IMDb > Week End (1967)
Week End
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Overview

User Rating:
7.3/10   3,962 votes
MOVIEmeter: ?
Up 2% in popularity this week. See why on IMDbPro.
Director:
Jean-Luc Godard
Writer:
Jean-Luc Godard (writer)
Contact:
View company contact information for Week End on IMDbPro.
Release Date:
27 September 1968 (USA) more
Genre:
Drama more
Plot:
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams... more | add synopsis
Awards:
1 nomination more
NewsDesk:
(3 articles)
CinemaSpy's Week-End TV Recap (Nov. 7)
 (From CinemaSpy. 7 November 2009, 9:05 PM, PST)

CinemaSpy's Week-End TV Recap (Nov. 7)
 (From CinemaSpy. 7 November 2009, 9:05 PM, PST)

User Comments:
the odd moment of perplexity is of no consequence and even increases the mystery more (78 total)

Cast

  (Credited cast)
Mireille Darc ... Corinne Durand
Jean Yanne ... Roland Durand
Jean-Pierre Kalfon ... Le chef du Front de Libération de la Seine et Oise
more
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Additional Details

Also Known As:
Le week-end
Week-End
Week-end, un uomo e una donna dal sabato alla domenica (Italy)
Weekend (USA) (promotional title)
Fim-de-Semana (Portugal) [pt]
Utflykt i det gröna (Sweden) [sv]
Víkend (Czechoslovakia) [cs]
Viikonloppu (Finland) [fi]
Week End (Argentina) [es]
Week-end (Greece) [el]
Weekend (West Germany) [de]
more
Runtime:
105 min
Country:
France | Italy
Language:
French
Color:
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Filming Locations:
Paris, France
Company:
Comacico more

Fun Stuff

Trivia:
Premiere voted this movie as one of "The 25 Most Dangerous Movies". more
Quotes:
Woman in Car: Are you in a film or in reality?
Joesph Balsam: In a film.
Man in Car: In a film? You lie too much.
more
Movie Connections:
Referenced in John and Mary (1969) more
Soundtrack:
Allo, tu m'entends more

FAQ

This FAQ is empty. Add the first question.
8 out of 13 people found the following comment useful.
the odd moment of perplexity is of no consequence and even increases the mystery, 29 May 2006
10/10
Author: christopher-underwood from Greenwich - London

What a wonderful film! Coming back to this film after almost 40 years I am astonished at how invigorating and inspiring it remains. Moreover the passing of time has been very kind to this movie and revealed it to be far more influential and perceptive than one would ever have imagined. It was several years after this was released that we began to notice a black underbelly to the cultural revolution in the West. Not all free love and flowers we were to have to realise as Polanski's wife and friends were massacred and the summer of love began to go so wrong. Moreover, some of the direct political statements that seemed a little forced at the time now look startlingly pure and, once again, perceptive. Even ignoring the political aspect to the film it is a marvel to watch and so amusing. Not every scene makes total sense but we are swept along with so many exciting notions and provocative ideas to digest that the odd moment of perplexity is of no consequence and even increases the mystery. We are constantly convinced that every frame, every sound and every caption makes complete sense to Goddard and that is enough, even if we have to occasionally struggle to keep up. I haven't mentioned the graphic depictions of sex, death, cannibalism and more but then I think in some ways these elements put off potential viewers and they shouldn't. This has to be one of the great movies.

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more (78 total)

Message Boards

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this film ashleighnicole
Longest Tracking Shot? LynchNut77
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Post-New Yorker Acquisition? andrew-vanbeek
comparison to Luis Buñuel's The Discreet Charm of the Bourgeoisie tim-nicholas-1
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