| Rock Hudson | ... | Roger Willoughby | |
| Paula Prentiss | ... | Abigail Page | |
| Maria Perschy | ... | Isolde 'Easy' Mueller | |
| John McGiver | ... | William Cadwalader | |
| Charlene Holt | ... | Tex Connors | |
| Roscoe Karns | ... | Major Phipps | |
| James Westerfield | ... | Policeman | |
| Norman Alden | ... | John Screaming Eagle | |
| Forrest Lewis | ... | Skaggs | |
| Regis Toomey | ... | Bagley | |
| Tyler McVey | ... | Customer Bush | |
| Kathie Browne | ... | Marcia | |
| rest of cast listed alphabetically: | |||
| Tom Allen | ... | Bit Part (uncredited) | |
| Jim Bannon | ... | Forest Ranger (uncredited) | |
| Holger Bendixen | ... | Fisherman (uncredited) | |
| Joan Boston | ... | Joan (uncredited) | |
| Paul Bryar | ... | Bartender at Rotating Bar (uncredited) | |
| Bill Cassady | ... | Bar customer (uncredited) | |
| Lincoln Demyan | ... | Scoutmaster (uncredited) | |
| Med Flory | ... | Tucker (uncredited) | |
| Betty Hanna | ... | Woman in Elevator (uncredited) | |
| Elise Kraal | ... | Girl on Motorbike (uncredited) | |
| Paul Langton | ... | Jim Stern (uncredited) | |
| Ollie O'Toole | ... | Waiter (uncredited) | |
| Margaret Sheridan | ... | Maggie, Cadwalader's Secretary (uncredited) | |
| Dianne Simpson | ... | Elevator Operator (uncredited) | |
| Ed Stoddard | ... | Escort (uncredited) | |
| Joan Tewkesbury | ... | Woman in Elevator (uncredited) | |
| Christopher White | ... | Boy Scout (uncredited) | |
| Edmund Williams | ... | Harry, the Desk Clerk (uncredited) | |
| Edy Williams | ... | Second Girl (uncredited) | |
Directed by | |||
| Howard Hawks | |||
Writing credits | ||
| Pat Frank | (story "The Girl Who Almost Got Away") | |
| John Fenton Murray | and | |
| Steve McNeil | ||
Produced by | |||
| Howard Hawks | .... | producer | |
| Paul Helmick | .... | associate producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Russell Harlan | |||
Film Editing by | |||
| Stuart Gilmore | |||
Art Direction by | |||
| Alexander Golitzen | |||
| Tambi Larsen | |||
Set Decoration by | |||
| Robert Priestley | (as Robert Priestly) | ||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Edward Muhl | .... | executive in charge of production | |
| Terence Nelson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Connors Jr. | .... | assistant director | |
Art Department | |||
| Julius Rosenkrantz | .... | property master | |
Sound Department | |||
| Joe Lapis | .... | sound | |
| Waldon O. Watson | .... | sound | |
Special Effects by | |||
| Ben McMahan | .... | special mechanical effects | |
Stunts | |||
| Ted White | .... | stunts (uncredited) | |
| Fred Zendar | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Don Ornitz | .... | special title photographer | |
Costume and Wardrobe Department | |||
| Peter V. Saldutti | .... | wardrobe: men (as Pete Saldutti) | |
Other crew | |||
| Howard Hawks | .... | presenter | |
| Bruce Kessler | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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| Here We Go Again | The Kite Runner | Deadly Is the Female | The Bachelor | A Letter to Three Wives |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Howard Hawks may not have invented the war between the sexes; but where comedic film-making is concerned, he was the Napoleon of the sub-genre. In such features as "I Was a Male War Bride" and "Man's Favorite Sport", he gave each side in the conflict its turn, always from the male point of view however; and in the process, as Alfred Hitchcock did with staging scenes where something was occurring other than the dialogue's exact subject, he brought a new intensity to developing and ongoing relationships, so vital to the creation of character. In "Man's Favorite Sport", a story about a man who has never fished in his life having to try to win a fishing tournament in order to save his job, he saw a fine opportunity for physical "lazzi" and active scenes; in between the three active scenes of angling and several hilarious misadventures with physical equipment including chairs, inflatable waders and a car-park locale misunderstanding, he also found time to have his writers write some equally memorable dialogue confrontations of many sorts. The cast in this well-liked and well-remembered comedy include veterans John Mcgyver as the boss, Roscoe Karnes and others as grizzled veteran anglers, Pretty Maria Perschy, Charlene Holt and Paula Prentiss as the women in the hero's life, talented Norma Alden as a hip, wisecracking but lovable Indian, and Rock Hudson as Roger Willoughby, the beleaguered junior exec. In the film's storyline, however, Hawks faced one impossibility: Roger Willoughby by never fishing had separated his scheme for making clients happy--by using consultants at various sites and departmental experts to supply information and teaching expertise--from his job, being the man who made the entire scheme work. Strictly speaking, as Paula Prentiss says, Roger is a phony; but this does no alter the workability of the scheme; and the climax--the fishing tournament's outcome, Roger's confessing to his boss and what happens afterward form an exciting, dialogue-rich and memorable conclusion to the side-splitting goings on. The problem Hudson faces--the distinction between theory and practice of the theory--is a bedeviling one in a nation many of whose academic tsars are heavy with inadequate theories and whose practitioners are light on results themselves. I highly recommend this classic for a study of Hawks' techniques as well as for anyone wanting a loud laugh of fifty any time. Add flashy titles, low- key music and crisp, clean sets and a knockout comedy performance by all concerned, especially Paula Prentiss, and this film becomes an instant US classic satire.