IMDb > Countess Dracula (1971)
Countess Dracula
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Countess Dracula (1971) More at IMDbPro »

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Countess Dracula -- US Home Video Trailer from Hammer


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Down 6% in popularity this week. See why on IMDbPro.
Jeremy Paul (screenplay)
Alexander Paal (story) ...
View company contact information for Countess Dracula on IMDbPro.
Release Date:
11 October 1972 (USA) See more »
Her macabre and bloody quest for eternal youth See more »
In medieval Europe aging Countess Elisabeth rules harshly with the help of lover Captain Dobi. Finding... See more » | Full synopsis »
Plot Keywords:
User Reviews:
The price of vanity... See more (59 total) »


  (in credits order) (verified as complete)

Directed by
Peter Sasdy 
Writing credits
Jeremy Paul (screenplay)

Alexander Paal (story) and
Peter Sasdy (story)

Gabriel Ronay (based on an idea by)

Valentine Penrose  book "The Bloody Countess" (uncredited)

Produced by
Alexander Paal .... producer
Original Music by
Harry Robertson  (as Harry Robinson)
Cinematography by
Kenneth Talbot (director of photography) (as Ken Talbot)
Film Editing by
Henry Richardson 
Art Direction by
Philip Harrison 
Costume Design by
Raymond Hughes 
Makeup Department
Pat McDermott .... hairdressing supervisor (as Pat McDermot)
Tom Smith .... make-up supervisor
Production Management
Christopher Sutton .... production manager
Second Unit Director or Assistant Director
Ariel Levy .... assistant director
Art Department
Arthur Banks .... construction manager
Tim Hutchinson .... set designer (uncredited)
Tim Wake .... carpenter (uncredited)
Sound Department
Ken Barker .... dubbing mixer
Kevin Sutton .... sound recordist
Graham V. Hartstone .... re-recording mixer (uncredited)
Terry Poulton .... sound recordist (uncredited)
Otto Snel .... re-recording mixer (uncredited)
Alban Streeter .... sound editor (uncredited)
Special Effects by
Bert Luxford .... special effects
Dorothy Ford .... horseback double: Ingrid Pitt (uncredited)
Camera and Electrical Department
Kenneth J. Withers .... camera operator (as Ken Withers)
Costume and Wardrobe Department
Brian Owen-Smith .... wardrobe master
Music Department
Philip Martell .... musical director
Philip Martell .... composer: additional music (uncredited)
Philip Martell .... musical supervisor (uncredited)
Other crew
Gladys Goldsmith .... continuity
Mia Nadasi .... choreographer (as Mia Nardi)
Crew believed to be complete

Production CompaniesDistributors

Additional Details

Also Known As:
"La condesa Drácula" - Mexico (imdb display title), Spain (imdb display title)
"Графиня Дракула" - Soviet Union (Russian title)
"600 parthenes gia ton Drakoula" - Greece (transliterated ISO-LATIN-1 title)
"A Condessa Drácula" - Portugal (imdb display title)
"Comtesse Dracula" - France
"Comtesse des Grauens" - West Germany
"Condessa Drácula" - Brazil (imdb display title)
"Draculan himo" - Finland (video box title)
"Drakula grófnő" - Hungary
"Hrabina Dracula" - Poland (imdb display title)
"Jag ett monster" - Sweden
"Komtesse des Grauens" - Austria
"La condesa drácula" - Argentina
"La morte va a braccetto con le vergini" - Italy
"Senketsu no shojo kari" - Japan (imdb display title)
See more »
93 min
Color (Eastmancolor)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Argentina:16 | Australia:M | Finland:K-16 (1990) | Iceland:16 | Ireland:18 | Netherlands:18 (1973) | Norway:16 | Singapore:NC-16 | Sweden:15 | UK:18 (DVD release) | UK:X (original rating) (passed uncut on appeal) | UK:18 (video rating) (1986) (2002) | USA:PG (MPAA rating: certificate #22673) | West Germany:16 (nf)

Did You Know?

Ingrid Pitt's voice was dubbed. Supposedly, she was so furious at director Peter Sasdy that she vowed never to speak to him again.See more »
Revealing mistakes: When the young boys in the forest discover the body of the girl, they run way and holler for help. In the next shot, the girl is breathing.See more »
Movie Connections:


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17 out of 18 people found the following review useful.
The price of vanity..., 10 May 2006
Author: The_Void from Beverley Hills, England

The story of Elizabeth Bathory is easily one of the most important for the horror genre, and there's no studio more qualified to tackle said story than the legendary Hammer studios...but unfortunately, the resulting film is not as great as it could have been. Hammer had their golden period from the late fifties until the end of the sixties, and I dare say that if this film was released during that period, it would have been one of their classics. By the seventies, the studio had began to take influence from the lurid Euro horror films that were gaining popularity, and this resulted in Hammer losing it's innocence; which if you ask me, was what made them great in the first place. However, Countess Dracula is still one of Hammer's most inspiring films and benefits from a typically ludicrous plot line. We follow the Countess who, by chance, discovers that the blood of virgins restores her youth. After becoming young again, she pretends to be her own daughter and begins courting the son of a soldier; much to the annoyance of her present lover. However, nothing lasts forever; and bathing in the blood of virgins is something the Countess must continue to do if she is to retain her vanity…

As mentioned, the way that the plot is handled isn't very good. The film plays out like a drama rather than a horror movie and there is barely any tension or suspense to found throughout the whole picture. It seems that director Peter Sasdy (who also made the very decent Taste the Blood of Dracula for Hammer) thought that the implications of the plot would be enough to carry it; and while this is true to an extent, the film does become a little too dreary at times. Another disappointing element of the film is that, despite the fact that it's about a woman who bathes in blood; we never actually get to see this taking place. I was really hoping to see the beautiful Ingrid Pitt relaxing in a bath of blood, but no! …I don't know, perhaps it would have been a little too graphic. The lead actress really does make the film her own, however and delivers a powerhouse performance that proves her worthy of the title of Hammer's best leading lady. The way that the film carries off the plot is really good, also, and we are allowed into the head of all three central figures. On the whole, I can't say that this is one of Hammer's best films, but despite its faults; I really enjoyed it.

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