| Photos (See all 17 | slideshow) |
| Giulietta Masina | ... | Giulietta Boldrini | |
| Sandra Milo | ... | Suzy / Iris / Fanny | |
| Mario Pisu | ... | Giorgio (Giulietta's husband) | |
| Valentina Cortese | ... | Valentina | |
| Valeska Gert | ... | Pijma | |
| José Luis de Vilallonga | ... | Giorgio's friend (as José De Villalonga) | |
| Friedrich von Ledebur | ... | Medium (as Fredrich Ledebur) | |
| Caterina Boratto | ... | Giulietta's mother | |
| Lou Gilbert | ... | Grandfather | |
| Luisa Della Noce | ... | Adele | |
| Silvana Jachino | ... | Dolores | |
| Milena Vukotic | ... | Elisabetta - the maid | |
| Fred Williams | ... | Lynx-Eyes' agent | |
| Dany París | ... | Desperate friend | |
| Anne Francine | ... | Psychodramatist | |
| Sylva Koscina | ... | Sylva | |
| Elena Fondra | ... | Elena | |
| George Ardisson | ... | Dolores' model (as Giorgio Ardisson) | |
| Genius | ... | Valentina's lover | |
| Elisabetta Gray | ... | Teresina - the tall maid | |
| Alberto Plebani | ... | Lynx-Eyes | |
| Yvonne Casadei | ... | Susy's maid | |
| Mario Conocchia | ... | Lawyer | |
| Federico Valli | ... | Lynx-Eyes' agent | |
| Asoka Rubener | ... | Bhisma's helper | |
| Alba Cancellieri | ... | Giulietta as a child | |
| Sujata Rubener | ... | Bhisma's helper | |
| Alberto Cevenini | |||
| Cesarino Miceli Picardi | ... | Friend of Giorgio | |
| rest of cast listed alphabetically: | |||
| Guido Alberti | ... | Player (uncredited) | |
| Inna Alexeievna | ... | Susy's Grandmother (uncredited) | |
| Mary Arden | ... | TV Actress (uncredited) | |
| Alicia Brandet | ... | TV Dancer (uncredited) | |
| Maria Cumani Quasimodo | ... | Woman at Bhishma's Sitting (uncredited) | |
| Dakar | ... | Black Man on Barge (uncredited) | |
| Dina De Santis | ... | Susy's Maid (uncredited) | |
| Rosella De Sepio | ... | Granddaughter (uncredited) | |
| Rika Dialina | ... | Woman in Nightmare (uncredited) | |
| Mino Doro | ... | Player (uncredited) | |
| Bob Edwards | ... | Dolores' Model (uncredited) | |
| Felice Fulchignoni | ... | Doctor Raffaele (uncredited) | |
| Gilberto Galvani | ... | Susy's Chauffeur (uncredited) | |
| Sabrina Gigli | ... | Granddaughter (uncredited) | |
| Hildegarde Golez | ... | Susy's Maid (uncredited) | |
| Raffaele Guida | ... | Arabian Prince (uncredited) | |
| Walter Harrison | ... | Don Raffaele (uncredited) | |
| Jacques Herlin | ... | Frenchman at Party (uncredited) | |
| Lea Lander | ... | Party Guest (uncredited) | |
| Claudie Lange | ... | (uncredited) | |
| Alessandra Mannoukine | ... | Susy's Mother (uncredited) | |
| Nadir Moretti | ... | Model (uncredited) | |
| Carlo Pisacane | ... | Friar (uncredited) | |
| Remo Risaliti | ... | Lynx-Eyes' Agent (uncredited) | |
| Grillo Rufino | ... | Bhisma's Helper (uncredited) | |
| Anita Sanders | ... | Susy's Guest (uncredited) | |
| Massimo Sarchielli | ... | Dolores' Model (uncredited) | |
| Seyna Seyn | ... | Masseuse (uncredited) | |
| Marilù Tolo | ... | (uncredited) | |
| Edoardo Torricella | ... | Russian Teacher (uncredited) | |
| Sigrid von Richthofen | ... | (uncredited) | |
| Eugene Walter | ... | Mother Superior (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Federico Fellini | (story) & | |
| Tullio Pinelli | (story) | |
| Federico Fellini | (screenplay) & | |
| Tullio Pinelli | (screenplay) & | |
| Ennio Flaiano | (screenplay) & | |
| Brunello Rondi | (screenplay) | |
Produced by | |||
| Henry Deutschmeister | .... | producer (uncredited) | |
| Clemente Fracassi | .... | producer (uncredited) | |
| Angelo Rizzoli | .... | producer (uncredited) | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gianni Di Venanzo | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Giantito Burchiellaro | |||
| Luciano Ricceri | (as Luciano Riccieri) | ||
