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Dodesukaden (1970)
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Overview
User Rating:
Release Date:
9 June 1971 (USA) morePlot:
Episodes from the lives of a group of Tokyo slum-dwellers: Rokkuchan, a retarded boy who brings meaning... more | add synopsisAwards:
Nominated for Oscar. Another 2 wins moreUser Comments:
Magical more (16 total)Cast
(Cast overview, first billed only)| Yoshitaka Zushi | ... | Rokkuchan | |
| Kin Sugai | ... | Okuni, Rokkuchan's Mother | |
| Toshiyuki Tonomura | ... | Taro Sawagami | |
| Shinsuke Minami | ... | Ryotaro Sawagami | |
| Yûko Kusunoki | ... | Misao Sawagami | |
| Junzaburo Ban | ... | Yukichi Shima | |
| Kiyoko Tange | ... | Mrs. Shima | |
| Michio Hino | ... | Mr. Ikawa | |
| Keiji Furuyama | ... | Mr. Matsui | |
| Tappei Shimokawa | ... | Mr. Nomoto | |
| Kunie Tanaka | ... | Hatsutaro Kawaguchi | |
| Jitsuko Yoshimura | ... | Yoshie Kawaguchi | |
| Hisashi Igawa | ... | Masuo Masuda | |
| Hideko Okiyama | ... | Tatsu Masuda | |
| Tatsuo Matsumura | ... | Kyota Watanaka |
Additional Details
Also Known As:
Clickety-Clack (literal English title)Dô desu ka den (Japan) (alternative transliteration)
Dodes'ka-den (Japan) (alternative transliteration)
Dodes'ka-den (Poland) [pl]
Dodes'ka-den (Italy) [it]
Dodes'ka-den (Sweden) [sv]
Dodeskaden (Denmark) [da]
Dodeskaden (France) [fr]
Dodeskaden - Menschen im Abseits (West Germany) [de]
Dodeskaden - O Caminho da Vida (Brazil) [pt]
I geitonia ton katafronemenon (Greece) [el]
Köyhän pikajuna (Finland) [fi]
more
Parents Guide:
Add content advisory for parentsRuntime:
140 minCountry:
JapanLanguage:
JapaneseColor:
Color (Eastmancolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Westrex Recording System)Fun Stuff
Trivia:
His portrayal of the beggar was the first film role for Noboru Mitani in a career that continues to be active after more than 60 feature films and over 35 years later. moreFAQ
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Its definitely not for everyone; a great artist, when he is experimenting, often alienates a large percentage of the public. For my money, its one of the more amazing films of all time, and contains numerous scenes which I can recall vividly; the now-over-the-edge of sanity father exclaiming "the house is finished!"; the stuttering husband defending his rude wife to his guests; the monk offering all of his possessions to a thief; and most of all the incredible closing scene, as the camera pans across walls covered with amazing color drawings of trolley-cars. The compassion Kurosawa shows for humanity is deep and profound; there is nothing else in the annals of film quite like the Buddhist-influenced post-WW2 works of the Japanese directors. There are many many millions of people on the planet today who do not live as well as this little community in the middle of their garbage-dump.