• Director Cameo: [Tomás Gutiérrez Alea] the director that Sergio is talking to at the ICIAC about the college film

  • The first film to be made in post-revolutionary Cuba to be released in the United States.

  • In a cheeky nod to the rigid Catholic censors of the Batista regime, Alea includes a reel of titillating footage that they had excised from Western films.

  • Selected by the New York Times in 1974 as one of the ten best films of the year.

  • Alea was heavily influenced in his style by Alain Resnais' _Hiroshima Mon Amour_.

  • When the US National Society of Film Critics awarded the film a special prize in 1973, Alea was denied a visa to attend the ceremony.


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