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39 comments in total

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30 out of 43 people found the following comment useful :-
Excellent black comedy thriller, 6 July 2004

Author: The_Void from Beverley Hills, England

This film is incredible. Polanski's best film behind Knife in the Water and Rosemary's Baby.

The plot revolves around a gangster (Lionel Stander) and his partner that seek refuge in a castle on a small island in England. The couple that inhabit the castle are played by the sublime Donald Pleasance and the beautiful Françoise Dorléac. The movie plays out like a three way triangle of hatred; we have the contempt between the couple and the gangster, who is invading their home; the gangster's mean streak is inflicted on the couple and the lady obviously holds her husband in low regard when he takes on the role of a wimp in front of the gun toting criminal. However, it is not as simple as that as in several points in the movie, the characters let their guard down and start to communicate with each other in an almost friendly way. This is the real beauty of this film; it is a character study, studying the relationship between a couple and a third party in their home. Three is a crowd, and the effects of that true to life phrase are felt by each of the three characters.

The three main players in Cul-De-Sac are fantastic, Lional Stander in particular who was surely born to play his role in this movie. He has the voice and the persona of a not very bright gangster spot on; his comic timing for some of his more obviously funny lines is also noteworthy. Donald Pleasance has never been better than he was here either; his portrayal as the 'lord of the manor' is both believable and intriguing. Last but not least, Françoise Dorléac, in undoubtedly the most overlooked role in the piece, although no less important than the other two, is also on time and believable in her role; making up a perfect cast.

From a relatively simple plot line and few characters, through excellent dialogue, restrained plotting and interesting scenarios, Roman Polanksi has managed to weave a story that is interesting and entertaining. Roman Polanski has a great flair for human relationships in his movies, the best example of this was in his best movie, Knife in the Water, and that element is abundant here too. The scenes in which all three characters are on screen interacting with each other are this movie's finest moments.

Cul-De-Sac is an excellent black comedy thriller that fans of the genre and fans of the excellent Roman Polanski will not want to miss. Recommended viewing

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18 out of 33 people found the following comment useful :-
Shallowness at its very best, 3 April 2003
Author: manuel-pestalozzi from Zurich, Switzerland

Cul-de-sac is a very beautiful black and white movie. It belongs to the lightweight category. The story is weird in an entertaining way, often amusing and sad at once. If the director tried to be willingly shallow, he was very successful. And I do not mean that ironically but say it with awe.

The place is Holy Island, on the east coast of Northern England. It actually gets cut off with the tide. Polanski makes very good use of the location and was very lucky with the casting. All characters are rather detestable in a detached sort of way. Donald Pleasance gives the performance of his life as the emasculated, utterly humiliated owner of the castle on the island. The other two main characters are the brisk yet elf like Françoise Dorléac and Lionel Stander as a gruff, brutal gangster. There is a very strange, truly unique chemistry between Dorléac and Stander. Dorléac does something to Stander. «We call dees a bicycle», she says gleefully with her funny accent, and it nearly knocks me off my chair every time I see that well filmed, suspenseful scene. I won‘t tell you what «de bicycle» is – it may need parental guidance to watch it but does not belong to the restrictable area. Cul-de-sac has a very memorable musical score.

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10 out of 18 people found the following comment useful :-
An average Polanski piece, 19 June 2006

Author: Jouni Heinonen (jakkiih@hotmail.com) from Finland

If we think of Roman Polanski's pieces, Nóz w wodzie (1962)is more important, Repulsion (1965)is in my opinion almost the best movie ever made, Rosemary's baby (1968)is more horrifying and Le Locataire (1976) is more interesting, not to talk about Chinatown (1974) etc.

So why should you see Cul-de-Sac? Because it's polanski and it's not crappy. And because of Catherine Deneuve's sister Francoise Dorleac, who died way too early (in 1967, just some time after she co-starred Les Demoiselles de Rochefort with her sister).

Once again, the main characters are separated from the world and stranger's are getting in from the outside. The movie is fun, weird and of course a must-see for a Polanski fan.

