Per un pugno di dollari (1964)

User Rating:

8.0/10   

Director:

Sergio Leone

Writers:

A. Bonzzoni (story) &
Víctor Andrés Catena (story) ...

Release Date:

18 January 1967 (USA)

Genre:

Action | Western

Tagline:

This short cigar belongs to a man with no name. This long gun belongs to a man with no name. This poncho belongs to a man with no name. He's going to trigger a whole new style in adventure.

Plot:

A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge.

Plot Keywords:

Mexican | Animal Cruelty | Revolver | Good Versus Evil | Warrior

Awards:

1 win

Cast

Clint Eastwood	...	Joe
Marianne Koch	...	Marisol
Gian Maria Volonté	...	Ramón Rojo (as Johnny Wells)
Wolfgang Lukschy	...	John Baxter (as W. Lukschy)
Sieghardt Rupp	...	Esteban Rojo (as S. Rupp)
Joseph Egger	...	Piripero (as Joe Edger)
Antonio Prieto	...	Don Benito Rojo
José Calvo	...	Silvanito (as Jose Calvo)
Margarita Lozano	...	Consuelo Baxter (as Margherita Lozano)
Daniel Martín	...	Julián
Benito Stefanelli	...	Rubio (as Benny Reeves)
Mario Brega	...	Chico (as Richard Stuyvesant)
Bruno Carotenuto	...	Antonio Baxter (as Carol Brown)
Aldo Sambrell	...	Rojo gang member (as Aldo Sambreli)

Also Known As:

A Fistful of Dollars (UK) (USA)
Für eine Handvoll Dollar (West Germany)
Il magnifico straniero (Italy) (working title)
Nur einer bleibt zurück (West Germany) (working title)
Por un puñado de dólares (Spain)
För en handfull dollar (Finland: Swedish title) (Sweden) [sv]
Por Um Punhado de Dólares (Brazil) (Portugal) [pt]
Pour une poignée de dollars (Canada: French title) (France) [fr]
En nævefuld dollars (Denmark) [da]
Für eine Handvoll Dollar (Austria) [de]
For en neve dollar (Norway) [no]
Gia mia houfta dollaria (Greece) [el]
Kourallinen dollareita (Finland) [fi]
Koya no yojimbo (Japan) [ja]
Pentru un pumn de dolari (Romania) [ro]
Za saku dolara (Yugoslavia: Serbian title) [sr]

Runtime:

99 min

Country:

Italy | Spain | West Germany

Language:

Italian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

Iceland:16 | Canada:A (Nova Scotia) | Finland:K-16 (re-rating) (cut) (1977) | Finland:K-16 (cut) (1967) | Singapore:PG | Brazil:14 | South Korea:15 | New Zealand:M | UK:X (original rating) | Australia:MA (re-rating) (2004) | Australia:R (original rating) | Canada:G (Quebec) (re-rating) (2003) | Canada:PG (Manitoba/Ontario) | Ireland:15 | Netherlands:12 | Norway:16 | Spain:18 | Sweden:15 | UK:15 (video rating) (1986) | UK:AA (re-rating) (1981) | USA:M (original rating) | USA:R (re-rating) (1993) | Canada:13+ (Quebec) (original rating) | West Germany:16

Filming Locations:

Almería, Andalucía, Spain

Company:

Constantin Film Produktion

Trivia:

When the film made its U.S. network television debut on "The ABC Sunday Night Movie" in February 1975, a new prologue was added in which an unidentified lawman or politician (played by Harry Dean Stanton) orders "Joe" to get rid of the gangs of San Miguel in return for a pardon. Neither Eastwood nor Leone were involved in the shooting of this additional footage. A double with his face hidden and stock footage of Eastwood were used. Monte Hellman directed the new footage. This prologue is now available on the Special Edition released in 2005.

Goofs:

Continuity: When Marisol's family is freed, they walk away in the same direction as the Rojos that come riding into the scene a few moments later.

Quotes:

Joe: When a man's got money in his pocket he begins to appreciate peace.

Movie Connections:

Referenced in Kill Bill: Vol. 1 (2003)

"My mistake. Four coffins"

ALthough in many respects this film pales in comparison with Leone's later films, it is itself a brilliant cinematic achievement. In part, this is because its failings primarily appear to be due to constraints of budget (very small and highly uncertain) and time more than anything else. Even to the extent that the skills of Leone, Morricone, and others hadn't fully flowered yet, this film is incredible at how brilliantly it is handled for what is really a first-time go. Leone had worked on, and even directed, films before, but this is his first real foray in his own direction, and into a genre that he revolutionised and with which he became forever synonymous. Who can imagine westerns without at least thinking of Leone's films, while who can think of Leone without thinking of westerns (even though his last, and arguably greatest, film was a sort of gangster film)? Similarly, one should not criticize this film for being based on Yojimbo, for that film itself was based on an American story while A Fistful of Dollars really is very different in many key respects, not least of all Leone's visual style or his own sense of irony and symbolism derived from Italian precedents and Hollywood westerns.

We also see the nascent Leone visual style here, with the close-up style and contrast of close-ups and long shots appearing. This alone sets it apart from previous films, westerns and non-westerns alike, and still provides for great visual treats that one can appreciate today.

This film also ushered in Leone's obsession with details, hard faces, grungy people, etc., that also revolutionsed the genre.

This films also marks the first brilliant score of Ennio Morricone. It is here that he introduced the lonely whistling, guitar music, chorus, and unusual combinations and styles that developed into the music that has become in the U.S. synonymous with westerns and duels in the same way that Leone's visuals and themes have.

Despite its minor flaws, this is still a great film that is not only revolutionary but still great and fun to watch even today. Like Leone's other films, it is timeless.

One must also admit that it is amazing that in the U.S. an Italian film maker basing his films partly in Italian culture and an Italian composer could come to so define and be synonymous with this genre that Americans had considered so uniquely American, and highlight its underlying universality. That alone reveals the greatness of the films, of which this is the first.