The Thomas Crown Affair (1968)

Director:

Norman Jewison

Writer:

Alan Trustman (written by)

Release Date:

19 June 1968 (USA)

Genre:

Crime | Drama | Thriller | Romance

Tagline:

He was young, handsome, a millionaire - and he'd just pulled off the perfect crime! She was young, beautiful, a super sleuth - sent to investigate it!

Plot:

A debonair, adventuresome bank executive believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man.

Plot Keywords:

Bank | Heist | Insurance Investigator | Police | Boston

Awards:

Won Oscar. Another 1 win & 5 nominations

Cast

Steve McQueen	...	Thomas Crown
Faye Dunaway	...	Vicki Anderson
Paul Burke	...	Eddy Malone
Jack Weston	...	Erwin
Biff McGuire	...	Sandy
Addison Powell	...	Abe
Astrid Heeren	...	Gwen
Gordon Pinsent	...	Jamie
Yaphet Kotto	...	Carl
Sidney Armus	...	Arnie
Richard Bull	...	Booth Guard
Peg Shirley	...	Honey
Patrick Horgan	...	Danny
Carol Corbett	...	Miss Sullivan
Tom Rosqui	...	Pvt. Detective

Also Known As:

The Crown Caper
Thomas Crown and Company
L'affaire Thomas Crown (Canada: French title) (France) [fr]
Äventyraren Thomas Crown (Sweden) [sv]
Afera Tomas Kraun (Serbia) [sr]
Crown, o Magnífico (Brazil) [pt]
El affaire de Thomas Crown (Argentina) [es]
El caso Thomas Crown (Spain) [es]
Il caso Thomas Crown (Italy) [it]
Kibar soyguncu (Turkey: Turkish title) [tr]
O Grande Mestre do Crime (Portugal) [pt]
Thomas Crown (Finland) [fi]
Thomas Crown bankrøver (Norway) [no]
Thomas Crown ist nicht zu fassen (West Germany) [de]
Thomas Crown og Co. (Denmark) [da]
Thomas Crownin tapaus (Finland) [fi]
Ypothesis Thomas Crown (Greece) [el]

Runtime:

102 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

West Germany:12 | USA:TV-PG | Iceland:L | South Korea:15 | USA:R (M.P.A.A. Cert. No. 21612) | Canada:PG (video rating) | UK:A (original rating) | UK:PG (tv rating) | Brazil:12 | Argentina:13 | Australia:PG | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) | Finland:K-16 | Norway:16 | Singapore:PG | Sweden:11 | UK:PG (video rating) (1988) | Canada:PG (Manitoba/Ontario)

Filming Locations:

85 Mt. Vernon Street, Beacon Hill, Boston, Massachusetts, USA

Company:

Mirisch Corporation, The

Trivia:

In the movie, the Ferrari driven by Faye Dunaway and being referred to as "one of those red Italian things" is actually the first of only ten Ferrari 275 GTS Spyder NART, serial number 09437. This particular car came second in its class in the 1968 12 hour of Sebring before being repainted and used for the movie. Steve McQueen liked the car so much, he wanted one for himself. He eventually ended up with serial number 10453. That car is today with collector Anthony Wang in NY, USA.

Goofs:

Factual errors: The haul from the first bank robbery totals $2,660,527.62, as explained by the police. It is broken down in to 16,240 $20 bills, 19,871 $10 bills, 34,465 $5 bills, and 129,000 $1 bills. Added up, that only totals $824,835.00, as later detailed by a secretary. That makes the whole greater than the sum of its parts.

Quotes:

Vicki Anderson: What do you get for the man who has everything?

Movie Connections:

Referenced in "Auf Wiedersehen, Pet: A Home from Home (#2.5)" (1986)

Soundtrack:

The Windmills Of Your Mind

Tense, stylish, serious

This is a film about games: the defining image, a game of chess; and then, as well, the intellectual game that robbery provides for Crown (McQueen), and the two games, professional and sexual, in which Vicki and Crown stalk each other. For these players, games are very serious and the outcome of each uncertain.

The film is of its time, but works in ours, as well and better than the recent remake. Those looking for a fast action "heist" movie will be disappointed: this film is about alienation and attraction, trust and betrayal, about working out what matters - all those eternal themes. It will appeal to those content to focus on personal chemistry unpunctuated by regular gunfire. None the less, the planning and execution of the bank robbery is cleverly done and provides sufficient impetus to drive the rest of the straightforward plot. Crown's motivations, tedium and greed, are readily understandable; Vicki's are similar. As people they are similar and evenly matched. Vicki is stylish and beautiful and, using her sexuality as well as her intellect, she is Crown's equal or better - which is not true of the remake. In the end, it is she who defines the outcome, but what it will be and why Vicki makes the choice she does are left unresolved. So, too, we remain uncertain whether the possibility truly exists, that their alienation might be healed.

The focus is clearly on the couple. Eddy Malone's role as the police detective does not extend beyond that of a Greek chorus, providing the conventional and moral reference against which the actions of the principals are to be judged. Jack Weston's Erwin, a very worried getaway driver, simply contrasts the player of the game, Crown, with the instruments with which he plays it.

The performances of the entire cast are exemplary. McQueen's clipped manner builds the tension and intensifies the effect of his weakening to Vicki's seductive moves during the chess game. The role of Vicki is perfect for Dunaway, making no great demands on her to project herself, no extended dialogue, which she does not generally manage well; but the disposition of her body, her power of gesture, and her brief, pithy statements all work brilliantly. Jack Weston produces an excellent cameo performance that pretty well had me perspiring as much as he was. Malone plays a straight role straight, the way it should be.

The split screen title sequence and passages in the film work well; they do not distract, as this technique can, but are used to capture and compress moments of action that are significant but do not require extended treatment. The Legrand soundtrack is brilliantly effective, including the long passages of real tension, without music.

This really is a great classic, a film that will endure, and those who have difficulty with it should see it again and allow themselves the time to be seduced by its low key perfection.