| Photos (see all 6 | slideshow) |
| Michel Duchaussoy | ... | Charles Thenier | |
| Caroline Cellier | ... | Helene Lanson | |
| Jean Yanne | ... | Paul Decourt | |
| Anouk Ferjac | ... | Jeanne Decourt | |
| Marc Di Napoli | ... | Phillippe Decourt | |
| Louise Chevalier | ... | Madame Levenes | |
| Guy Marly | ... | Jacques Ferrand | |
| Lorraine Rainer | ... | Anna Ferrand | |
| Dominique Zardi | ... | Police inspector | |
| Stéphane Di Napoli | ... | Michel Thenier | |
| Raymone | ... | La mère de Paul | |
| Michel Charrel | ... | Le casseur | |
| France Girard | |||
| Bernard Papineau | |||
| Robert Rondo | ... | Le garagiste | |
| Jacques Masson | ... | Le fils du paysan | |
| Georges Charrier | ... | Le chauffeur de taxi | |
| Maurice Pialat | ... | Police Inspector | |
| Jean-Louis Maury | ... | Le paysan |
Directed by | |||
| Claude Chabrol | |||
Writing credits(in alphabetical order) | ||
| Nicholas Blake | novel "The Beast Must Die" | |
| Claude Chabrol | dialogue | |
| Claude Chabrol | screenplay | |
| Paul Gégauff | dialogue | |
| Paul Gégauff | screenplay | |
Produced by | |||
| André Génovès | .... | producer | |
Original Music by | |||
| Pierre Jansen | |||
Cinematography by | |||
| Jean Rabier | |||
Film Editing by | |||
| Jacques Gaillard | |||
Production Design by | |||
| Guy Littaye | |||
Makeup Department | |||
| Louis Bonnemaison | .... | makeup artist | |
Production Management | |||
| Georges Casati | .... | production manager | |
Sound Department | |||
| Guy Chichignoud | .... | sound engineer | |
| Monique Fardoulis | .... | sound editor | |
Camera and Electrical Department | |||
| Claude Zidi | .... | camera operator | |
Music Department | |||
| André Girard | .... | musical director | |
| Dominique Zardi | .... | composer: song "La Terre" | |
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| La femme infidèle | La cérémonie | The Good Earth | The Pledge | Le corbeau |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
Following a number of fairly mediocre efforts from the early to late sixties, Chabrol got right back on track with the excellent "Le Biches", and followed that film with "Que la bête meure", an intensely involving revenge drama with the emphasis on psychology and character over action and violence.
The film opens like any revenge thriller would (albeit probably better-shot and acted than most of them), with a child being killed in a hit and run and his father vowing to track down and kill the perpetrator. The tale slowly becomes more and more psychological, however, and ends up being a variation on a Greek tragedy, as others have noted. Chabrol is rarely content with following the expected routine (when he is his films can be dismal), and "Que la bête meure" is far from routine, as we end up spending more than an hour with the all the main characters in place and even together most of the time. The script is carefully written to avoid plot issues (outside of the contrived and silly first clue the main character gets, I can't think of any major issues I had with the script), and the dialogue is as deliberately orchestrated as Chabrol's direction is, building the suspense and drama gradually.
After the nearly continuous camera motion in "Les Biches", Chabrol takes a different approach to this film. It's less stylized and more natural, with the shot composition never feeling contrived as it sometimes did in Chabrol's immediately preceding effort, although there is some very good and very deliberate work around when we first meet the villain. Chabrol also uses close-ups to great effect, particularly in the scene late in the film with Paul and Charles on a sail boat.
What is striking about "Que la bête meure" is that while it deliberately builds suspense it also refuses to work as a thriller, and this is most clearly seen towards the end of the film when we get the standard twists but they're so subtle and low-key that one barely pays attention to them. The plot doesn't really matter here, the film is about much more, about the moral implications of revenge, about the nature of man, and it does well to apply these preoccupations to its characters so that we are never far removed from the emotions they are going through, in particular the main character Charles, played by Michel Duchaussoy.
After a string of disappointing features the last two years of the sixties saw two strong efforts from Claude Chabrol which helped keep him as relevant to cinema as he is. "Que la bête meure" is not a perfect film, and it may not even necessarily be a great film (although I think it qualifies), but it is engaging and enjoyable and far from empty. It leaves one thinking about it well after it has finished playing.
8.5/10