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Ramprasad is a recent college graduate who finds a job with a finicky man, Bhavani Shankar, who believes that a man without a mustache is a man without a character. Bhavani Shankar is also ... See full summary »
Vijay struggles as a dockworker. Eventually, he becomes a leading figure of the underworld, while his younger brother, Ravi, is an educated, upright policeman. This divide causes problems in their relationship.
This story is about six friends who help an English filmmaker create a documentary about Indian freedom struggle. During filming, this group of friends learn about those before them and the importance of fighting for their rights.
A melodramatic tale of a man with a terminal disease. The story begins with Dr Bhaksar winning a literary prize for his book about a patient called Anand. The rest is flashback. Anand, the title character, is suffering from lymphosarcoma of the intestine. He, however appears to be cheerful on the outside and is determined to extract as much pleasure from his remaining lifespan as is possible. Dr. Bhaskar his physician tends to Anand in his last days. After Anand dies we can however still hear his voice which was recorded on a tape. Dr Bhakser writes a book on his patient and wins a literary prize for it Written by
[Babu Moshai enters the room to see Anand lying still on his deathbed - too still. He rushes over to the bed and starts shaking him, weeping]
Dr. Bhaskar Banerjee:
I will not let you leave me! I want to listen to you for at least 20 seconds!
Dr. Bhaskar Banerjee:
Speak to me!
[Babu Moshai looks up with a start at his friend - then he sees a tape recorder]
[voice played on tape recorder]
Babu Moshai, we are mere puppets in the game of life and death. Whatever happens here, we do not know for it is all in the hands of ...
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zindagi badi honi chahiye lambi nahin (life should be big not long)
In 1970, Rajesh Khanna was the biggest star and was shooting for multiple movies along with Anand. But it seems he would take some time out from his other schedules would come to Hrishi da and ask him if he could shoot the next scene from Anand. That's how eager and dedicated he was to Anand. Probably he knew that this was the movie that he would be remembered for.
The movie narrates like the pages of a diary of one Dr. Bhaskar Bannerjee and his relationship with Anand Sehgal who he treated for cancer. Despite of such a heavy theme the movie is high spirited just like Anand Sehgal who likes to laugh in the face of death. Special mention should be made for attention given to each character in the movie. All the characters are well etched and everyone has given a truly inspired performance.
The last sequence must be the most dramatic sequence that I have seen in any movie. Music by Salil Chaudhary and lyrics by Yogesh and Gulzar are apt and wonderful. Definitely one of the best movies made in India.
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