft and ironic but, as I think we're all aware by now, Bergman is not exactly over-burdened with a sense of humor. I suppose he also thought color as something of a joke at that time, which might explain some of the very ugly effects.
I can't really recommend the movie but it does give some insight into Bergman, so I rank it a little higher than the other reviewers.
P.S. And I thank Anders, the foreign exchange student from Stockholm at my high school, for making me see this movie and who filled me in on the info about Bergman and the critics. He too thought it a lousy movie.