| Photos (see all 36 | slideshow) | Videos |
| Ruth Gordon | ... | Maude | |
| Bud Cort | ... | Harold | |
| Vivian Pickles | ... | Mrs. Chasen | |
| Cyril Cusack | ... | Glaucus | |
| Charles Tyner | ... | Uncle Victor | |
| Ellen Geer | ... | Sunshine Doré | |
| Eric Christmas | ... | Priest | |
| G. Wood | ... | Psychiatrist | |
| Judy Engles | ... | Candy Gulf | |
| Shari Summers | ... | Edith Phern | |
| Tom Skerritt | ... | Motorcycle Officer (as M. Borman) | |
| Susan Madigan | ... | Girlfriend | |
| Ray K. Goman | ... | Police Officer (as Ray Goman) | |
| Gordon Devol | ... | Police Officer (as Gordon DeVol) | |
| Harvey Brumfield | ... | Police Officer | |
| Henry Dieckoff | ... | Butler | |
| Philip Schultz | ... | Doctor | |
| Sonia Sorrell | ... | Head Nurse | |
| Margot Jones | ... | Student Nurse | |
| Barry Higgins | ... | Intern | |
| rest of cast listed alphabetically: | |||
| Hal Ashby | ... | Bearded Man Watching Model Train (uncredited) | |
| Michael L. Davis | ... | Policeman (uncredited) (unconfirmed) | |
| Jerry Randall | ... | (uncredited) | |
| Cat Stevens | ... | Man in Front of Maude at Funeral (uncredited) (unconfirmed) | |
Directed by | |||
| Hal Ashby | |||
Writing credits | ||
| Colin Higgins | (written by) | |
Produced by | |||
| Colin Higgins | .... | producer | |
| Mildred Lewis | .... | executive producer | |
| Charles Mulvehill | .... | producer (as Charles B. Mulvehill) | |
Cinematography by | |||
| John A. Alonzo | (director of photography) (as John Alonzo) | ||
Film Editing by | |||
| William A. Sawyer | |||
| Edward Warschilka | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Michael D. Haller | (as Michael Haller) | ||
Costume Design by | |||
| William Ware Theiss | (as William Theiss) | ||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Bob Stein | .... | makeup artist | |
Production Management | |||
| Wesley J. McAfee | .... | unit production manager (as Wes McAfee) | |
Second Unit Director or Assistant Director | |||
| Michael J. Dmytryk | .... | first assistant director (as Michael Dmytryk) | |
| Robert Enrietto | .... | second assistant director | |
Art Department | |||
| James Cane | .... | set dresser | |
Sound Department | |||
| Richard Portman | .... | re-recording | |
| William Randall | .... | sound | |
| James Richard | .... | sound editor (as James A. Richards) | |
| Frank E. Warner | .... | sound editor (as Frank Warner) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
Stunts | |||
| Pamela Bebermeyer | .... | stunt double (as Pam Bebermeyer) | |
| Buddy Joe Hooker | .... | stunt coordinator (as Joe Hooker) | |
| Buddy Joe Hooker | .... | stunt double (as Joe Hooker) | |
| Jerry Randall | .... | stunt double | |
Camera and Electrical Department | |||
| Richard Hart | .... | gaffer | |
| Joe R. Marquette Jr. | .... | camera operator (as Joe Marquette Jr.) | |
| Charles Record | .... | head grip | |
Costume and Wardrobe Department | |||
| Andrea E. Weaver | .... | wardrobe supervisor (as Andrea Weaver) | |
Editorial Department | |||
| Sam Gemette | .... | editorial apprentice | |
| Don Zimmerman | .... | editorial apprentice | |
Music Department | |||
| Ken Johnson | .... | music editor | |
| Paul Samwell-Smith | .... | music recording supervisor | |
| Cat Stevens | .... | composer: songs | |
| Cat Stevens | .... | performer: songs | |
Other crew | |||
| Pablo Ferro | .... | titles | |
| Steven J. Silver | .... | production associate (as Steve Silver) | |
| Jeff Wexler | .... | production assistant | |
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Ashby was Ashby from the word go. Pristine without being precious, intelligently beautiful without being french, funny, funny, funny, bitter, provoking and sad. You can mix all of that and quite simply call it Ashby. What a delight! Elizabeth Bergner was suppose to play the part, marvelously written by Colin Higgins. Hal Ashby flew to London for a meeting with her, she didn't quite get it, she said aloud she couldn't work with a director who looked like Jesus Christ. Well sorry for her, but lucky for Ruth Gordon and lucky for us. As I saw the film after Rosemary's Baby I was kind of worried for Bud Cort for a little while. Ruth Gordon made her name as Dolly Levy in Thornton Wilder's "The Matchmaker" got an Oscar for Rosemary's Baby, wrote Adam's Rib with husband Garson Kanin. She was a woman for the ages and "Harold and Maude" is her present, her own tribute to an extraordinary life. I've shown the film to kids, 10, 12 years old and they fall in love with her. Bud Cort is the perfect foil for her designs. Cat Stevens and a scrumptious performance by Vivian Pickles, the unforgettable Isadora of Ken Russell's film of Duncan's life, wrap up this exquisite Hal Ashby masterpiece.