Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
William Friedkin's gritty police drama portrays two tough New York City cops trying to intercept a huge heroin shipment coming from France. An interesting contrast is established between 'Popeye' Doyle, a short-tempered alcoholic bigot who is nevertheless a hard-working and dedicated police officer, and his nemesis Alain Charnier, a suave and urbane gentleman who is nevertheless a criminal and one of the largest drug suppliers of pure heroin to North America. During the surveillance and eventual bust, Friedkin provides one of the most gripping and memorable car chase sequences ever filmed. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The sequence on the Times Square-Grand Central shuttle took two full days to shoot (without permission from the Transit Authority), even though it lasts for only a few minutes on screen. Car 6609, an R-17, is preserved at the Transit Museum in Brooklyn. A different trainset was apparently substituted between the time filming of that scene began and ended because the car numbers are not the same when Fernando Rey finally outwits Gene Hackman and leaves him behind at the station. See more »
When the car is driven from the impound yard the front windshield is completely clean. When it arrives at is destination it has huge numbers and letters painted on the windshield as often seen in impounds-when the car is driven away it has a clean windshield again. See more »
In most movies, the good guys are portrayed as models for others, examples for a better life. The bad guys, on the other hand, are usually dirty rat scums. What a refreshing surprise to see that The French Connection has the roles loosely interchanged. Set against the backdrop of bleak New York City streets, ill-tempered narcotics detective 'Popeye' Doyle and his partner 'Cloudy' Russo intercept a drug shipment coming in from France led by urbane master criminal Alan Charnier. The two cops, however, have a hard time capturing the drug lord as he outwits them throughout the city. Popeye and Charnier make an interesting contrast. Popeye is portrayed as an obsessive, racist drunk while Charnier is the mellow, European sophisticate. This is, of course, an action thriller and the sequences are gritty, tense, and heart-pounding. It features one of the best car chase scenes ever filmed. What makes it so effective is the fact that it was shot in real-time, heavy traffic and we vicariously experience moment-by-moment. The acting is strong and believable. Gene Hackman's portrayal is exact and deservedly won the Best Actor Oscar. William Friedkin did a superior job in giving us a diverting and realistic look of cop life and the raw work they undergo to clear the streets of illicit activity. Great action thriller!
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