Was the first British film to use a very early version of video-assist, (a live picture from the film camera to a television monitor) designed by acclaimed and award-winning British camera technician and engineer Joe Dunton. As there was no way ,at that time, to take a direct live feed from a movie camera to a TV monitor, Dunton placed a small rudimentary video camera above the lens (to give an approximation of what the film camera had in the frame) and then fed to a monitor. See more »
Charlotte the young girl who works as a maid at the Sowerberry's funeral parlor has the hairstyle that wasn't common for women until the late 1960s/1970s. See more »
Can somebody change? It's possible - maybe it's strange, but it's possible. All my dearest companions and treasures, I've left them behind/ I'll turn a leaf over/ and who can tell what I may find?
[he starts to walk towards London Bridge when Dodger appears behind a post-box]
Yes? Young man? And do I have the honor of your acquaintance?
[Dodger shows him a wallet he has just stolen]
Only the best. Lovely workmanship, ain't it?
[...] See more »
A true work of art...excellent songs, amazing performances...
"Oliver!" is a vast improvement over the marvelous Broadway stage version, opening up the scenes with the ability to expand the range of the material and still remain faithful to the Dickens story. Brimming with unforgettable songs and dances (that choreography by Onna White is timeless), it is so well cast--down to the smallest roles--and so faithful to the spirit of Dickens' work that you can no longer imagine that classic without the songs.
Fagin is played to perfection by Ron Moody. His "You Gotta Pick A Pocket Or Two" is just one of the highlights incorporating clever lyrics and great choreography. The boys who kidnap Oliver are a rowdy lot, looking every bit the ruffians they're supposed to be. The best of the lot is Jack Wild's Artful Dodger, leading the gang in "Consider Yourself".
But not all is light and cheery. The darker aspects of the story are sometimes a little too graphic for my taste, although all of the performances are extremely well played, including Oliver Reed as Bill Sykes. The scenes involving his demise are so melodramatic they seem to belong to another film.
Whatever the faults may be, including a rather extended running time, there is scarcely a dull moment. With songs like "Who Will Buy?" and "Where Is Love?" -- not to mention "Food, Glorious Food" -- you will find yourself falling under the spell of this great musical. Highly recommended and fully deserving of its Best Picture Oscar.
44 of 47 people found this review helpful.
Was this review helpful to you?