| E. Benazzi Taglietti | |||
Art Direction by | |||
| Piero Gherardi | |||
Set Decoration by | |||
| Vito Anzalone | |||
Costume Design by | |||
| Piero Gherardi | |||
Makeup Department | |||
| Otello Fava | .... | makeup artist | |
| Marisa Fraticelli | .... | hair stylist | |
| Renata Magnanti | .... | hair stylist | |
| Eligio Trani | .... | makeup artist | |
Production Management | |||
| Mario Basili | .... | production manager | |
| Walter Benelli | .... | production supervisor | |
| Alessandro von Norman | .... | production manager (as Alessandro Von Normann) | |
Second Unit Director or Assistant Director | |||
| Francesco Aluigi | .... | assistant director | |
Art Department | |||
| Francesco Cuppini | .... | assistant set decorator (as Franco Cuppini) | |
Sound Department | |||
| Mario Faraoni | .... | sound | |
| Mario Morigi | .... | sound | |
Camera and Electrical Department | |||
| Pasqualino De Santis | .... | camera operator (as Pasquale De Santis) | |
Casting Department | |||
| Jose Villaverde | .... | casting (uncredited) | |
Costume and Wardrobe Department | |||
| Alice Brugnaro | .... | head seamstress | |
| Bruna Parmesan | .... | assistant costume designer | |
| Clara Poggi | .... | head seamstress | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | musical director | |
| Eugene Walter | .... | composer: song "Go Milk the Moon" with Nino Rota, cut from final version | |
Other crew | |||
| Liliane Betti | .... | secretary (as Liliana Betti) | |
| Renato Fiè | .... | production secretary | |
| Clemente Fracassi | .... | general manager | |
| Ennio Onorati | .... | production secretary | |
| Eschilo Tarquini | .... | script supervisor | |
| Rosalba Zavoli | .... | secretary | |
| Riccardo Cucciolla | .... | voice dubbing: José Luis de Villalonga (uncredited) | |
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| 8½ | Heavenly Creatures | Isadora | Rivelazioni di un maniaco sessuale al capo della squadra mobile | Inside Daisy Clover |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
This film by Fellini is basically the female version of 8 1/2. Instead of delving into the mind of a middle-aged Italian man dealing with problems with his wife and trying to figure out who he really is, it is about a middle-aged Italian woman dealing with problems with her cheating husband and trying to figure out who she really is. (I still can't decide who I like more as a lead in a Fellini film... Masina or Mastroianni.) The film is very enjoyable, and is definitely one of the films I would classify as a work of art. The one thing that really stands out to me, however, is this: It could only exist as a film. Most films are adapted from previously written novels, or at the very least can suffer the indignation of a "novelization" without losing the quality of the story. But I cannot fathom any way a writer could capture this film with words. It is very visual, but could not be painted or drawn either. I think this is one of the few films I've seen that is completely unique to the medium of film. Towards the end of the film, there is a scene where she is trying to avoid voices and images around her while hosting a party. It was at this point that I realized how perfectly every shot was set-up, and that there would be no way anyone could capture the feeling or the images with words.
I would be extremely fascinated to see what the shooting script to this film looked like. It's the fifth Fellini film I've seen, and I must say, I think I can call him my favorite director. He's the only director whom I've been enthralled by every single film I've seen of his. He has a perfect record, 1.000% batting average so far with me. I'm going to keep seeing more, and hopefully I won't ever be disappointed.