7.8/10
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Io la conoscevo bene (1965)

Not Rated | | Drama | 2 December 1965 (Italy)
Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.

Writers:

(story), (story) | 4 more credits »
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6 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Adriana Astarelli
...
Emilio Ricci, aka Bietolone
...
Dario Marchionni
...
The Writer
...
Cianfanna
Enrico Maria Salerno ...
Roberto
...
Gigi Baggini
...
Barbara, the lady friend of Adriana
...
Paganelli
Turi Ferro ...
Il commissario
...
Antonio Marais
...
Italo - The garage attendant
Véronique Vendell ...
Alice Stendhal (as Veronique Vendell)
Franca Polesello ...
Maria - The usherette
Renato Terra ...
Man in the caravan (as Renato Terra Caizzi)
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Storyline

Adriana, a naive Italian country girl, moves to Rome to become a movie star and experiences the dark side of the business.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

| |

Language:

Release Date:

2 December 1965 (Italy)  »

Also Known As:

Yo la conocía bien  »

Box Office

Opening Weekend:

$9,312 (USA) (5 February 2016)

Gross:

$9,312 (USA) (5 February 2016)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The soundtracks have a lot of hit tunes from the 60s. They show what people listen to in pop music in Italy at the time. See more »

Connections

Referenced in Il bosco fuori (2006) See more »

Soundtracks

Addio
Lyrics by Antonio Amurri
Composed by Piero Piccioni (as Morgan)
Performed by Mina
Courtesy of Dischi RI.FI.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A compelling Italian treat
23 May 2016 | by (United States) – See all my reviews

A great capsule of life in Italy in the early 60s. There are shades of la Dolce Vita since every scene takes place in summer and features incredible clothing, but our point of view here is radically different: it is that of a vulnerable young woman instead of a successful jaded male intellectual like in the Fellini movie. The vita is not so dolce for the girl played by the innocent-looking Stefania Sandrelli (who was apparently only 19 when she starred in that film, but what maturity she displays as an actress already.) A peasant girl from the sticks, we meet her right away in Rome where she aspires to glamour, stardom, fame etc. But because she does not know anyone, and is both naive and not very bright to boot, she takes many wrong turns and indulges all the wrong people. This film is very entertaining, because we are in Rome in 1964, it feels and looks like a hot summer all along, and the dresses worn by Sandrelli are unbelievably glamorous. But it is a ferocious social satire, and it is tender neither to our silly heroine nor to the sharks who exploit her and many others. The black&white photography is gorgeous on the eyes. Nino Manfredi and Ugo Tognazzi do each a memorable turn among the victim/exploiters that populates this Roman shark tank. Sandrelli is so good (and so beautiful) that she manages to make her character attaching in spite of her flaws.


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