| Photos (see all 22 | slideshow) | Videos (see all 5) |
| Spencer Tracy | ... | Matt Drayton | |
| Sidney Poitier | ... | Dr. John Wade Prentice | |
| Katharine Hepburn | ... | Christina Drayton | |
| Katharine Houghton | ... | Joey Drayton | |
| Cecil Kellaway | ... | Monsignor Ryan | |
| Beah Richards | ... | Mrs. Prentice | |
| Roy Glenn | ... | Mr. Prentice (as Roy E. Glenn, Sr.) | |
| Isabel Sanford | ... | Tillie (as Isabell Sanford) | |
| Virginia Christine | ... | Hilary St. George | |
| Alexandra Hay | ... | Carhop | |
| Barbara Randolph | ... | Dorothy | |
| D'Urville Martin | ... | Frankie | |
| Tom Heaton | ... | Peter | |
| Grace Gaynor | ... | Judith | |
| Skip Martin | ... | Delivery Boy | |
| John Hudkins | ... | Cab Driver | |
| rest of cast listed alphabetically: | |||
| Jacqueline Fontaine | ... | Singer (uncredited) | |
Directed by | |||
| Stanley Kramer | |||
Writing credits | ||
| William Rose | (written by) | |
Produced by | |||
| George Glass | .... | associate producer | |
| Stanley Kramer | .... | producer | |
Original Music by | |||
| Frank De Vol | (as De Vol) | ||
Cinematography by | |||
| Sam Leavitt | |||
Film Editing by | |||
| Robert C. Jones | |||
Production Design by | |||
| Robert Clatworthy | |||
Set Decoration by | |||
| Frank Tuttle | |||
Makeup Department | |||
| Joe DiBella | .... | makeup artist (as Joseph Di Bella) | |
| Helen Hunt | .... | hair stylist | |
| Ben Lane | .... | makeup artist | |
Production Management | |||
| Ivan Volkman | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Ray Gosnell Jr. | .... | assistant director (as Ray Gosnell) | |
| Leonard Kunody | .... | assistant director (uncredited) | |
Art Department | |||
| Clarence Peet | .... | property master | |
| Jim Bochman | .... | set designer (uncredited) | |
| Gabe Resh | .... | set designer (uncredited) | |
Sound Department | |||
| Robert Martin | .... | sound | |
| Clem Portman | .... | sound re-recordist | |
| Charles J. Rice | .... | sound | |
| James F. Rogers | .... | boom operator (uncredited) | |
Special Effects by | |||
| Geza Gaspar | .... | special effects | |
Camera and Electrical Department | |||
| Larry Butler | .... | process photographer | |
| Les Everson | .... | chief electrician | |
| William Gossman | .... | camera operator | |
| Martin Kashuk | .... | company grip (as Marty Kashuk) | |
| Doug J. Campbell | .... | company grip (uncredited) | |
| Ron Cooney | .... | grip (uncredited) | |
| Darryl Kenzel | .... | assistant camera (uncredited) | |
| John Monte | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Joe King | .... | costumes | |
| Jean Louis | .... | wardrobe supervisor | |
| Edna Taylor | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| Tony Friedman | .... | assistant editor (uncredited) | |
Music Department | |||
| Mike Deasy | .... | musician (uncredited) | |
Other crew | |||
| Marshall Schlom | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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I feel sorry for John Seal, the reviewer above, for his views on this movie, as well as his views on interracial marriage. I think this movie is excellent, I enjoyed the performances of all the actors and the message is important. Racial prejudice was common in 1967, and the very first interracial kiss on TV was still to come (it happened in 1969 on Star Trek). People needed to hear the message this movie contains, that color and race are not something that should prevent two people who love each other from marrying. I am a white American married to a Japanese female and I am proud that our children will grow up to live in a world where people have tolerance for different cultures and beliefs. It is sad to watch Spencer Tracy in this movie, knowing he died weeks after it was made. But it was nice that he could act with Katherine Hepburn, the love of his life, so close to his death. That must have made him happy.