Overview
Release Date:
16 March 1967 (USA)
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Tagline:
Previously unseen Director's Cut
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Plot:
A nurse is put in charge of an actress who can't talk and finds that the actress's persona is melding with hers.
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Awards:
Nominated for BAFTA Film Award.
Another 5 wins
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User Comments:
Liv Ulmann's smile
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Crew verified as complete
Additional Details
Also Known As:
Kinematografi (Sweden) (working title)
A Máscara (Portugal) [pt]Naisen naamio - Persona (Finland) [fi]Quando Duas Mulheres Pecam (Brazil) [pt]
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Runtime:
85 min | Argentina:80 min | USA:83 min
Aspect Ratio:
1.37 : 1
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Fun Stuff
Quotes:
Sister Alma:
Is it really important not to lie, to speak so that everything rings true? Can one live without lying and quibbling and making excuses? Isn't it better to be lazy and lax and deceitful? Perhaps you even improve by staying as you are. (No response) My words mean nothing to you. People like you can't be reached. I wonder whether your madness isn't the worst kind. You act healthy, act it so well that everyone believes you--everyone except me, because I know how rotten you are.
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Related Links
Profound studie of the human psyche. Honest story about nooks of existence and vain hopes. Anatomy of helplessness and deep solitude. Life as convention, mask for feelings and expectations.
Another room of Bergman's universe. Same cruel instruments, game of flash-backs and dream sequences, visions and memories. Fight between two women as screen for interior struggle. Impact of consciences and lights of sin. Illness like armour against fake images and empty future. Confesions like way to be yourself. Like cries suffocates by silence of the other.
Story about refuse and cages. About dreams and disillusions. About chaotic values and flavour of extinction. People as rabbits for experiments. The other like sign of salvation. And the question of soul.
"Persona" is an act of confrontation between Ingmar Bergman and God. The silence, the cruelty of letters, the cries and the confessions of Alma are only guns in a strange and ambiguous war. So, any film of this great director is a religious personal answer to permanent subtle fear. In this case, the shadow of divine presence is the Liv Ulmann smile.