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MASH (1970)

R | | Comedy, Drama, War | March 1970 (USA)
The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.



(from the novel by), (screenplay)
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Won 1 Oscar. Another 14 wins & 25 nominations. See more awards »



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Cast overview, first billed only:
Roger Bowen ...
Indus Arthur ...
Ken Prymus ...
PFC. Seidman


The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless ... Written by Huggo

Plot Summary | Plot Synopsis


M*A*S*H Hysteria See more »


Comedy | Drama | War

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:





| |

Release Date:

March 1970 (USA)  »

Also Known As:

M*A*S*H  »

Box Office


$3,500,000 (estimated)


$81,600,000 (USA)

Company Credits

Show detailed on  »

Technical Specs


| (PG)

Sound Mix:

(Westrex Recording System)


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


With its initial box-office take of $41 million, "M*A*S*H" at the time was the second biggest grossing comedy, coming in just below The Graduate (1967). See more »


Trapper John (Elliott Gould) was not only not dressed or groomed within the regulations of the US Army of the 1950's, it wasn't acceptable during the 1970s filming of movie. There's no way that a military officer (doctor or not) would be allowed to report to a military unit looking as he did. See more »


[first lines]
Lt. Col. Henry Braymore Blake: Radar.
Cpl. Walter 'Radar' O'Reilly: Yes, sir. I'll get ahold of Major Burns...
Lt. Col. Henry Braymore Blake: I want you to get a hold of Major Burns...
Cpl. Walter 'Radar' O'Reilly: ...Tell him to hold a couple day surgeons over into the night shift.
Lt. Col. Henry Braymore Blake: Tell him we're going to have hold a couple of surgeons over from the day shift out of the night shift.
Cpl. Walter 'Radar' O'Reilly: I'll put in a call to General Hammond in Seoul...
Lt. Col. Henry Braymore Blake: Get General Hammond down there in Seoul, tell him to send us those new surgeons right away.
Cpl. Walter 'Radar' O'Reilly: ...I hope he sends us those two new surgeons. We're sure gonna need'em.
See more »

Crazy Credits

The end cast credits are read over the PA system, without titles. See more »


Referenced in Videoclub (2013) See more »


When the Lights Go On Again (All Over the World)
(1942) (uncredited)
Written by Eddie Seiler, Sol Marcus and Bennie Benjamin
Sung by the doctors and nurses when the lights go out in the operating tent
See more »

Frequently Asked Questions

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User Reviews

Anti-war? Gimme a break!
9 August 2009 | by (United States) – See all my reviews

I thought Altman's "Nashville" was brilliant. "McCabe and Mrs. Miller" was a solidly "different" western. MASH, on the other hand, manages to bore and rankle at the same time.

What's right with MASH: ingenious innovations in technique, like a loudspeaker within the movie helping to announce the final credits and a comic eating scene shot to resemble the layout of Da Vinci's "Last Supper." Clever! Yawn. (These bits neither advance the plot, contribute to characterization or ambiance, or do anything except exist. Some viewers will laugh at the moment of recognition, but playful directing doesn't make a good film all by itself.) Another possible innovation is the use of a Simon&Garfunkly theme ("Suicide is Painless") that has no bearing on the movie or much else in the world. If Altman thought this bit up all by himself, it's clever. Yawn.

The cast does the best they can with so little of interest to work with.

I didn't find MASH funny, for reasons that many others have mentioned. Its worst sin against humor, to my mind, is that the "fun" here is based entirely on a the antics of a few angry and arrogant narcissists. I'd have called them "psychos," but that would make them sound too interesting. The fact that they're also brilliant surgeons doesn't outweigh their mental-health issues, unless you get a lump in the throat just watching SOB's save lives.

"All Quiet on the Western Front" is anti-war. "Paths of Glory" is anti-war. You don't need to be told that because they show war itself as cruel and dehumanizing, right up on the big screen.

"MASH" is not antiwar, and would be pretty poor even it were, because most of the dehumanizing is done by the protagonists themselves. It was *marketed* as antiwar (something quite different) because being antiwar *sold* in 1970. The posters that showed a peace sign morphing into a leggy babe had nothing to do with the movie except to convince people that it was "anti-war" and therefore great, sexy, hilarious, and more than worth the price of admission. In fact, MASH is none of these things.

Hawkeye, Trapper John, and their buddies are not against war or even *the* war. They do and say nothing about any war. All they do and say is whatever they feel like, tormenting female nurses, outsmarting superior officers, taking their petty vengeance and unmotivated peevishness out on everyone around them. Sound funny? Wrong. The Marx Bros. might have been able to pull it off, but not this crew.

MASH is anti-authority, but that's a whole lot different from being anti-war. MASH is also anti-military, but in a motiveless way (unless raking in the bucks was a motive). All the army ever did to these distinguished surgeons was to replace, temporarily of course, their zillion-dollar a year civilian careers with the opportunity to play golf, football, and crude practical jokes while occasionally saving of patients whom they obviously do not give a **** about personally.

The primary "anti-war" message here is that surgical operations involve lots of blood squirting around. That's it. Why not say MASH was is "anti-surgery" or "anti-medical profession" movie? Because that would nail the picture for the fraud it really is.

(Note: I know that medical students can be krazy kut-ups, especially when it comes to spare cadavers. MASH is a lot less funny.)

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