A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a twelve-year-old prostitute in the process.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
Anthony Burgess originally sold the movie rights to Mick Jagger for $500 when he needed quick cash. Jagger intended to make it with The Rolling Stones as the droogs, but then re-sold the rights for a much larger amount. Ken Russell was then nominated to direct because his style was considered well-suited for the material. He would have cast Oliver Reed as Alex. Tinto Brass was another possible director. At some point, someone suggested rewriting the droogs to be girls in miniskirts or old-age pensioners. Tim Curry and Jeremy Irons turned down the role of Alex. Stanley Kubrick once said "If Malcolm McDowell hadn't been available I probably wouldn't have made the film." Author Anthony Burgess initially distrusted Kubrick as a director, but was happy with the results. He felt the film later made the book, one of his least favorite books he had written, overshadow his other work. See more »
At the beginning of the movie, it's cold enough to see the breath of Alex and the droogs, but when the tramp is speaking, we don't see his breath. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
A Clockwork Orange is the finest film that has ever been made, in my view. Stanley Kubrick has made so many masterpieces, and is by far the best director that ever graced our world. A Clockwork Orange is simply his finest hour!
The film grabs you and glues you to your seat from start to finish. Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!). It contains horrifying violence, extreme emotions, perversity and weirdness at it's very worst. It all boils down to serve you a plethora of thoughts for you to take with you and contemplate, after the film ends.
However, with all the perversity bursting out of this film, you will probably NOT like this film the first time you see it. I know I didn't. Fortunately, I gave it a second chance, and thought: Hey, it was actually not bad at all. After the third time, I was lost for words.
After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them. I'm sure you'll agree, if you give it the chance it deserves, although it may require for you to see it more than once.
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