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In the Heat of the Night (1967)

Approved | | Crime, Drama, Mystery | 25 October 1967 (Argentina)
An African American police detective is asked to investigate a murder in a racially hostile southern town.

Director:

Writers:

(screenplay), (based on a novel by)
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Won 5 Oscars. Another 17 wins & 14 nominations. See more awards »
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Cast

Cast overview, first billed only:
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...
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Endicott
James Patterson ...
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Mayor Schubert
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Mama Caleba
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Courtney
Kermit Murdock ...
Henderson
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Watkins
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Packy
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Ulam
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Dr. Stuart
Quentin Dean ...
Delores
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Storyline

Detective Virgil Tibbs is caught up in the racial tension of the US South when he is arrested after the murder of a prominent businessman. Tibbs was simply waiting for his next train at the station in Sparta, Mississippi and the confusion is soon resolved but when local police chief Gillespie learns that Tibbs is the Philadelphia PD's number one homicide expert, he reluctantly asks for his assistance. The murdered man, Mr. Colbert, had come to Sparta from the North to build a new factory and his wife and business associates immediately point the finger at Endicott, the most powerful man in the county and the one who had the most to lose if a major new employer comes to the area. Tibbs' life is clearly in danger but he perseveres in a highly charged and racially explosive environment until the killer is found. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

They're going to pin something on that smart cop from Philidelphia . . . maybe a medal . . . maybe a murder! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 October 1967 (Argentina)  »

Also Known As:

Al calor de la noche  »

Filming Locations:

 »

Box Office

Budget:

$2,000,000 (estimated)

Gross:

$24,379,978 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Sound)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

A sign at the Sparta depot refers to the "Rebel Road." This is a reference to the Gulf Coast Rebel, a named train that began in 1937 and ran between Mobile and Union, MS, and was later extended to St. Louis. However, this would be an out of date artifact in 1966 as the GM&O ceased operations South of St. Louis in 1960 (although the company headquarters were in Mobile until 1972.) See more »

Goofs

When Harvey is running onto the bridge, the route sign says Arkansas 49. Arkansas does not have a State route 49. There is however a U.S. Route 49 that crosses the Mississippi River from Mississippi into Arkansas. See more »

Quotes

[first lines]
Ofcr. Sam Wood: Where you keeping the pie tonight?
Ralph Henshaw, diner counterman: I ate the last piece just before you came in.
See more »

Crazy Credits

No uppercase ("capital") letters are used in the opening and closing credits, including the film's title, cast and characters, crew and job titles, and company credits. See more »


Soundtracks

In the Heat of the Night
Music by Quincy Jones (uncredited)
Lyrics by Alan Bergman (uncredited) and Marilyn Bergman (uncredited)
Sung by Ray Charles
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Frequently Asked Questions

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User Reviews

 
flawless movie, deserved Best Picture
29 March 2004 | by (Brooklyn, NY) – See all my reviews

There are many bad "issues" movies out there, but this is not one of them. In a bad movie, all of the racist characters would be one dimensional and one hundred percent evil; here, Steiger is allowed to play a prejudiced man who is actually sympathetic and capable of growth (hence the Oscar). In a great twist, Virgil Tibbs himself is shown to be capable of prejudice, as he pursues Endicott without sufficient evidence. It's refreshing to see a movie that portrays the entire spectrum of racism, from the crazy extremists (and there are plenty of those on hand here) to the more subtly prejudiced.

"Mississippi Burning," a weaker effort, is not only more tediously didactic, but also less progressive; that film doesn't feature a protagonist like Virgil Tibbs, and instead focuses on the actions of two white federal agents. In this case, the old movie really is the better movie; produced at the height of the civil rights struggle, "In the Heat of the Night" feels more immediate and passionate than preachy films on the subject that were made years later, after the tension had died down.

Some reviewers complain that the mystery segments of the film are confusing, but I follow them without much trouble. Tibbs does a great Sherlock Holmes routine throughout, as he pieces together the solution based on clues that are also available to viewers. Sure, the ending is surprising, but it doesn't come entirely out of left field; I actually admire the subtle ways that clues are sewn throughout the film. If you're not used to mysteries, the barrage of red herrings and dead-end clues might surprise you, but it's pretty standard stuff for the genre.

I knew about the classic line "They call me Mr. Tibbs!" long before I actually saw this movie. I used to wonder why the line was so famous; it doesn't sound that exciting, does it? But when I finally heard Poitier say it in context, I asked my brother to pause the tape so I could cheer without missing any of the subsequent dialog. That's how excited I get during this movie. The performances are so naturalistic, and the racial conflict so vividly drawn, that I get pulled into the action completely. Though 1967 was a strong year for films, I still think that the right one got Best Picture, and not just because it was topical; "In the Heat of the Night" is a well-directed, superb character study, populated by some of the most vivid characters I've ever encountered in a movie.


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