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La mariée était en noir (1968)
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Overview
User Rating:
Director:
Writers:
Release Date:
25 June 1968 (USA)
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Tagline:
She was a bride when the violence happened... Now she's a widow and it's going to happen again
Plot:
Julie Kohler is prevented from suicide by her mother. She leaves the town. She will track down, charm and kill five men who do not know her...
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Plot Keywords:
Awards:
Nominated for Golden Globe.
Another 1 nomination
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NewsDesk:
Bernard Hermann Tributes On Turner Classic Movies Every Tuesday In September
(From CinemaRetro. 26 August 2009, 9:43 AM, PDT)
(From CinemaRetro. 26 August 2009, 9:43 AM, PDT)
User Comments:
Moreau's show
more (28 total)
Cast
(Cast overview, first billed only)| Jeanne Moreau | ... | Julie Kohler | |
| Michel Bouquet | ... | Coral | |
| Jean-Claude Brialy | ... | Corey | |
| Charles Denner | ... | Fergus | |
| Claude Rich | ... | Bliss | |
| Michael Lonsdale | ... | Rene Morane (as Michel Lonsdale) | |
| Daniel Boulanger | ... | Delvaux | |
| Alexandra Stewart | ... | Mlle Becker | |
| Sylvine Delannoy | ... | Mme Morane | |
| Luce Fabiole | ... | Julie's mother | |
| Michèle Montfort | ... | Fergus's model | |
| Jacqueline Rouillard | |||
| Paul Pavel | ... | Mechanic | |
| Gilles Quéant | ... | Examining judge (as Gilles Queant) | |
| Serge Rousseau | ... | David |
Additional Details
Also Known As:
The Bride Wore Black (Australia) (UK) (USA)
La sposa in nero (Italy)
La novia vestía de negro (Argentina) (Mexico) (Spain) [es]
Die Braut trug schwarz (Austria) (West Germany) [de]
A Noiva Estava de Luto (Portugal) [pt]
A Noiva Estava de Preto (Brazil) [pt]
A menyasszony feketeben volt (Hungary) [hu]
Brud i sort (Norway) [no]
Bruden bar svart (Sweden) [sv]
Bruden var i sort (Denmark) [da]
De bruid droeg zwart (Belgium: Flemish title) [un]
I nyfi forouse mavra (Greece) [el]
La novia vestia de negro (Uruguay) [es]
Mireasa era in negru (Romania) [ro]
Morsian pukeutui mustaan (Finland) [fi]
Nevesta bola v ciernom (Czechoslovakia: Slovak title) [sk]
Nevesta byla v cernem (Czechoslovakia: Czech title) [cs]
Panna mloda w zalobie (Poland) [pl]
Siyah gelinlik (Turkey: Turkish title) [tr]
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La sposa in nero (Italy)
La novia vestía de negro (Argentina) (Mexico) (Spain) [es]
Die Braut trug schwarz (Austria) (West Germany) [de]
A Noiva Estava de Luto (Portugal) [pt]
A Noiva Estava de Preto (Brazil) [pt]
A menyasszony feketeben volt (Hungary) [hu]
Brud i sort (Norway) [no]
Bruden bar svart (Sweden) [sv]
Bruden var i sort (Denmark) [da]
De bruid droeg zwart (Belgium: Flemish title) [un]
I nyfi forouse mavra (Greece) [el]
La novia vestia de negro (Uruguay) [es]
Mireasa era in negru (Romania) [ro]
Morsian pukeutui mustaan (Finland) [fi]
Nevesta bola v ciernom (Czechoslovakia: Slovak title) [sk]
Nevesta byla v cernem (Czechoslovakia: Czech title) [cs]
Panna mloda w zalobie (Poland) [pl]
Siyah gelinlik (Turkey: Turkish title) [tr]
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Parents Guide:
Runtime:
107 min
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Certification:
UK:12 |
Portugal:M/12 |
Netherlands:12 (2009) (DVD) |
Argentina:13 |
Canada:G (video rating) |
Finland:K-16 |
Sweden:15 |
USA:Unrated |
West Germany:16 (nf)
Filming Locations:
Company:
Fun Stuff
Trivia:
This film is François Truffaut's homage to Alfred Hitchcock, made shortly after Truffaut had published a book of extensive interviews with Hitchcock. As part of his homage, Truffaut chose a novel written by Cornell Woolrich, on who's story Hitchcock's Rear Window (1954) was based, and even chose long-time Hitchcock collaborator Bernard Herrmann to compose the score.
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Goofs:
Continuity: When the Bride is looking at herself in the bathroom mirror after she changes into her Diana costume, she is wearing a bracelet; the bracelet is given to her by Fergus only after she is wearing the costume.
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Quotes:
Julie Kohler:
Je suis Julie Kohler!
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Movie Connections:
Referenced in The Family Stone (2005)
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FAQ
This FAQ is empty. Add the first question.more (28 total)
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Interesting take on Hitchcock territory, although it lacks the suspense and capacity to involve the viewer as The Master's films always did. The true wonder here is Jeanne Moreau, as cool as a cucumber, going about her revenge business with clockwork accuracy, exuding class and talent equivalent to five of today's stars. Bernard Herrman's passionate score seems slightly out of place against the film's emotional detachment, and most of the time things fall just a little bit too perfectly in place, but overall, this is a satisfying film, of interest to genre fans.