Yours, Mine and Ours (1968)

User Rating:

6.9/10   

Director:

Melville Shavelson

Writers:

Bob Carroll Jr. (story)
Madelyn Davis (story)

Release Date:

24 April 1968 (USA)

Genre:

Comedy | Family

Tagline:

Their wedding night set new attendence records

Plot:

When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family...

Plot Keywords:

Courtship | Mother Daughter Relationship | Family Relationship | Marriage | Father Son Relationship

Awards:

Nominated for 2 Golden Globes. Another 3 wins & 1 nomination

US TV Schedule:

Fri. Oct. 24

12:00 PM

TCM

Cast

Lucille Ball	...	Helen North Beardsley
Henry Fonda	...	Frank Beardsley
Van Johnson	...	Warrant Officer Darrel Harrison
Louise Troy	...	Madeleine Love
Sidney Miller	...	Dr. Ashford
Tom Bosley	...	Family Doctor
Nancy Howard	...	Nancy Beardsley
Walter Brooke	...	Howard Beardsley
Tim Matheson	...	Mike Beardsley (as Tim Matthieson)
Gil Rogers	...	Rusty Beardsley
Nancy Roth	...	Rosemary Beardsley
Gary Goetzman	...	Greg Beardsley
Morgan Brittany	...	Louise Beardsley (as Suzanne Cupito)
Holly O'Brien	...	Susan Beardsley
Michele Tobin	...	Veronica Beardsley

Also Known As:

Deine, meine, unsere (Austria) (West Germany) [de]
Appuntamento sotto il letto (Italy) [it]
Seus, Os Meus E Os Nossos, Os (Brazil) [pt]
Sinun, minun ja meidän (Finland) [fi]
Teus, Os Meus E Os Nossos, Os (Portugal) [pt]
Tiens, les miens, le nôtre, Les (France) [fr]
Tuyos, míos, nuestros (Spain) [es]

Runtime:

111 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:G | Germany:6 | Finland:S | Sweden:Btl | Singapore:PG

Filming Locations:

Alameda, California, USA

Company:

Desilu Productions

Trivia:

The baby born at the end of the movie is Joseph John Beardsley. He was born in the early hours of 14 July 1962.

Goofs:

Continuity: When Colleen and her boyfriend are eating lunch, at school (he's talking about the "freak-out") Colleen takes her sandwich out of the paper bag and unwraps it three or four times.

Quotes:

Colleen North: [Helen is about to have a baby] I know this is a terrible time to talk about it, but Larry says...
Frank Beardsley: I've got a message for Larry. You tell him this is what it's all about. This is the real happening. If you want to know what love really is, take a look around you.
HelenNorth: What are you two talking about?
Frank Beardsley: Take a good look at your mother.
HelenNorth: Not now!
Frank Beardsley: Yes, now.
[to Colleen]
Frank Beardsley: It's giving life that counts. Until you're ready for it, all the rest is just a big fraud. All the crazy haircuts in the world won't keep it turning. Life isn't a love in, it's the dishes and the orthodontist and the shoe repairman and... ground round instead of roast beef. And I'll tell you something else: it isn't going to a bed with a man that proves you're in love with him; it's getting up in the morning and facing the drab, miserable, wonderful everyday world with him that counts.
[Leaving the house, they say good-bye to the little kids]
Frank Beardsley: I suppose having 19 kids is carrying it a bit too far, but if we had it to do over who would we skip... you?
[...]

Movie Connections:

Referenced in "Full House: Yours, Mine and Ours (#5.21)" (1992)

...And Baby Makes... 21?

YOURS, MINE, AND OURS reunites Lucille Ball and Henry Fonda, who had worked together in the 1942 B-film THE BIG STREET, the former a heavy-handed drama making a contrast to this lightweight comedy. Reminiscent of CHEAPER BY THE DOZEN, the premise -- a man and woman, both with a huge family, meet, fall in love, and marry -- would be unbelievable if it weren't true.

Based on the autobiographical novel by Helen Eileen Beardsley, YOURS, MINES, AND OURS is a blueprint of sorts of future television shows "The Brady Bunch" and "Eight is Enough" but amps it up to eleven. While on those shows we never got to see just how a real household was handled (being situation programs, their stories were resolved in minimal time), here we get glimpses of what happens at dinnertime, or how groceries get done, and it's those trivial things that keep the charming story in check instead of throwing it into la-la land. Both Fonda and Ball are well-matched and have funny scenes together despite that both actors were a little too old for their characters, but it's not even a minor contrivance. Very enjoyable, witty, sunny: just what this kind of movie should be.