7.7/10
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76 user 58 critic

Hour of the Wolf (1968)

Vargtimmen (original title)
While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

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Cast

Complete credited cast:
...
Johan Borg
...
Alma Borg
Gertrud Fridh ...
Corinne von Merkens
Georg Rydeberg ...
Lindhorst
...
Baron von Merkens
Naima Wifstrand ...
Old Lady with Hat
Ulf Johansson ...
Heerbrand
Gudrun Brost ...
Gamla Fru von Merkens
Bertil Anderberg ...
Ernst von Merkens
...
Veronica Vogler
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Storyline

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories. Written by Fredrik Klasson <fredrik.klasson@boras.mail.telia.com>

Plot Summary | Add Synopsis

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"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.

Genres:

Drama | Horror

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Details

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Release Date:

9 April 1968 (USA)  »

Also Known As:

Hour of the Wolf  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

Johan Borg: The old ones called it "the hour of the wolf". It is the hour when the most people die, and the most are born. At this time, nightmares come to us. And when we awake, we are afraid.
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Connections

Referenced in Ride the Hot Wind (1971) See more »

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User Reviews

 
Most hauntingly surreal
12 February 2007 | by (Malta) – See all my reviews

This film is extremely delicate. It deals within that thin line between genius and madness, reality and imagination as one and the same thing. Artist Johan Borg is haunted by demons of both past and present. His wife Alma loves him so intimately that she is prepared to dive deep into his inner world, desperate to help him, shares in his hallucinations, which is great but futile in the long run to where he must go alone. To me Bergman, along with Tarkovsky and only a few others like Fellini deal so splendidly with our most inner selves, our conscious and subconscious as in 'The Hour of the Wolf'. Here as in Fellini's 'Juliet of the Spirits' that which is real and that which is not is hardly the point. What matters here is the stirrings of the soul, hence Borg's fear of the dark and lack of sleep until the day breaks and he can finally get some rest.


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