Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, ... See full summary »
The story takes place in 16th century England. But men like Sir Thomas More, who love life yet have the moral fiber to lay down their lives for their principles, are found in every century. Concentrating on the last seven years of English chancellor's life, the struggle between More and his King, Henry VIII, hinges on Henry's determination to break with Rome so he can divorce his current wife and wed again, and good Catholic More's inability to go along with such heresy. More resigns as chancellor, hoping to be able to live out his life as a private citizen. But Henry will settle for nothing less than that the much respected More give public approval to his headstrong course. Written by
One of only 4 productions to win both the Best Play Tony (1962) and the Best Picture Oscar (1966). The other 3 are My Fair Lady (1964) (1957/1964), The Sound of Music (1965) (1960/1965) and Amadeus (1984) (1981/1984). See more »
In the beginning of the film, when the messenger is being rowed to Thomas More's house, the sun is setting in the sky, it is obvious that daylight is fading. When the messenger arrives at More's house, the daylight is no longer fading and instead the brightness of the day indicates early afternoon or even morning. See more »
[first spoken lines are over 6 minutes into the film]
...there's the country every second bastard born is fathered by a priest.
[clears throat to get More's attention]
Why, in Utopia, that couldn't be.
Well, there the priests are very holy.
Therefore, very few.
Sir Thomas More:
Is it anything interesting, Matthew?
Bless you, sir, I don't know.
[...] See more »
A Man for all Seasons is simply a fantastic film which I highly recommend to anyone who enjoys historical dramas. The film is directed by the late great Fred Zinnemann, who has helmed such diverse classics as From here to Eternity and Day of the Jackal, brings a sense of immediacy to the screen, and thereby transcends some of the screenplays stage like origins.
Paul Scofield plays the title role of Sir Thomas More. His dilemma being that he's forced against his will to acknowledge King Henry VIII divorce. The film's action therefore is confounded to a battle of wits between Sir Thomas Moore and his opponents at the Kings court.
That might not sound like much in terms of excitement in the classical sense, but this is offset by the brilliant acting of the entire cast and especially Paul Scofield, who received an Academy Award for his outstanding work, as Sir Thomas Moore and his main nemesis Thomas Cromwell, played by Leo McKern, exchange arguments and counterarguments in a bid for victory, where only one of them may come out the winner.
The sumptuous productions values must also be noted as they play a crucial part in the film's overall success. Both the cinematography and the music is some the best I've seen in a period-piece such as this one. As I've just said, a truly fantastic achievement by all involved parties. Go and see for yourselves!! You won't be disappointed! I'll guarantee You that!
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