| Videos (see all 2) |
| George Lazenby | ... | James Bond | |
| Diana Rigg | ... | Tracy Di Vicenzo | |
| Telly Savalas | ... | Ernst Stavro Blofeld | |
| Gabriele Ferzetti | ... | Marc Ange Draco | |
| Ilse Steppat | ... | Irma Bunt | |
| Angela Scoular | ... | Ruby Bartlett | |
| Lois Maxwell | ... | Miss Moneypenny | |
| Catherine Schell | ... | Nancy (as Catherina Von Schell) | |
| George Baker | ... | Sir Hilary Bray | |
| Bernard Lee | ... | M | |
| Bernard Horsfall | ... | Shaun Campbell | |
| Desmond Llewelyn | ... | Q | |
| Yuri Borionko | ... | Grunther (as Yuri Borienko) | |
| Virginia North | ... | Olympe | |
| Geoffrey Cheshire | ... | Toussaint | |
| Irvin Allen | ... | Che Che | |
| Terence Mountain | ... | Raphael (as Terry Mountain) | |
| James Bree | ... | Gumbold | |
| John Gay | ... | Hammond | |
| Julie Ege | ... | The Scandinavian Girl | |
| Mona Chong | ... | The Chinese Girl | |
| Sylvana Henriques | ... | The Jamaican Girl | |
| Sally Sheridan | ... | The American Girl (as Dani Sheridan) | |
| Joanna Lumley | ... | The English Girl | |
| Zaheera | ... | The Indian Girl (as Zara) | |
| Anouska Hempel | ... | The Australian Girl (as Anoushka Hempel) | |
| Ingrid Back | ... | The German Girl (as Ingrit Back) | |
| Helena Ronee | ... | The Israeli Girl | |
| Jenny Hanley | ... | The Irish Girl | |
| rest of cast listed alphabetically: | |||
| Sam Ammon | ... | Piz Gloria Guard (uncredited) | |
| David Brandon | ... | Piz Gloria Guard (uncredited) | |
| George Cooper | ... | Braun (uncredited) | |
| Leslie Crawford | ... | Felsen (uncredited) | |
| Captain John Crewdson | ... | Draco's Helicopter Pilot (uncredited) | |
| David de Keyser | ... | Draco (voice) (uncredited) | |
| Thomas Gould | ... | Blofeld's Man (uncredited) | |
| Richard Graydon | ... | Draco's Driver (uncredited) | |
| Brian Grellis | ... | Aide to Sir Hilary Bray (uncredited) | |
| Reg Harding | ... | Blofeld's Driver (uncredited) | |
| Peter R. Hunt | ... | Man Reflected in Universal Export Sign (uncredited) | |
| Dudley Jones | ... | Hall Porter (uncredited) | |
| George Leech | ... | Strangled SPECTRE Skier (uncredited) | |
| Martin Leyden | ... | Chef de Jeu Hussier (uncredited) | |
| Bessie Love | ... | American Guest (uncredited) | |
| Norman McGlen | ... | Janitor (uncredited) | |
| Bill Morgan | ... | Kleff, Draco's Man (uncredited) | |
| Willy Oehrli | ... | Piz Gloria Guard (uncredited) | |
| Steve Plytas | ... | Greek Tycoon (uncredited) | |
| Lenny Rabin | ... | Casino Guest (uncredited) | |
| Robert Rietty | ... | Casino Baccarat Official (uncredited) | |
| Andreas Schlunegger | ... | Piz Gloria Guard (uncredited) | |
| Hans Schlunegger | ... | Piz Gloria Guard (uncredited) | |
| Elliott Sullivan | ... | American Guest (uncredited) | |
| Joseph Vasa | ... | Piz Gloria Receptionist (uncredited) | |
| Rudi Wehren | ... | Piz Gloria Guard (uncredited) | |
| Brian Worth | ... | Manuel (uncredited) | |
| Bruno Zryd | ... | Piz Gloria Guard (uncredited) | |
| Stefan Zürcher | ... | Piz Gloria Guard (uncredited) | |
Directed by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Writing credits | ||
| Simon Raven | (additional dialogue) | |
| Richard Maibaum | (screenplay) | |
| Ian Fleming | (novel) uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Michael Reed | (director of photography) | ||
Film Editing by | |||
| John Glen | |||
Production Design by | |||
| Syd Cain | |||
Art Direction by | |||
| Robert W. Laing | (as Bob Laing) | ||
Set Decoration by | |||
| Peter Lamont | |||
Costume Design by | |||
| Marjory Cornelius | |||
Makeup Department | |||
| Basil Newall | .... | makeup artist | |
| Paul Rabiger | .... | makeup artist | |
| Eileen Warwick | .... | hairdresser | |
Production Management | |||
| David Middlemas | .... | production supervisor | |
| Hubert Fröhlich | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Frank Ernst | .... | assistant director | |
| John Glen | .... | second unit director | |
| Anthony Squire | .... | stock car sequence director | |
