| Photos (See all 16 | slideshow) | Videos (see all 2) |
| Paul Newman | ... | John Russell | |
| Fredric March | ... | Dr. Alex Favor | |
| Richard Boone | ... | Cicero Grimes | |
| Diane Cilento | ... | Jessie | |
| Cameron Mitchell | ... | Frank Braden | |
| Barbara Rush | ... | Audra Favor | |
| Peter Lazer | ... | Billy Lee Blake | |
| Margaret Blye | ... | Doris Blake | |
| Martin Balsam | ... | Henry Mendez | |
| Skip Ward | ... | Steve Early | |
| Frank Silvera | ... | Mexican bandit | |
| David Canary | ... | Cowboy in Bar | |
| Val Avery | ... | Delgado | |
| Larry Ward | ... | Soldier | |
| rest of cast listed alphabetically: | |||
| Linda Cordova | ... | Mrs. Delgado (uncredited) | |
| Pete Hernandez | ... | Apache (uncredited) | |
| Merrill C. Isbell | ... | Apache (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Irving Ravetch | (screenplay) and | |
| Harriet Frank Jr. | (screenplay) | |
| Elmore Leonard | (novel) | |
Produced by | |||
| Irving Ravetch | .... | producer | |
| Martin Ritt | .... | producer | |
Original Music by | |||
| David Rose | |||
Cinematography by | |||
| James Wong Howe | (director of photography) | ||
Film Editing by | |||
| Frank Bracht | |||
Art Direction by | |||
| Jack Martin Smith | |||
| Robert Emmet Smith | (as Robert E. Smith) | ||
Set Decoration by | |||
| Raphael Bretton | (set decorations) | ||
| Walter M. Scott | |||
Costume Design by | |||
| Donfeld | (costumes designed by) | ||
Makeup Department | |||
| Margaret Donovan | .... | hair styles | |
| Ben Nye | .... | makeup artist | |
Production Management | |||
| Harry Caplan | .... | unit production manager (as Harry A. Caplan) | |
Second Unit Director or Assistant Director | |||
| William McGarry | .... | assistant director | |
| Christopher Seitz | .... | assistant director (uncredited) | |
Sound Department | |||
| John R. Carter | .... | sound | |
| David Dockendorf | .... | sound | |
Stunts | |||
| Terry Leonard | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| George P. Wilbur | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Mitchell | .... | still photographer (uncredited) | |
Music Department | |||
| Jack Hayes | .... | orchestration | |
| David Rose | .... | conductor | |
| Leo Shuken | .... | orchestration | |
Other crew | |||
| Tim Burstall | .... | attachment | |
| Meta Rebner | .... | script supervisor | |
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| Appaloosa | The Phantom Rider | The Phantom Rider | The Treasure of the Sierra Madre | The Searchers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Outstanding direction, writing, acting, and cinematography make this film perhaps the best western ever made, and certainly outstanding in it's genre. The good guys aren't all that good, and the bad guys are despicable. The dialogue is from Elmore Leonard, and is some of the best dialogue ever written, western or not. Example: Early in the film Diane Cilento has retreated to the privacy of a shack to remove her petticoat because of the heat. Paul Newman is in the room, and watches her silently as she bears her legs. Then he says, "You'd better stop right there lady, or I'm gonna know all there is to know about you." Ms Cilento's character Jessie (a hard frontier woman who runs a boarding house and sleeps with the town sheriff) retorts, "You might have cleared your throat." Newman says, "I couldn't, my heart was in it." The minor part cast is also outstanding: Martin Balsam, Richard Boone, Cameron Mitchell, David Canary. I also mention the cinematographer, often overlooked, because it was James Wong Howe (Molly McGuires, This Property is Condemned, Hud, Fantasia) who was one of the greatest cinematographers that has ever lived.