| Vincent Price | ... | Julian | |
| Christopher Lee | ... | Dr. Newhartt | |
| Rupert Davies | ... | Kemp | |
| Uta Levka | ... | Heidi | |
| Sally Geeson | ... | Sally | |
| Alister Williamson | ... | Edward | |
| Peter Arne | ... | Trench | |
| Hilary Heath | ... | Elizabeth (as Hilary Dwyer) | |
| Maxwell Shaw | ... | Hackett | |
| Carl Rigg | ... | Norton | |
| Harry Baird | ... | N'Galo | |
| Godfrey James | ... | Weller | |
| James Mellor | ... | Holt | |
| John Barrie | ... | Franklin | |
| Ivor Dean | ... | Hawthorne | |
| Danny Daniels | ... | Witchdoctor | |
| Michael Balfour | ... | Ruddock | |
| Hira Talfrey | ... | Martha | |
| John Wentworth | ... | Parson | |
| Betty Woolfe | ... | Mrs. Hopkins | |
| Martin Terry | ... | Sailor | |
| Anne Clune | ... | Prostitute | |
| Jackie Noble | ... | Prostitute | |
| Ann Barrass | ... | Prostitute (as Ann Barass) | |
| Jan Rossini | ... | Prostitute | |
| Zeph Gladstone | ... | Trench's Girl | |
| Tara Fernando | ... | Gypsy Dancer | |
| Tony Thawnton | ... | Man in Tavern | |
| Anthony Bailey | ... | Talbot | |
| Richard Cornish | ... | Groom | |
| Colin Jeavons | ... | Doctor | |
| Andreas Malandrinos | ... | Baron (as Andreas Melandrinos) | |
| Hedgar Wallace | ... | Major (as Hedger Wallace) | |
| Martin Wyldeck | ... | Constable | |
| Oh! Ogunde Dancers | ... | Africans | |
| rest of cast listed alphabetically: | |||
| Sean Barry-Weske | ... | Molester in Tavern (uncredited) | |
| Eddie Powell | ... | Fighting Man in Tavern (uncredited) | |
| Nick Tate | ... | Young Man in Tavern (uncredited) | |
Directed by | |||
| Gordon Hessler | |||
Writing credits | ||
| Lawrence Huntington | (screenplay) | |
| Christopher Wicking | (additional dialogue) | |
| Edgar Allan Poe | story (uncredited) | |
Produced by | |||
| Pat Green | .... | associate producer | |
| Gordon Hessler | .... | producer | |
| Louis M. Heyward | .... | executive producer | |
Original Music by | |||
| Harry Robertson | (as Harry Robinson) | ||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| Max Benedict | |||
Art Direction by | |||
| George Provis | |||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist | |
| Bobbie Smith | .... | hairdresser | |
Production Management | |||
| Bryan Coates | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Whitehurst | .... | first assistant director | |
Art Department | |||
| George Lack | .... | assistant art director | |
| Terence Morgan | .... | set dresser | |
| W. Simpson Robinson | .... | scenic artist (as W. Simpson-Robinson) | |
Sound Department | |||
| Rowland Fowles | .... | boom operator | |
| Bob Jones | .... | sound mixer | |
| Bob Peck | .... | sound recordist | |
| Michael P. Redbourn | .... | sound editor (as Michael Redbourn) | |
| Tony Dawe | .... | adr & foley mixer (uncredited) | |
Camera and Electrical Department | |||
| Les Young | .... | camera operator | |
| Nobby Cross | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Kay Gilbert | .... | wardrobe | |
Music Department | |||
| Philip Martell | .... | conductor | |
Other crew | |||
| Peter Howitt | .... | titler | |
| Barbara Rowland | .... | continuity | |
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| My Own Private Idaho | Gone with the Wind | Fellini - Satyricon | Freeway | The Phantom of the Opera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Despite triumphant placarding in the movie's posters, Edgar Allan Poe never wrote a story called "The Oblong Box". Poe did write a quasi-essay titled "The Premature Burial", which no doubt heavily influenced "Murder by the Clock" (1931), but has precious little to do with "The Oblong Box". Its real inspiration comes from Charles Dickens' "A Tale of Two Cities" via Robert Louis Stevenson's "The Body Snatcher". I'm gladly that neither of these fine writers were associated with this "ridiculous" (to quote Christopher Lee) movie. Just about all the characters are presented as a bunch of morons who not only act stupidly but totally inconsistently. Oddly, the actors all play their roles straight, even when entertaining the craziest of notions. As if this were not bad enough, the plot wanders all over the place. Potentially interesting threads are introduced, only to be quickly dropped in favor of some new, irrelevant sidelight. Director Gordon Hessler spends so much time setting up these extra scenes (like the tavern episode) that we grow weary of the whole charade long before the merciful end titles. [