Art Department | |||
| John Chisholm | .... | props (uncredited) | |
Sound Department | |||
| Gordon K. McCallum | .... | sound recordist (as Gordon McCallum) | |
| Harry Miller | .... | dubbing editor | |
| John W. Mitchell | .... | sound recordist (as John Mitchell) | |
| Nicholas Stevenson | .... | dubbing editor | |
| Maurice Askew | .... | sound re-recording mixer (uncredited) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
| Lionel Strutt | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| John Stears | .... | special effects | |
Visual Effects by | |||
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Stunts | |||
| George Leech | .... | stunt arranger | |
| Gillian Aldam | .... | stunts (uncredited) | |
| Vic Armstrong | .... | ski double: Bond (uncredited) | |
| David Brandon | .... | stunts (uncredited) | |
| George Lane Cooper | .... | stunts: Bunt henchman (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| John Eaves | .... | stunt skier (uncredited) | |
| Eddie Eddon | .... | stunts (uncredited) | |
| John Gallant | .... | stunts (uncredited) | |
| Richard Graydon | .... | stunt double: George Lazenby (uncredited) | |
| Alf Joint | .... | stunts (uncredited) | |
| Heinz Lau | .... | bobsleigh stunt double: Bond (uncredited) | |
| George Leech | .... | stunts (uncredited) | |
| Joe Powell | .... | stunt double: Blofeld (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Tony Smart | .... | stunts (uncredited) | |
| Eddie Stacey | .... | stunts (uncredited) | |
| Roy Street | .... | stunts (uncredited) | |
| Chris Webb | .... | stunt double: George Lazenby (uncredited) | |
| Bill Weston | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
| Robert Zimmerman | .... | bobsleigh stunt double: Blofeld (uncredited) | |
Camera and Electrical Department | |||
| Alex Barbey | .... | ski cameraman | |
| Willy Bogner | .... | ski cameraman (as Willy Bogner Jnr.) | |
| Roy Ford | .... | camera operator: second unit | |
| John Jordan | .... | aerial cameraman | |
| Alec Mills | .... | camera operator | |
| Egil S. Woxholt | .... | camera operator: second unit (as Egil Woxholt) | |
| Adrian Biddle | .... | assistant camera: second unit (uncredited) | |
| Martin Body | .... | assistant camera (uncredited) | |
| Ron Drinkwater | .... | focus puller (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Jackie Cummins | .... | wardrobe mistress | |
Music Department | |||
| John Barry | .... | conductor | |
| John Barry | .... | music arranger | |
| Hal David | .... | lyricist | |
| Monty Norman | .... | composer: James Bond theme | |
| Sidney Margo | .... | music contractor (uncredited) | |
Transportation Department | |||
| Erich Glavitza | .... | rally driver and consultant (uncredited) | |
Other crew | |||
| Maurice Binder | .... | title designer: main title | |
| Albert R. Broccoli | .... | presenter | |
| Joan Davis | .... | continuity | |
| Harry Saltzman | .... | presenter | |
| Captain John Crewdson | .... | helicopter pilot (uncredited) | |
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Once, at the library, I had a flashback of something my history teacher once told me. "Without Soviet Union, we wouldn't have had a lot of things." Then, someone mentioned, accurately, that Bond films owe their existence to the hammer and the sickle. Then he said, "Pooh, the Bond FILMS! Read the BOOKS. They're good stuff. The films are just bunch of women and gadgets." So I went to look for Ian Fleming, and the title that caught my eye was On Her Majesty's Secret Service, which is recognized as one of the best books in the series. I started reading the book. I was surprised at how slow pace and dark it was, and how Bond wasn't this confident, suave character who always knows what to do. Sean Connery is not, I repeat, not, Ian Fleming's James Bond. Of course, he is the best film version of James Bond, but he is too good a suave character to be Bond. I can't imagine a superspy who'd say "Yeesss" as Connery does.
