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Overview
User Rating:
Director:
Writer:
Jacques Sternberg (writer)
(more)
Release Date:
26 April 1968 (France) more
Tagline:
The past is the present and future in Alain Resnais' new time machine.
Plot:
Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice... more | add synopsis
Awards:
1 win more
User Comments:
neglected Resnais masterpiece more (2 total)
Cast
(in credits order) (complete, awaiting verification)
Directed by | |||
| Alain Resnais | |||
Writing credits | ||
| Jacques Sternberg | (writer) | |
| Alain Resnais | (collaborating writer) uncredited | |
Produced by | |||
| Mag Bodard | .... | producer | |
Original Music by | |||
| Krzysztof Penderecki | |||
Cinematography by | |||
| Jean Boffety | |||
Film Editing by | |||
| Albert Jurgenson | |||
| Colette Leloup | |||
Art Direction by | |||
| Jacques Dugied | |||
| Auguste Pace | |||
Production Management | |||
| Michel Choquet | .... | assistant production manager | |
| Philippe Dussart | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jean Lefèvre | .... | assistant director | |
| Florence Malraux | .... | assistant director | |
Art Department | |||
| Guy Augé | .... | set dresser | |
| Eric Simon | .... | set dresser | |
Sound Department | |||
| Antoine Bonfanti | .... | sound | |
| Michel Desrois | .... | boom operator | |
| Jean Nény | .... | sound mixer | |
Camera and Electrical Department | |||
| Guy Lecouvette | .... | assistant camera | |
| Patrice Wyers | .... | assistant camera | |
Music Department | |||
| Jean Dandely | .... | composer: additional music | |
| Jean-Claude Pelletier | .... | composer: additional music (as Jean-Claude Peltier) | |
Other crew | |||
| Sylvette Baudrot | .... | script | |
Production CompaniesDistributors
- 20th Century Fox (1968) (France) (theatrical)
- Éditions Montparnasse (2008) (France) (DVD)
- New Yorker Films (1972) (USA) (subtitled)
Additional Details
Also Known As:
Amo-te, Amo-te (Portugal) [pt]
Eu te Amo, Eu te Amo (Brazil) [pt]
Ich liebe dich, ich liebe dich (West Germany) [de]
Jag älskar dig, jag älskar dig (Sweden) [sv]
Je t'aime, je t'aime - Anatomia di un suicidio (Italy) [it]
Miluji te, miluji te (Czechoslovakia: Czech title) [cs]
Rakastan sinua, rakastan sinua (Finland) [fi]
S' agapo, s' agapo (Greece) [el]
Te amo, te amo (Spain) [es]
more
Parents Guide:
Runtime:
USA:91 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Soundtrack:
Misterioso more
FAQ
This FAQ is empty. Add the first question.more (2 total)
Message Boards
Discuss this movie with other users on IMDb message board for Je t'aime, je t'aime (1968)| Recent Posts (updated daily) | User |
|---|---|
| Someone release a dvd! Criterion? | tj-107 |
| Watch online! | aeraquena |
| DVD, Please!!! | Luke Joplin |
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| La jetée | Before Sunrise | Click | Donnie Darko | Ultimo tango a Parigi |
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After the political theme of "La guerre est finie",Resnais returns to his familiar subject,time,in all its complexity in this film which is almost as opaque as "Marienbad" or as unsettling as "Muriel".Ridder {Claude Rich,an actor whom Resnais used many times over the years}is a publisher whose girlfriend is accidentally killed and who feels in some way responsible for her death.After listening to a recording by Thelonius Monk,he unsuccessfully attempts suicide after which he has a lengthy recuperation in a hospital .When he leaves,two doctors who have a constructed a time machine ask if he would like to participate in their experiments. Having nothing to lose,he readily agrees and enters the bizarre contraption along with a white mouse,although unlike the fly in Cronenberg's film there is thankfully no genetic mutation involved. He does not travel forward in time,however,but back ,precisely one year to a beach in Brittany.The experiment is supposed to last for a minute but something goes wrong and he is trapped in the machine.Now he experiences a host of memories brought sharply back to life,some important,others banal,in a kaleidoscope of sharply edited images which brings to mind the montages of "Muriel".The theme is reminiscent of many films from "La Jetée" to "The eternal sunshine of the spotless mind" and this rarely seen film is definitely one of the most important of Resnais' career.