A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, while attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Protagonist Alex DeLarge is an "ultraviolent" youth in futuristic Britain. As with all luck, his eventually runs out and he's arrested and convicted of murder and rape. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex's ordeals are far from over once he hits the mean streets of Britain that he had a hand in creating. Written by
Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? See more »
Contrary to popular claims, this was never banned in the UK. It originally received an "X" rating in 1971 and was withdrawn from distribution in 1973 by Stanley Kubrick himself. One of Kubrick's reasons for withdrawing the movie in the UK was that, according to his wife Christiane Kubrick, he and his family received several death threats because of the film. In the 1980s and 1990s, British fans who wanted to see this movie would have to order it from video stores in other countries, usually France. In 1993 London's popular Scala Film Club showed this movie without permission. At Kubrick's insistence, Warner Brothers sued and won, causing the Scala to close in near bankruptcy. In 2000, the year after Kubrick's death, the film was released again throughout Great Britain and received an "18" rating. See more »
Just before Alex and Miss Weathers fight in the health farm, the room is full of cats. During the fight, the panning camera reveals that there are no cats in the room. The cats mysteriously reappear immediately after the battle. See more »
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, and we sat in the Korova Milkbar trying to make up our rassoodocks what to do with the evening. The Korova milkbar sold milk-plus, milk plus vellocet or synthemesc or drencrom, which is what we were drinking. This would sharpen you up and make you ready for a bit of the old ultra-violence.
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There are no opening credits after the title, which is followed by the opening shot of Alex the Droog. Although it is now commonplace for major films to not have opening credits, in 1971 it was considered rather unusual and was considered a trademark of director Stanley Kubrick. See more »
Without a doubt, my absolute favorite film of all time. I first saw this movie three years ago and I have been in love with it (and Stanley Kubrick) ever since. I never get tired of seeing this movie. Why it remains so underappreciated (at least by "casual" movie viewers) is beyond me. Everything is great; acting, direction, cinematography, the sets, everything.
Something that I don't think anyone else commented on was the Russian motif. The names of the droogs (Alexander, George, Peter, and Dim...short for Dimitri) are decidedly Russian. The singer referenced in the record store, Johnny Zhivago, has obvious Russian overtones. The statement made by the Minister of the Interior about the "peace-loving citizens" is a direct reference to the name that Soviet government representatives applied to their people when talking about the Cold War. Red seems to stand out from other colors. And, of course, who could forget Nadsat, the Russian slang language? I wonder what Burgess and Kubrick were trying to suggest about the future of Ingsoc (those familiar with "1984" will understand)?
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