I must say, more than anyone, George Lazenby is the James Bond of Ian Fleming's novels. He is like Bond in the books, trying to be smooth but always somewhat unsure. He has a command of the screen, that he isn't afraid to tell you he's there. The biggest gripe I have about Pierce Brosnan is how he sometimes doesn't get a grip of things on set and his somewhat higher, softer voice (and also how he pumps endless rounds of automatic fire upon enemies who have a propensity for getting hit while he himself has to be missed by endless rounds of enemy fire). Lazenby has a voice that I imagine Bond would certainly have. I certainly don't think he was a bad Bond. I think he WAS Bond. The other four actors have played their versions of Bond, but Lazenby is the only believable, human, imperfect James Bond. And his lines aren't that bad, come on. The only poorly delivered line was, "He had lots of guts." I think he should have delivered that with a bit more Connery, but that's a minor detail.
The stunts are great and so is the scenery, and the only bad cinematics are in the ski scenes when they show closeups from the front. They look very fake, but that must be forgiven for 1969 when it was made. They did not have Handicams and they certainly did not have Photoshop to blend projected images as well as we can nowadays. But they certainly do not distract the excitement from some of the best snow scenes in 007 films. The ski chases which became trademark of James Bond started here. It's funny how in the book, Bond is very worried about skiing, since he's rusty from not having skied for a long time. The sled chase is excellent also.
OHMSS is the only film where Bond drinks beer and gets married. Which brings me up to the next point, that Diana Riggs as Tracy Draco (later Bond) happens to be perhaps the best Bond girl ever. Without doubt, she is full of excitement and danger, not afraid to strap on a couple of skis amid gunfire and avalanche. Certainly not a certain Natalya Simonova. She is Bond's identical counterpart, experienced but having gotten nothing out of relationships, and quite a driver also. She's the only Bond girl to really connect with the audience, to make herself more important in comparison to Bond, but that's part of the excellent novel on which the movie is based. Whatever happens to her touches the audience more than whatever happens to Bond (who, as we all know, will always somehow make it). Her surprise appearance at the Christmas celebration brightens up everything in an instant, and the ending is probably the only genuinely sad scene in all 20 of the Bond films.
The opening scene is great in terms of action, but I found it rather disappointing that for no apparent reason, baddies want to kill Bond. The book does it a lot better, and it wouldn't have been much more difficult to do what the book did, although that would not have provided the proper material to introduce the new Bond with the immortal, "This never happened to the other fellow." See, how it is told in the novel is he spies on Tracy as she tries to drown herself, and by this time Bond knows her. He is spied on by Draco's men who take him in, and the rest of the story is told in flashback, with a car chase leading up to the casino scene and rendezvous, without all this fighting mysterious bad guys in between. But I thought the opening sequence was quite good, even with the change-up. It's just, with what proof does Bond try to rescue Tracy? She could have been just going out for a swim. It makes much more sense when he has already met Tracy. Yet some of the additions to the movie are good, such as having Tracy with Blofeld when SPECTRE headquarters is attacked. It makes it that much more personal.
This is my first review on IMDB, and OHMSS gets a well-deserved 10 out of 10. Bond in kilts, hypnosis, world domination, and Blofeld's cat combine to make it a worthy experience. Lazenby was not the best Bond, but perhaps the only real Bond. OHMSS is easily the best Bond film, and dare I say, the ONLY Bond film.