| Photos (see all 9 | slideshow) |
| Sean Connery | ... | Duke Anderson | |
| Dyan Cannon | ... | Ingrid | |
| Martin Balsam | ... | Haskins | |
| Ralph Meeker | ... | Police Captain 'Iron Balls' Delaney | |
| Alan King | ... | Pat Angelo | |
| Christopher Walken | ... | The Kid | |
| Val Avery | ... | Parelli aka Socks | |
| Dick Anthony Williams | ... | Spencer (as Dick Williams) | |
| Garrett Morris | ... | Officer Everson | |
| Stan Gottlieb | ... | Pop | |
| Paul Benjamin | ... | Jimmy | |
| Anthony Holland | ... | Psychologist | |
| Richard B. Shull | ... | Werner (as Richard B. Schull) | |
| Conrad Bain | ... | Dr. Rubicoff | |
| Margaret Hamilton | ... | Miss Kaler | |
| Judith Lowry | ... | Mrs. Hathaway | |
| Max Showalter | ... | Bingham | |
| Janet Ward | ... | Mrs. Bingham | |
| Scott Jacoby | ... | Jerry Bingham | |
| Norman Rose | ... | Longene | |
| Meg Myles | ... | Mrs. Longene (as Meg Miles) | |
| John Call | ... | O'Leary | |
| Raoul Kraushaar | ... | D'Medico (as Ralph Stanley) | |
| John Braden | ... | Vanessi | |
| Paula Trueman | ... | Nurse | |
| Michael B. Miller | ... | First Agent (as Michael Miller) | |
| Michael Prince | ... | Johnson | |
| Frank Macetta | ... | Papa Angelo | |
| Jack Doroshow | ... | Eric | |
| Michael Clary | ... | Eric's Friend | |
| Hildy Brooks | ... | Receptionist | |
| Robert Dagny | ... | Doctor | |
| Bradford English | ... | T.V. Watcher | |
| Reid Cruickshanks | ... | Judge (as Reid Cruckshanks) | |
| Tom Signorelli | ... | Sync Man | |
| Carmine Caridi | ... | Detective A | |
| Michael Fairman | ... | Sergeant Claire | |
| George Patelis | ... | Detective B | |
| William J. Daprato | ... | Detective C (as William Daprato) | |
| Sam Coppola | ... | Private Detective | |
| rest of cast listed alphabetically: | |||
| Bruce Brown | ... | Policeman (uncredited) | |
| Charles Frank | ... | Ambulance Attendant (uncredited) | |
| Al Kirk | ... | Thief (uncredited) | |
| Helen Martin | ... | Minor Role (uncredited) | |
Directed by | |||
| Sidney Lumet | |||
Writing credits | ||
| Lawrence Sanders | (novel "The Anderson Tapes") | |
| Frank Pierson | (screenplay) (as Frank R. Pierson) | |
Produced by | |||
| George Justin | .... | associate producer | |
| Robert Weitman | .... | producer (as Robert M. Weitman) | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Arthur J. Ornitz | (director of photography) | ||
Film Editing by | |||
| Joanne Burke | |||
Casting by | |||
| Marion Dougherty | |||
Production Design by | |||
| Ben Kasazkow | (as Benjamin J. Kasazkow) | ||
Art Direction by | |||
| Philip Rosenberg | |||
Set Decoration by | |||
| Alan Hicks | |||
Makeup Department | |||
| Betty DeStefano | .... | hair stylist (as Betty Destefano) | |
| Ian Forest | .... | hair stylist (as Ian Forrest) | |
| Saul Meth | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Alan Hopkins | .... | assistant director | |
Sound Department | |||
| Jack Fitzstephens | .... | sound editor | |
| Al Gramaglia | .... | sound mixer | |
| Dennis Maitland | .... | production sound | |
| James Perdue | .... | sound (uncredited) | |
Camera and Electrical Department | |||
| Charles Kolb | .... | grip | |
| Willie Meyerhoff | .... | gaffer (as William Meyerhoff) | |
| Albert Taffet | .... | camera operator (uncredited) | |
| Felix Trimboli | .... | assistant camera (uncredited) | |
Casting Department | |||
| Vic Ramos | .... | extras casting | |
Costume and Wardrobe Department | |||
| Gene Coffin | .... | costumes | |
Editorial Department | |||
| Peter Genung | .... | assistant editor | |
| Janet Lauretano | .... | assistant editor | |
Music Department | |||
| Quincy Jones | .... | conductor | |
Other crew | |||
| Roger G. Battie | .... | technical advisor | |
| Harve Brosten | .... | assistant to producer | |
| Nicholas Sgarro | .... | script supervisor (as Nick Sgarro) | |
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| The Asphalt Jungle | The Score | Ocean's Eleven | Du rififi chez les hommes | Out of Sight |
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Engaging heist flick from Lawrence Sanders' novel has recently-paroled master thief Sean Connery plotting one last job: robbing the residents of an entire New York apartment house! Some of the sideline plots--such as Connery's relationship with prostitute Dyan Cannon--don't add up to much and a few of the story details, like the title-named tapes, never come to fruition. However, the character writing by Frank Pierson is expressive and sharp, and there are wonderful supporting performances by Martin Balsam, Alan King, and Christopher Walken in his film debut. Connery is terrific as well, though the film's tone grows suddenly serious near the finish, which may leave many viewers feeling conned. Sean's camaraderie with his old cronies is wonderfully handled by director Sidney Lumet, though Cannon (the token female) gets left out of the mix. Writer Pierson and Lumet later teamed for "Dog Day Afternoon", which this film resembles in style and content. **1/2 from ****