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Week End (1967)
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Overview
User Rating:
Release Date:
27 September 1968 (USA) morePlot:
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams... more | add synopsisAwards:
1 nomination moreNewsDesk:
(3 articles)
CinemaSpy's Week-End TV Recap (Nov. 7) (From CinemaSpy. 7 November 2009, 9:05 PM, PST)
CinemaSpy's Week-End TV Recap (Nov. 7)
(From CinemaSpy. 7 November 2009, 9:05 PM, PST)
User Comments:
the odd moment of perplexity is of no consequence and even increases the mystery more (78 total)Cast
(Credited cast)| Mireille Darc | ... | Corinne Durand | |
| Jean Yanne | ... | Roland Durand | |
| Jean-Pierre Kalfon | ... | Le chef du Front de Libération de la Seine et Oise |
Additional Details
Also Known As:
Le week-endWeek-End
Week-end, un uomo e una donna dal sabato alla domenica (Italy)
Weekend (USA) (promotional title)
Fim-de-Semana (Portugal) [pt]
Utflykt i det gröna (Sweden) [sv]
Víkend (Czechoslovakia) [cs]
Viikonloppu (Finland) [fi]
Week End (Argentina) [es]
Week-end (Greece) [el]
Weekend (West Germany) [de]
more
Parents Guide:
Add content advisory for parentsRuntime:
105 minLanguage:
FrenchColor:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Spain:18 | France:-16 | Portugal:M/18 | Argentina:16 | Finland:K-16 | Sweden:15 | Switzerland:16 (re-release) | UK:18 | West Germany:18Filming Locations:
Paris, FranceFun Stuff
Trivia:
Premiere voted this movie as one of "The 25 Most Dangerous Movies". moreQuotes:
Woman in Car: Are you in a film or in reality?Joesph Balsam: In a film.
Man in Car: In a film? You lie too much.
more
Soundtrack:
Allo, tu m'entends moreFAQ
This FAQ is empty. Add the first question.more (78 total)
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What a wonderful film! Coming back to this film after almost 40 years I am astonished at how invigorating and inspiring it remains. Moreover the passing of time has been very kind to this movie and revealed it to be far more influential and perceptive than one would ever have imagined. It was several years after this was released that we began to notice a black underbelly to the cultural revolution in the West. Not all free love and flowers we were to have to realise as Polanski's wife and friends were massacred and the summer of love began to go so wrong. Moreover, some of the direct political statements that seemed a little forced at the time now look startlingly pure and, once again, perceptive. Even ignoring the political aspect to the film it is a marvel to watch and so amusing. Not every scene makes total sense but we are swept along with so many exciting notions and provocative ideas to digest that the odd moment of perplexity is of no consequence and even increases the mystery. We are constantly convinced that every frame, every sound and every caption makes complete sense to Goddard and that is enough, even if we have to occasionally struggle to keep up. I haven't mentioned the graphic depictions of sex, death, cannibalism and more but then I think in some ways these elements put off potential viewers and they shouldn't. This has to be one of the great movies.