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2 out of 3 people found the following comment useful :-
Cul-de-sac, 20 July 2006

Author: austrianmoviebuff from Vienna, Austria

*** This comment may contain spoilers ***

One of the less popular Polanski films, made between his sleeper "Repulsion" (Catherine Deneuve's star-turn) and the hilarious horror comedy "The Fearless Vampire Killer" (starring Polanski himself alongside his ill-fated wife, Sharon Tate), "Cul-de-sac" is a bizarre film indeed. In his autobiography, Polanski stated that this was his favorite film of all, and, if he had the choice, he'd only do movies like this.

"Cul-de-sac" is hard to classify. It is an odd kind of comedy, but not really funny, it has some thriller elements, but it's not suspenseful, there are traces of a mystery slash horror thing, but they're never obviously visible, and, finally, it is the story of a marriage. There isn't much happening, really, and if you're not into weird movies, you'll most certainly find "Cul-de-sac" boring, but if you are, it will give you lots of pleasure.

The movie has a lot of charm, and it's craziness brings it quite close to Lester's "The Knack". Donald Pleasance's performance might be the best of his entire career. This alone makes Polanski's little masterpiece worth watching. Lionel Stander and the unforgettable Jack MacGowran are equally remarkable, and Ian Quarrier (who later played a gay vampire in "The Fearless Vampire Killers") can be seen in a supporting part. The setting (an old castle), though, is the real star of this film, and the entire thing is beautifully captured: the black-and-white-photography is timelessly elegant and Oscar-worthy. A pity "Cul-de-sac" was not a success when it was released. It came out on DVD a couple of years back and is a must for Polanski fans and film fans alike.

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2 out of 3 people found the following comment useful :-
Highly Intriguing Polanski Drama, 28 April 2002
Author: richard winters (rwint) from Chicago, Illinois

Two gangsters on the run hide out in a isolated castle that is occupied by Plesance and Dorleac. The two share a rather bizarre passive, aggressive relationship that quickly disintegrates when interrupted by the strangers. Eventually a even more bizarre bonding develops between the couple and Stander, one of the gangsters. Very, very intriguing psychological drama with wonderfully subversive elements lurking just beneath the surface.

Polanski makes full use of the castle showing it's dark, shadowy interior as a sort of symbolic equation to the dark recesses of the human mind. The characters all have their odd traits yet are still believable and compelling to watch. Wonderfully photographed with a strong visual style that really gives this film a distinct look and personality.

Stander, who is probably best known as Max on the old HART TO HART series, has one of his finest roles. He plays a brute that mixes both savage and human traits all at the same time. Plesance though is astounding, playing a truly pathetic character that is simply unforgettable

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4 out of 7 people found the following comment useful :-
Brilliant!, 7 September 2006

Author: pljewkes from Boston, MA

*** This comment may contain spoilers ***

Released at a time when the likes of DOCTOR ZHIVAGO and THE SOUND OF MUSIC were tearing up the box-office and winning oodles of Oscars, CUL-DE-SAC has more going on than both of those bloated epics combined. Assembling one of the most sublime casts imaginable, Roman Polanski apes his earlier KNIFE IN THE WATER by having a couple's seemingly idyllic relationship interrupted ---this time by two interlopers...a hooligan and his infirm sidekick. The couple's already precarious relationship begins to crack and ultimately shatters in a climax of distrust and panic. But not before giving their guests an unexpected run for their money.

Donald Pleasence and Francoise Dorleac make a truly odd couple and, as the hoods, Lionel Stander and Jack MacGowran, are alternately menacing and pathetic. It's great to see the always interesting Stander land such a plum role.

CUL-DE-SAC is probably the most cutting movie Polanski has ever made. Never too successful with comedy, Polanski infused this movie with a good deal of humor, albeit always very black. One of the films highlights has Dorleac putting a match to some paper she's stuffed between Stander's toes!

