Director Cameo: [Tomás Gutiérrez Alea] the director that Sergio is talking to at the ICIAC about the college film
The first film to be made in post-revolutionary Cuba to be released in the United States.
In a cheeky nod to the rigid Catholic censors of the Batista regime, Alea includes a reel of titillating footage that they had excised from Western films.
Selected by the New York Times in 1974 as one of the ten best films of the year.
Alea was heavily influenced in his style by Alain Resnais' _Hiroshima Mon Amour_.
When the US National Society of Film Critics awarded the film a special prize in 1973, Alea was denied a visa to attend the ceremony.