| Photos (See all 11 | slideshow) |
| Martin Potter | ... | Encolpio | |
| Hiram Keller | ... | Ascilto | |
| Max Born | ... | Gitone | |
| Salvo Randone | ... | Eumolpo | |
| Mario Romagnoli | ... | Trimalcione (as Il Moro) | |
| Magali Noël | ... | Fortunata | |
| Capucine | ... | Trifena | |
| Alain Cuny | ... | Lica | |
| Fanfulla | ... | Vernacchio | |
| Danika La Loggia | ... | Scintilla | |
| Giuseppe Sanvitale | ... | Abinna | |
| Genius | ... | Liberto arricchito | |
| Lucia Bosé | ... | La matrona | |
| Joseph Wheeler | ... | Il suicida | |
| Hylette Adolphe | ... | La schiavetta | |
| Tanya Lopert | ... | L'imperatore | |
| Gordon Mitchell | ... | Il predone | |
| George Eastman | ... | Minotauro (as Luigi Montefiori) | |
| Marcello Di Falco | ... | Proconsole | |
| Elisa Mainardi | ... | Arianna | |
| Donyale Luna | ... | Enotea | |
| Carlo Giordana | ... | Il capitano | |
| rest of cast listed alphabetically: | |||
| Marcello Bonini Olas | ... | Man speaking latin in Suburra (scenes deleted) | |
| Ottaviano Dell'Acqua | |||
| Carole André | ... | (uncredited) | |
| Ennio Antonelli | ... | Swine Minder (uncredited) | |
| Gigi Ballista | ... | (uncredited) | |
| Luigi Battaglia | ... | Transvestite (uncredited) | |
| Dakar | ... | Black Slave (uncredited) | |
| Maria De Sisti | ... | Fat Woman (uncredited) | |
| Francesco Di Giacomo | ... | Musician (uncredited) | |
| Sandro Dori | ... | Man in Vernacchio Theatre (uncredited) | |
| Jessica Dublin | ... | (uncredited) | |
| Tania Duckworth | ... | Brothel Girl (uncredited) | |
| Elio Gigante | ... | Owner of Garden of Delights (uncredited) | |
| Veriano Ginesi | ... | Guest of Trimalcione (uncredited) | |
| Wolfgang Hillinger | ... | Soldier at Tomb (uncredited) | |
| Mara Krupp | ... | Participant in Orgy Sequence (uncredited) | |
| Gabriel Lagay | ... | Slave (uncredited) | |
| Franco Leo | ... | (uncredited) | |
| Irina Maleeva | ... | L'ancella (uncredited) | |
| Elizabetta Moscatelli | ... | (uncredited) | |
| Suleiman Ali Nashnush | ... | Tryphaena's Attendant (uncredited) | |
| Osiride Pevarello | ... | Soldier Killing the Emperor (uncredited) | |
| Lorenzo Piani | ... | Nymphomaniac's Husband (uncredited) | |
| Antonia Pietrosi | ... | Wife of Ephesus (uncredited) | |
| Amerigo Santarelli | ... | Orgy Participant (uncredited) | |
| Sibilla Sedat | ... | Nymphomaniac (uncredited) | |
| Richard Simmons | ... | Nymphomaniac's Slave (unconfirmed) (uncredited) | |
| Alvaro Vitali | ... | Blue-Faced 'Emperor' (uncredited) | |
| Vittorio Vittori | ... | Notary (uncredited) | |
| Luigi Zerbinati | ... | Nymphomaniac's Slave (uncredited) | |
| Renato Zero | ... | Extra (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits | ||
| Petronius | (book "Satyricon") | |
| Federico Fellini | (writer) & | |
| Bernardino Zapponi | (writer) | |
| Brunello Rondi | (additional screenplay) | |
Produced by | |||
| Alberto Grimaldi | .... | producer | |
Original Music by | |||
| Tod Dockstader | |||
| Ilhan Mimaroglu | |||
| Nino Rota | |||
| Andrew Rudin | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Casting by | |||
| Enzo Provenzale | |||
Production Design by | |||
| Luigi Scaccianoce | |||
Art Direction by | |||
| Giorgio Giovannini | |||
| Luigi Scaccianoce | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Rino Carboni | .... | makeup artist | |
| Luciano Vito | .... | hair stylist | |
Production Management | |||
| Roberto Cocco | .... | production manager | |
| Lamberto Pippia | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Liliane Betti | .... | second assistant director | |
| Maurizio Mein | .... | assistant director | |
Art Department | |||
| Roberto Granieri | .... | property master | |
| Luigi Sergianni | .... | construction manager | |
| Italo Tomassi | .... | pictorial supervisor | |
| Dante Ferretti | .... | assistant art director (uncredited) | |
Stunts | |||
| Nazzareno Zamperla | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Giuseppe Maccari | .... | camera operator | |
| Piero Servo | .... | first assistant camera | |
Editorial Department | |||
| Enzo Ocone | .... | supervising editor | |
| Adriana Olasio | .... | assistant editor | |
Other crew | |||
| Luca Canali | .... | creative consultant (as Prof. Luca Canali) | |
| Norma Giacchero | .... | continuity | |
| Ettore Paratore | .... | creative consultant (as Prof. Ettore Paratore) | |
| Eugene Walter | .... | assistant: Fellini (translator) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
"Satyricon" is among the weirdest and most colorful, larger-than-life movies I've ever seen, along with Erasurehead, Erendira, Santa sangre, Naked lunch... If you don't like these, don't even try "Satyricon".
On one hand, its many flaws are rather upsetting. The out-of-sync lipping (bad post-sync), the fact that the movie neither really tells a story nor evocates sensible moral or philosophical concepts... so one may say it's actually a dull movie. The violence in this movie doesn't seem to make real sense, neither does the homosexuality, neither does the "romanian decadence" portrait.
On the other hand, the scenography, the sets, the costumes and makup are among the most dazzling ones you'll ever see in cinema, and the cinematography... well... maybe the BEST one you'll ever see. I can't think of any another movie able to compete with "Satyricon"'s mindblowing cinematography. Each scene is a terrific picture, with several visual layers, extraordinary lights and focuses, a lot of invention, of visual flair, and the overall technical mastery is stunning.
The result is something mesmerizing for some, totally disgusting for others. I have to say I'm more on the mesmerized side, because I was mainly focused on the visual/meditative aspects of the movie, not on the narrative ones.
If you're really into cinema, I mean as an artistic media more than as entertainment, you MUST see "Satyricon", as it's to my sense the most *visually* outstanding movie ever made. Be prepared for some disappointment about the movie as a whole, though...