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14 out of 27 people found the following comment useful :-
Too bizarre, too perverse, too incomprehensible to sustain the suspense that must have been intended…, 30 April 2005

Author: ironside (robertfrangie@hotmail.com) from Mexico

"Cul-de-Sac" is another strange kind of a suspense film… It is about a hoodlum invading the privacy of a rich, highly eccentric couple, impresses with its darkly comic account of power games and communication breakdown…

Here Polanski isolated his characters in an old castle on Holy Island, off the Northumberland coast... And what characters they were: Donald Pleasance, putting on his wife's nightie and using her make-up in the retreat to which he had escaped from the unappealing world; Francoise Dorléac as the stunning bird; and Lionel Stander as the savage intruder blundering in…

A lot of critics gave a lot of praise to this film – presumably on the precept that if it's bizarre and a bit perverse and nobody understands it, it must be good… I found it just too bizarre, too perverse, too incomprehensible to sustain the suspense that must have been intended…

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sticks to the mind, 24 June 2009

Author: wvisser-leusden from Netherlands

Somehow Roman Polanski's Cul-de-Sac (= French for 'dead end street') sticks to the mind.

I suppose this is due to the unique & perfect mix of its devilish plot, its setting in a desolate seaside landscape, and the slight eccentricity of the castle's landlord.

Add to it the great roles of the surviving gangster, and that of the landlord's young French wife -- a former prostitute.

These three main characters connect convincingly with each other, all the way down to Cul-de-Sac's final credits. Which is quite impressive, given the enduring high-pressure tension in this film's bottom line.

The black and white picturing seems to be OK, too. One feels that the use of color is needless here, and would only distract unnecessarily.

About a year after its completion, Cul-de-Sac's devilish mood of impending doom was revived by the fate of female lead Francoise Dorleac. She died in a car accident.

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1 out of 2 people found the following comment useful :-
Happened in a castle..., 13 March 2009

Author: Petri Pelkonen (petri_pelkonen@hotmail.com) from Finland

A wounded criminal, Dickie and his dying partner Albie find an old seaside castle.That castle is full of chickens and it is owned by the meek and a bit neurotic George and his sensual young wife Teresa.Now these two are the hostages of Dickie, who's waiting for his boss to come.Cul-de-sac (1966) was the second film of Roman Polanski in English.It's a fascinating movie, and a bit bizarre, perhaps.You have to like Donald Pleasence's work as George.His character is comical but also tragic, shy and sensitive, someone who's easy to be manipulated.The way George is ridiculed by his woman, who dresses him as a woman and puts on some make-up on him tells a lot about what kind of a man George is.Francoise Dorléac is perfect in the role of his Mrs.Lionel Stander is somewhat sympathetic as Dickie.Jack MacGowran, who's also remembered from Polanski's Dance of the Vampires from the next year, plays Albie brilliantly.Ian Quarrier plays Christopher.Jacqueline Bisset makes her second film appearance in a small role.This movie has a lot of memorable stuff.It's great to watch when they have unexpected guests of George's friends and Dickie has to portray a butler.Or the moments on the beach with Teresa swimming nude in the background.This movie has some comedy.It has some psychological thriller.It has some drama.It has everything to keep you captivated.

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1 out of 2 people found the following comment useful :-
Max to the max, 18 August 2001

Author: Josep Parareda from Manlleu, Catalonia

The quiet life of a couple living in a castle located in a peninsula whose road submerges when the tide is high, is disturbed when two gangsters reach there.

Richard -Lionel Stander (Max in Hart to Hart)- must face the waters, hens, a rotted stair, a transvestite, a diet of eggs, an annoying family, a flirting blond boy, an incompetent barber, a small boy gunman,...and even change into an unexpected butler with a new butler's suitable name, the melody of a record player, forced to play the bicycle joke...

I really enjoy all the actors, funny location, imaginative plot, odd situations, and the pace. Cul-de-sac (by the way a catalan origin word) is not for nervous people but for those who enjoy contemplation.

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