Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Interviewed for BBC Radio 4's Film Programme Nov 2008, William Friedkin said that Paul Newman was another top choice of his to play Popeye Doyle, but producers had said that he was well out of their budget. See more »
When Popeye is shot at from the sniper on the rooftop, he ducks behind a tree then runs over an hugs the wall to get to the entrance. As he gets close to the entrance after passing the two Spanish children in the window, if you listen very closely, you can hear a man in the background chatter from the crowd saying the same line twice: "Is there a doctor around? There must be a doctor around, THERE HE IS!" This line is said twice just before Popeye hops the railing of the steps. See more »
"The French Connection" is an excellent film in every way imaginable. Gene Hackman (Oscar-winning) stars as a tough New York cop who is obsessed with stopping the flow of heroin into the city from France. Fernando Rey is perfect as the ring-leader of the smuggling. Tough, gritty, and realistic, "The French Connection" is an intense character-study that is never short on suspense or action. The film won five Oscars in 1971, including the Best Picture Oscar and one for William Friedkin's (only 32 at the time) intense direction. In a year that produced "The Last Picture Show" and "A Clockwork Orange", this film's win makes it even more impressive than it was nearly 30 years ago. Excellent. 5 stars out of 5.
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