| Estella Blain | ... | Nadja | |
| Mabel Karr | ... | Irma Zimmer | |
| Howard Vernon | ... | Dr. Vicas | |
| Fernando Montes | ... | Philippe | |
| Marcelo Arroita-Jáuregui | (as Marcel Arroita) | ||
| Cris Huerta | |||
| Alberto Bourbón | (as Albert Bourbon) | ||
| Guy Mairesse | ... | Hans Bergen | |
| rest of cast listed alphabetically: | |||
| Ana Castor | ... | Barbara (uncredited) | |
| Alberto Dalbés | ... | (uncredited) | |
| Jesus Franco | ... | (uncredited) | |
| Antonio Jiménez Escribano | ... | Dr. Zimmer (uncredited) | |
| José María Prada | ... | (uncredited) | |
| Lucía Prado | ... | (uncredited) | |
| Daniel White | ... | Inspector Green (uncredited) | |
Directed by | |||
| Jesus Franco | |||
Writing credits | ||
| Jesus Franco | (original screenplay) (as David Kuhne) | |
| Jean-Claude Carrière | (adaptation) | |
| Jean-Claude Carrière | (dialogue) | |
Produced by | |||
| Michel Safra | .... | producer | |
| Serge Silberman | .... | producer | |
Original Music by | |||
| Daniel White | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Marie-Louise Barberot | |||
| Jean Feyte | |||
Production Design by | |||
| Antonio Cortés | (as Tony Cortes) | ||
Makeup Department | |||
| Raymond Ferrer | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Robert Demollière | .... | assistant director (as R. Demollière) | |
Camera and Electrical Department | |||
| Clemente Manzano | .... | camera operator | |
Editorial Department | |||
| Arlette Lalande | .... | assistant editor | |
| Monique Teisseire | .... | assistant editor | |
Other crew | |||
| Odette Darrigol | .... | production secretary | |
| Nicole Guettard | .... | script supervisor | |
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| Fascination | Sie tötete in Ekstase | Cronos | Abre los ojos | Carnages |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb Spain section |
Probably a good starting point to explore your Franco. This is a well written and smoothly running yarn of obsession and revenge, with handsome and solid cast, hypnotic soundtrack and first class camera work. There's the ethereal Estella Blain, a beauty who is changed into a killing machine, with powers to mesmerize men. Knowing that in real life she ended her life with a shotgun adds to the morbid fascination of seeing her. The scene of her seducing one of her victims on a train, in sudden silence and almost complete darkness as the train enters a tunnel, is so weirdly beautiful that one is compelled to watch it several times. My second viewing of this film was in a rather tired company, and I witnessed a drunkard - well, an intoxicated young gentlemen - wake up from his slumber just because of the dreamlike soundtrack and becoming glued to the screen. These are the moments that make film the greatest of art forms. Otherwise I'm not a great fan of Mr Franco. A man who directs about 200 films can't hit a bullseye every time. But this time he really has. A piece de resistance for every eurotrash lover. How lucky you are if you haven't seen this film yet and are planning a viewing!