| Photos (See all 19 | slideshow) |
| Lee Marvin | ... | American Pilot | |
| Toshirô Mifune | ... | Captain Tsuruhiko Kuroda (as Toshiro Mifune) |
Directed by | |||
| John Boorman | |||
Writing credits | ||
| Alexander Jacobs | (screenplay) and | |
| Eric Bercovici | (screenplay) | |
| Reuben Bercovitch | (story) | |
Produced by | |||
| Reuben Bercovitch | .... | producer | |
| Henry G. Saperstein | .... | executive producer | |
| Selig J. Seligman | .... | executive producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Film Editing by | |||
| Thomas Stanford | |||
Art Direction by | |||
| Anthony Pratt | (as Anthony D.G. Pratt) | ||
| Masao Yamazaki | |||
Set Decoration by | |||
| Makoto Kikuchi | |||
Makeup Department | |||
| Shigeo Kobayashi | .... | makeup artist | |
Production Management | |||
| Lloyd Anderson | .... | production manager (as Lloyd E. Anderson) | |
| Harry F. Hogan | .... | production manager | |
| Isao Zeniya | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Yôichi Matsue | .... | assistant director (as Yoichi Matsue) | |
Art Department | |||
| Kesataka Sato | .... | property master | |
| Frank Wade | .... | property master (as Frank A. Wade) | |
Sound Department | |||
| Clem Portman | .... | re-recording supervisor | |
| Toru Sakata | .... | sound recordist (as Tooru Sakata) | |
| Gordon Sawyer | .... | recording supervisor (as Gordon E. Sawyer) | |
| Frank E. Warner | .... | sound effects | |
| Bert Hallberg | .... | location sound engineer (uncredited) | |
Special Effects by | |||
| Kunishige Tanaka | .... | special effects | |
| Joe Zomar | .... | special effects | |
Camera and Electrical Department | |||
| Arthur Brooker | .... | key grip | |
| Jordan Cronenweth | .... | camera operator | |
| Harry Sundby | .... | lighting technician | |
| Earl L. Clark | .... | assistant camera (uncredited) | |
| Michael A. Jones | .... | best boy (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
Editorial Department | |||
| Neil Travis | .... | assistant editor | |
Music Department | |||
| Jim Henrikson | .... | music editor (as James Henrikson) | |
Other crew | |||
| Masaaki Asukai | .... | technical advisor | |
| John Franco | .... | script supervisor | |
| Bert Hallberg | .... | communications | |
| Henry G. Saperstein | .... | presenter | |
| B.C. Wylie | .... | production assistant (as B.C. 'Doc' Wylie) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
What I would give to know only Japanese and watch this movie. You don't have to understand what Toshiro Mifune is saying to understand this movie.
Does war extend to the individual? Trained to kill or be killed, two adversaries face off. Each with his own fear that the other will succeed. Why didn't they kill each other when they had the chance? Because man is a social animal and he needs the company of others. To use a cliché - No man is an island.
And in the end conflict erupts. Not because of any innate difference between the two men - but because of how they define themselves in a greater scene. I am Japanese - you are American (and vice versa). Throw in the element of non-communication (neither spoke any of the other's language) and you have it.
Two great actors, a great script, a grand theme.