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The Perils of Pauline (1967)

This version of the Perils of Pauline (recognizable from the others by it's song "Where are you my pretty Pauline...I love you my pretty Pauline) follows the story of Pauline from her being... See full synopsis »


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Complete credited cast:
Caspar Coleman
Doris Packer ...
Mrs. Carruthers
Consul General
Aram Katcher ...
Rick Natoli ...
Prince Benji


This version of the Perils of Pauline (recognizable from the others by it's song "Where are you my pretty Pauline...I love you my pretty Pauline) follows the story of Pauline from her being found on the doorstep of the orphanage to being a tutor to a crazy 12 year old prince in India who wants to make her the start of his harem, on to being frozen in a block of ice, traveling through the jungle where both a gorilla and a big game hunter fall in love with her, almost getting married, various other hijinks, and finally at the end in a boat with the love of her life. Throughout it all she is constantly in peril from one thing or another, crocodiles, hippos, car accidents, drowning, you name it. Even at the very end the crazed big game hunter is in a scuba suit sneaking up under the boat and drilling a hole in its hull. It has been about 12 years since I've seen this movie so I've forgotten a fair bit, but I think you get the idea.

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That "Rebellion Girl" wants YOU to see her in the wildest perils ever! See more »




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Release Date:

24 July 1969 (Mexico)  »

Also Known As:

Os Perigos de Paulina  »

Company Credits

Production Co:

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Technical Specs


(TV premiere)

Sound Mix:

(Westrex Recording System)



Aspect Ratio:

1.37 : 1
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Did You Know?


The voice of Prince Benji was dubbed by voice specialist June Foray. She also supplied the voice of baby Pauline. See more »


My Pretty Pauline
Words and Music by Vic Mizzy
Sung by Pat Boone
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User Reviews

Very Silly-Very Little Charm
6 March 2006 | by (Kentucky) – See all my reviews

While not exactly offensive, the 1967 version of "The Perils of Pauline" is certainly moronic. The title might lead you to expect a tribute to Pearl White (the original Pauline in the 1914 silent 20 episode serial) but for that you would be better served by the 1947 version starring Betty Hutton. This 1967 version is like a mix of "Casino Royale" and the weakest of the Elvis movies. Worst of all it is not a blend of these but more like someone scotch-taped together segments from each so that the thing skips back and forth between the two styles.

What unity there is in the production comes from the pairing of Pamela Austin (Pauline) and Pat Boone (George Steadman), a good match because both lack even the most basic of acting skills (imagine Mandy Moore playing opposite Dan Quayle).

Austin would later play opposite John Aston in "Evil Roy Slade", with the talent disparity between them actually painful to watch. In the mid-60's she was the "Dodge Rebellion" girl, as such she was featured in a similar series of perilous situations-imagine Sandra Dee in a dark blue jumpsuit. When the automaker's ad agency replaced her with the "Dodge Fever" girl someone got the bright idea to showcase her in a feature film.

What story there is here begins with Pauline growing up in the Baskerville Foundling Home run by the actress who played Mrs. Chatsworth Osborne Sr. on "Dobie Gillis". George falls in love with her (Pauline-not Mrs Osborne) and sabotages several opportunities she has to be adopted. George leaves to seek his fortune and 19 year old Pauline gets a job tutoring a young oil rich Middle Eastern prince. When he tries to add the attractive blonde to his harem she runs away and goes from peril to peril. These include African pygmies, a 99½ year-old millionaire who wants to freeze her until his one year-old grandson is old enough for marriage, the movie industry, and the Russian space program.

All this is intended to be silly and charming but manages only the silly part. There is some effort to incorporate a silent film look to the action sequences by simulating the under- cranking of a camera (which speeds up the action). Unfortunately everything else (film stock, production design, editing) is depressingly 1960's. Nothing here even approaches the images of Pearl White strapped to a log moving toward a buzz-saw or tied to railway track waiting for the approaching train.

Then again, what do I know? I'm only a child.

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