The original surreal sketch comedy showcase for the Monty Python troupe.
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4   3   2   1   Unknown  
1974   1973   1972   1971   1970   1969  
Top Rated TV #31 | 4 wins & 7 nominations. See more awards »

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Cast

Series cast summary:
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 Various / ... (46 episodes, 1969-1974)
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 Various / ... (46 episodes, 1969-1974)
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 Various / ... (46 episodes, 1969-1974)
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 It's Man / ... (46 episodes, 1969-1974)
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 Various / ... (46 episodes, 1969-1974)
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 Announcer / ... (40 episodes, 1969-1973)
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 Various / ... (34 episodes, 1969-1974)
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Storyline

The irreverent Monty Python comedy troupe present a series of skits which are often surreal, bawdy, uncompromising and/or tasteless, but nearly always hilarious. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Add Synopsis

Taglines:

And now for something completely digital...

Genres:

Comedy

Certificate:

TV-14 | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Release Date:

5 October 1969 (UK)  »

Also Known As:

England, wie es sinnt und lacht  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (45 episodes)

Sound Mix:

|

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

The first three episodes filmed were reversed in order of original airing: episode #1 (Monty Python's Flying Circus: Whither Canada? (1969)) was filmed 7 Sept 1969, aired 5 Oct 1969; episode #2 (Monty Python's Flying Circus: Sex and Violence (1969)) was filmed 30 Aug 1969, aired 12 Oct 1969; and episode #3 (Monty Python's Flying Circus: How to Recognise Different Types of Trees from Quite a Long Way Away (1969)) was the first one filmed, on 14 Aug 1969, but not aired until 19 Oct 1969. See more »

Quotes

Mr Boniface: ["It's the Mind: A Weekly Magazine of Things Psychiatric"] Good evening. Tonight on "It's the Mind", we examine the phenomenon of déjà vu, that strange feeling we sometimes get that we've lived through something before, that what is happening now has already happened tonight on "It's the Mind" we examine the phenomenon of déjà vu, that strange feeling we sometimes get that we've...
[looks puzzled]
Mr Boniface: Anyway, tonight on "It's the Mind", we examine the phenomenon of déjà vu, that strange -
[...]
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Crazy Credits

In the "Royal Episode" John Cleese doesn't open with "And now for something completely different". Instead he says Queen Elizabeth II will be watching and the show begins with entirely different opening sequence and song. At the end the audience and characters stand as "God Saves the Queen" is played over end credits. See more »

Connections

Spoofed in Family Guy: Space Cadet (2013) See more »

Soundtracks

The Liberty Bell
(1893) (uncredited)
Music by John Philip Sousa
Performed by the Band of the Grenadier Guards
(opening theme music)
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Frequently Asked Questions

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User Reviews

Six blokes getting paid for being silly (oh yes, and changing comedy forever)
6 May 2001 | by (Plymouth, England) – See all my reviews

With hindsight, it seems possible that we can praise the Pythons too much. But you have to look at what they did in the context of its time.

They blew a massive hole in the conventions of not only television comedy, but television itself. They used (and abused) the medium to what was then the limit of its potential: no thirty-second "blackout" skits, no contrived punchlines (except in the name of self-mocking irony), performers falling out of character and addressing the audience, skits being intruded by characters from a previous sketch, or even an entirely different episode (so you had to pay attention!), stream-of-consciousness animated links, absurd props (the 16 ton weight)... and they claim they merely threw it all together when the BBC approached them to make a "satirical sketch show" in the vein of "The Frost Report" or "TW3".

Not only that, but they have influenced probably every comedy writer and performer of note ever since.

The Pythons are either authentic, top-drawer geniuses, or the six luckiest opportunists who ever lived - probably a bit of both! They caught the BBC with its knickers down and took advantage.

OK, so the shows look their age, and much of the material is rambling, patchy, hit-and-miss stuff. But we only remember the good bits, and it is those good bits which will ensure the place in television history of Messrs Chapman, Cleese, Gilliam, Idle, Palin and Jones for many years to come.

Lavishing praise on a thirty-two-year-old television series? It all seems a bit silly to me...


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