The Last Man on Earth (1964)

User Rating:

7.0/10   

Director:

Ubaldo Ragona

Writers:

Richard Matheson (novel) and
William F. Leicester (writer)

Release Date:

8 March 1964 (USA)

Genre:

Horror | Sci-Fi | Drama

Tagline:

By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood!

Plot:

Dr. Robert Morgan (Vincent Price) is the only survivor of a devastating world-wide plague due to a mysterious...

Plot Keywords:

Plague | Night | Survivor | Disease | Scientist

Cast

Vincent Price	...	Dr. Robert Morgan
Franca Bettoia	...	Ruth Collins
Emma Danieli	...	Virginia Morgan
Giacomo Rossi-Stuart	...	Ben Cortman
Umberto Raho	...	Dr. Mercer
Christi Courtland	...	Kathy Morgan
Antonio Corevi	...	Governor (as Tony Corevi)
Ettore Ribotta	...	TV Reporter (as Hector Ribotta)
Rolando De Rossi

Also Known As:

L'ultimo uomo della terra (Italy) (dubbed version)
Naked Terror
Night People
The Night Creatures
Vento di morte
Wind of Death
Je suis une légende (France) [fr]

Runtime:

86 min

Country:

USA | Italy

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

UK:PG (2007) | UK:X (1966) | Canada:G (Quebec) | Australia:PG | Canada:PG (Ontario) | USA:Unrated

Filming Locations:

E.U.R., Rome, Lazio, Italy

Company:

Associated Producers (API)

Trivia:

Richard Matheson felt Vincent Price was miscast as Robert Morgan.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): The newspaper headline has an apostrophe typo: "Is Europes' disease carried on the wind?"

Quotes:

[first lines]
Robert Morgan: Another day to live through. Better get started.

Movie Connections:

Referenced in Silent Hill (2006)

An under-appreciated classic

This one seems to be less well known than others in Vincent Price's filmography -- possibly because the title makes it sound more like a romantic comedy.

In this first filmed version of Richard Matheson's superb short novel "I Am Legend", though, Price really shines in one of the best performances of his career. Far superior to its 1971 remake "The Omega Man" -- as if we needed yet another "Charlton Heston vs. the subhuman hordes" outing after "Khartoum" and "55 Days In Peking" -- the script follows Matheson's book almost scene-for-scene, but then, I think the author always wrote with one eye on the movie or TV rights.

Morgan (Vincent Price) is the only survivor of a worldwide plague that kills its victims, only to resurrect them as zombie vampires. (His own immunity was conferred by the bite of a vampire bat infected with a weaker version of the virus, when he was doing research in South America.) By day, he systematically searches out the plague victims and destroys them in the traditional Van Helsing manner, retreating to his fortified house when darkness falls and the vampires come out to play. Worst of all, his best friend Ben -- now a vampire -- is part of the crowd that nightly surrounds his house, thirsting for his blood.

Unlike "The Omega Man", very little of this film is devoted to Morgan's one-man war against the vampires, who as others have noted have a kind of "Night Of The Living Dead" ambiance, minus the gore. Instead it focuses on his utter isolation, both physical and spiritual, his mission as an exterminating angel the only purpose now left to his life.

A large part of the movie is taken up by a flashback to three years previous, to the beginning of the plague, as his friend Ben arrives at a birthday party for Morgan's daughter bearing an armful of presents. Against the background of the children's shouts and laughter the adults worriedly discuss the appearance of a new virus. The world then proceeds to fall apart in a quietly terrifying re-enactment of the Black Death, complete with National Guard "bring out your dead" units and a 24/7 immolation pit for the anonymous, canvas-wrapped corpses. Morgan's wife and daughter succumb to the virus in a sequence that is quite stunning in its low-key, almost clinical lack of the standard histrionics.

The black-and-white cinematography is as stark and minimalistic as the story (and, admittedly, the budget). The exterior scenes set in a deserted Los Angeles -- well, actually Rome, shot in the early morning -- are often quite effective in mirroring his internal desolation. Cast and crew alike do an excellent job with the material, despite the monetary constraints. Unlike so many in our current "bash you over the head" school of film-making, the real horror of the situation is allowed to speak eloquently for itself.

If you're expecting the high camp of one of Price's Roger Corman flicks, you'll probably be bored stiff by this movie. If instead you're looking for a surprisingly good adaptation of a great story, you can't do much better than "Last Man On Earth".