IMDb > Scratch Harry (1969)

Scratch Harry (1969) More at IMDbPro »

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Overview

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5.4/10   11 votes »
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Down 37% in popularity this week. See why on IMDbPro.
Director:
Writers:
Alex Matter (writer)
Stephen Winsten (writer)
Genre:
Plot:
A wife discovers that her husband is cheating on her. Enraged, she puts together a plan to take her revenge on him... See more » | Add synopsis »
User Reviews:
Warhol it ain't See more (1 total) »

Cast

  (in credits order) (complete, awaiting verification)
Harry Walker Staff ... Harry
Victoria Wilde ... Erica
Christine Kelly ... Christine
Mio Domani ... The Shadow
Carol Patton ... Ursula
Chuck Jones ... Loan Shark
Bob Prescott ... Robbie
Vincent De Leo ... Creep

Directed by
Alex Matter 
 
Writing credits
(in alphabetical order)
Alex Matter  writer
Stephen Winsten  writer

Produced by
Christopher C. Dewey .... producer
Dennis Friedland .... executive producer
 
Original Music by
Ken Lauber 
 
Cinematography by
Alex Matter 
Stephen Winsten 
 
Film Editing by
Alex Matter  (as Matt Alexander)
 
Sound Department
F. James Datri Jr. .... sound
 

DistributorsOther Companies

Additional Details

Also Known As:
"The Erotic Three" - UK
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Runtime:
94 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:
USA:R (certificate #22572)

Did You Know?

Movie Connections:
Referenced in Blowdry (1976)See more »

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4 out of 5 people found the following review useful.
Warhol it ain't, 16 February 2004
Author: Andrew Leavold (trash@trashvideo.com.au) from Brisbane, Australia

Described in a pre-credit disclaimer as an amphetamine 'fantasy", Cannon released this arty, confusing, absurdist pseudo-underground feature made in the wake of Warhol's film factory explosion, and turned by proxy ad campaign hatchetry into a skin flick. Which it ain't. The main character Harry, a penniless rake with expensive tastes, believes he is abandoned in his empty mansion by his rich wife Erica. Together with the omnipresent narrator, a weird beatnik in sunglasses (imagine Peter Fonda playing Lou Reed) known only as 'Shadow', Harry picks up a freewheeler called Christine in the city and takes her back to the mansion. Erica returns home and the two women turn on him, further fuelling his paranoia. Wordplay, parlour games, mindf*cking and blackmail prove to be a lethal cocktail in a very strange ending. Is it all a dream? An hallucination? Do wide angle lenses, sped-up footage and bogus surrealism pass as true psychedelia? Does anybody still care?

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