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Overview
User Rating:
Director:
Writers:
Donald E. Westlake (novel)
Alexander Jacobs (writer) ...
more
Release Date:
30 August 1967 (USA) more
Tagline:
There are two kinds of people in his up-tight world: his victims and his women. And sometimes you can't tell them apart.
Plot:
Based on the theme of the individual pitted against the large, impersonal organization. Here the central... more | full synopsis
NewsDesk:
(25 articles)
Bruce Springsteen Plays The River For The First — And Only? — Time
(From MTV Newsroom. 9 November 2009, 8:10 AM, PST)
Preview: 2012
(From HeyUGuys. 6 November 2009, 4:01 PM, PST)
User Comments:
Alienation at its best more (84 total)
Cast
(Cast overview, first billed only)| Lee Marvin | ... | Walker | |
| Angie Dickinson | ... | Chris | |
| Keenan Wynn | ... | Yost | |
| Carroll O'Connor | ... | Brewster | |
| Lloyd Bochner | ... | Frederick Carter | |
| Michael Strong | ... | Stegman | |
| John Vernon | ... | Mal Reese | |
| Sharon Acker | ... | Lynne | |
| James Sikking | ... | Hired Gun | |
| Sandra Warner | ... | Waitress | |
| Roberta Haynes | ... | Mrs. Carter | |
| Kathleen Freeman | ... | First Citizen | |
| Victor Creatore | ... | Carter's Man | |
| Lawrence Hauben | ... | Car Salesman | |
| Susan Holloway | ... | Girl Customer |
Additional Details
Also Known As:
A quemarropa (Argentina) (Mexico) (cable TV title) (Spain) [es]
À Queima Roupa (Portugal) [pt]
À Queima-Roupa (Brazil) [pt]
Dönüsü olmayan yol (Turkey: Turkish title) [tr]
Hämnaren från Alcatraz (Sweden) [sv]
Le point de non-retour (France) [fr]
O epanastatis tou Alcatraz (Greece) [el]
Point Blank - Keiner darf Überleben (West Germany) [de]
Senza un attimo di tregua (Italy) [it]
Tappajan jäljet (Finland) [fi]
Zbieg z Alcatraz (Poland) [pl]
more
Parents Guide:
Runtime:
92 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Germany:16 (re-rating) | West Germany:18 (original rating) | Australia:M | Argentina:16 | Finland:K-16 | Norway:16 (cut) | Norway:18 | Sweden:15 | UK:15 (re-rating) (1998) | UK:18 (video rating) (1993) | UK:X (original rating) | USA:Approved
Filming Locations:
Company:
Fun Stuff
Trivia:
This was the first major picture to film on location at Alcatraz Island after the closure of the federal prison in 1963. more
Movie Connections:
Referenced in Quality Indigo (2005) more
Soundtrack:
Mighty Good Times more
FAQ
This FAQ is empty. Add the first question.more (84 total)
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I first saw this movie when I was in college in the Seventies. I viewed the film again in 2001. The power of the film was the same on my senses. Several reasons come up: British Director John Boorman was at his best trying to outdo Don Siegel's The Killers (1967)-which also stars Marvin and Dickinson in somewhat similar roles. I will really be surprised if Boorman denies that he was not influenced by the Siegel movie.
Why did Point Blank make an impact on me? Was it Lee Marvin's raw machismo? No. It was Boorman, who gave cinema a brilliant essay on alienation. When Dickinson's Chris asks Marvin's Walker 'What's my last name?' after a bout of sex and gets a repartee 'What's my first name?' you can argue the alienation is embedded in the dialog. But Boorman's cinema includes the loud footsteps of a determined Walker on the soundtrack, somewhat like Godard in Alpahaville, contrasting bright wide open spaces for the exchange of money that goes according to plan and closed dimly lit confines of Alcatraz for those that go wrong. There is laconic humor without laughter, pumping bullets into an empty bed, guards who narrowly miss Marvin going up the lift, the car salesman's interest in an attractive customer than in his job, the sharpshooter's smug satisfaction not realizing that he has got the wrong man The list is endless.
The camera-work of Philip Lathrop is inventive, but was it Lathrop or Boorman that made the visual appeal of the Panavision format of this film come alive?
Viewing the film in 2001, several points emerge. $93,000 was important to Walker, nothing more nothing less. But was it money he was after or was it the value of an agreement among thieves? The open ended finale runs parallel to the end of an Arthur Penn film (also on alienation)called "Night Moves" made some 10 years later. What surprises me is how a good movie like Point Blank never won an award or even an Oscar nomination.