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Persona (1966)
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Overview
User Rating:
Director:
Writer:
Ingmar Bergman (story)
Release Date:
16 March 1967 (USA)
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Tagline:
Previously unseen Director's Cut more
Plot:
A nurse is put in charge of an actress who can't talk and finds that the actress's persona is melding with hers. full summary | add synopsis
Plot Keywords:
Awards:
Nominated for BAFTA Film Award.
Another 5 wins
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NewsDesk:
(11 articles)
Holiday Preview: A Repertory Calendar
(From IFC. 3 November 2009, 1:01 PM, PST)
Eric Hatch: News Correspondent
(From SoundOnSight. 1 October 2009, 11:42 AM, PDT)
(From IFC. 3 November 2009, 1:01 PM, PST)
Eric Hatch: News Correspondent
(From SoundOnSight. 1 October 2009, 11:42 AM, PDT)
User Comments:
Rambling on...
more (107 total)
Cast
(Complete credited cast)| Bibi Andersson | ... | Alma, The Nurse | |
| Liv Ullmann | ... | Elisabeth Vogler, The Actress | |
| Margaretha Krook | ... | The Doctor | |
| Gunnar Björnstrand | ... | Mr. Vogler |
Additional Details
Also Known As:
Kinematografi (Sweden) (working title)
A Máscara (Portugal) [pt]
Erotes horis fragmo (Greece) (subtitle) [el]
Naisen naamio - Persona (Finland) [fi]
Persona (Greece) [el]
Quando Duas Mulheres Pecam (Brazil) [pt]
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A Máscara (Portugal) [pt]
Erotes horis fragmo (Greece) (subtitle) [el]
Naisen naamio - Persona (Finland) [fi]
Persona (Greece) [el]
Quando Duas Mulheres Pecam (Brazil) [pt]
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Parents Guide:
Runtime:
85 min | Argentina:80 min | USA:83 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Certification:
Finland:K-15 (2004) |
Finland:K-16 (cut) (1967) |
France:Unrated |
Portugal:M/16 |
Argentina:16 |
Australia:M |
Singapore:NC-16 |
Sweden:15 |
UK:15 (re-rating) (2002) |
UK:X (original rating) |
West Germany:12
Filming Locations:
Company:
Fun Stuff
Trivia:
According to himself, Ingmar Bergman fell in love with Liv Ullmann during the making of the movie.
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Quotes:
The Doctor:
I understand, all right. The hopeless dream of being - not seeming, but being. At every waking moment, alert. The gulf between what you are with others and what you are alone. The vertigo and the constant hunger to be exposed, to be seen through, perhaps even wiped out...
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FAQ
This FAQ is empty. Add the first question.more (107 total)
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I don't know what to say about Persona, but I know I have to say something. I can say straight out that I did not fully grasp it, nor do I believe that it is fully able to be grasped. Like my favorite film, 2001, Persona allows for a plethora of interpretations, none of which can ever be said to be correct. But I know now that I do not understand everything. And I love that about it.
Jesus, it needs to be released on DVD. Criterion, are you listening??? Screw everything else for the moment, do a DVD edition of Persona complete with scholarly commentary (and not the same scholar who commented on your edition of The Seventh Seal, because he did not answer my questions). Not that I want anybody to tell me definitively what anything means, because I doubt anyone can do that. I just want some people to share my thoughts with. I want to watch and rewatch this film dozens of times. With a DVD, a nice one, I could scrutinize it extremely carefully, as I have thankfully been able to do with such great films as The Seventh Seal, The Third Man, Nashville, etc, etc, etc. Watch a scene, quickly rewind, watch it again and memorize each and every word and motion. I'm starting to feel like the main character from Antonini's Blowup! I rented this film two days ago and have watched it twice. If I had not been so tired the first night, I surely would have gone through it a second time that very same night. Doubtless, I would have done it again later. And I still have it for a couple of days, the rest of my life be damned!
All I can really comment on is the artistry of Sven Nykvist, the cinematographer, always been one of the very best, and on the acting skills of Liv Ulmann and especially Bibi Andersson, who gives one of the bravest and most powerful performances I've ever seen in a movie. I would compare her skill in this film to my favorite performance of all time (that I've seen): Marlon Brando in Last Tango in Paris. It seemed to me that she was becoming extremely involved in her character.
And this is where I need to just engulf myself in this film. While I cannot exactly "get" this film from a narrative angle entirely, the important thing, and the aspect of the film which will no doubt bring me back time after time (as long as I can someday get it on DVD, because, as far as I'm concerned, VHS is only for rental anymore) is the emotional aspect. While my intellect had a somewhat difficult time holding on to the text of the film, my emotions were right with the characters. It was an extraordinarily gut-wrenching film for me, and I felt, well, some weird feelings after it ended (part of which certainly had to do with the fact that certain parts of the movie boggled my mind). So my final score is without a doubt a 10/10. Few movies compare.