7.2/10
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24 user 35 critic

Les Biches (1968)

Les biches (original title)
Not Rated | | Drama | 26 September 1968 (USA)
Architect Paul Thomas insinuates himself into the relationship of two bisexual women living in a St. Tropez villa with tragic consequences.

Director:

Writers:

(scenario and dialogue), (scenario and dialogue)
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Cast

Complete credited cast:
...
...
Why
...
Nane Germon ...
Violetta
Serge Bento ...
Bookseller
Henri Frances
Henri Attal ...
Dominique Zardi ...
Riais
Rest of cast listed alphabetically:
Laure Valmée
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Storyline

Frédérique is a rich and beautiful woman who picks up a female street artist called "Why". It is December and they go to her villa in Saint Tropez, which is inhabited by a couple of odd gay men. Both women fall for the local architect Paul Thomas. However Why says that she is not interested in him, so Frédérique invites him to move into the villa. Written by Will Gilbert

Plot Summary | Add Synopsis

Taglines:

A Sensual Triangle See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

Release Date:

26 September 1968 (USA)  »

Also Known As:

Bad Girls  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Claude Chabrol later admitted he included the lesbian plot in order to help the film at the box office. See more »

Quotes

Why: [referring to Robeque and Riais' departure] I'm beginning to live again since they left.
Paul Thomas: I feel rather guilty.
Frédérique: Enough of them was as good as a feast!
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Soundtracks

Les Biches (Générique)
Written and Performed by Pierre Jansen Et Son Orchestre
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User Reviews

 
Perhaps the most significant use of slo-mo I have ever seen
21 May 2002 | by See all my reviews

While the beauty and terrific acting of Sassard and Audran make this film seem to be about sexual roles, sexual ambiguity and personal and sexual identity, at its core, this is about a girl who is or becomes unbalanced, and once she comes unhinged, becomes a violent character from a Fritz Lang noir. The penultimate scene is transfixing, but the entire film is beautifully shot, tautly edited and exceptionally stylish and intelligent without calling attention to itself. As usual, Chabrol begins with a noir thriller and casual plot and transforms these elements into something else. Though not a common video, it is available on tape; please see it.


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