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McCabe & Mrs. Miller (1971)
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Overview
User Rating:
Release Date:
24 June 1971 (USA) moreTagline:
Name Your Poison.Plot:
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene. full summary | add synopsisAwards:
Nominated for Oscar. Another 2 nominations moreUser Comments:
Altman Takes on the Wild West more (80 total)Cast
(Cast overview, first billed only)| Warren Beatty | ... | John McCabe | |
| Julie Christie | ... | Constance Miller | |
| Rene Auberjonois | ... | Sheehan | |
| William Devane | ... | The Lawyer | |
| John Schuck | ... | Smalley | |
| Corey Fischer | ... | Mr. Elliot | |
| Bert Remsen | ... | Bart Coyle | |
| Shelley Duvall | ... | Ida Coyle | |
| Keith Carradine | ... | Cowboy | |
| Michael Murphy | ... | Eugene Sears | |
| Antony Holland | ... | Ernie Hollander | |
| Hugh Millais | ... | Butler | |
| Manfred Schulz | ... | Kid | |
| Jace Van Der Veen | ... | Breed (as Jace Vander Veen) | |
| Jackie Crossland | ... | Lily |
Additional Details
Also Known As:
The Presbyterian Church Wager (USA) (working title)McCabe & Mrs. Miller (Austria) (West Germany) [de]
A Noite Fez-se Para Amar (Portugal) (original subtitled version) [pt]
Del mismo barro (Argentina) (video title) [es]
Entimos kyria kai o hartopaiktis, I... (Greece) [el]
I compari (Italy) [it]
Jogos e Trapaças - Quando os Homens São Homens (Brazil) [pt]
John McCabe (France) [fr]
Los vividores (Spain) [es]
McCabe & Mrs. Miller (Finland) [fi]
McCabe i pani Miller (Poland) [pl]
Onde os Homens São Homens (Brazil) (TV title) [pt]
Quando os Homens São Homens (Brazil) [pt]
Vestens syndige par - McCabe & Mrs. Miller (Denmark) [da]
more
Parents Guide:
View content advisory for parentsRuntime:
120 min | Argentina:121 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Singapore:M18 | UK:15 (1992) | UK:X (1971) | Portugal:M/12 | Germany:16 (DVD rating) | Spain:18 | Argentina:16 | Finland:K-16 | Sweden:15 | USA:RFun Stuff
Trivia:
Editor 'Lou Lombardo' complained that the soundtrack was too "muddy" and asked Altman fix it. Altman refused and later claimed the bad soundtrack was Lombardo's fault. moreGoofs:
Continuity: Ida gets of the wagon twice. moreQuotes:
[first lines]John McCabe: [muttering to himself] I told you... Think I'm stupid?... S'exactly what I said. Six, six of 'em...
more
Soundtrack:
The Stranger Song moreFAQ
How does the film compare to the Edmund Naughton novel "McCabe"Was McCabe really a gunfighter?
more
more (80 total)
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Robert Altman puts his unique spin on the Western, and gives us a haunting and mournful film, and one of the best in his canon.
Warren Beatty buries himself underneath a bushy beard and an enormous fur coat to play McCabe, an opportunist who considers himself to have much more business savvy than he actually does. He appears in the ramshackle mining town of Presbyterian Church, somewhere in the wilds of Washington state at the turn of the 20th Century, and builds a whorehouse and saloon. Constance Miller (Julie Christie), also sporting her own mound of unkempt hair, arrives a little later and becomes McCabe's business partner. She knows much more about running a whorehouse at a profit, and it quickly becomes clear that she's the brains behind the operation. These two develop a timid affection for one another that's never overtly expressed, but their relationship doesn't have time to prosper, as a trio of hit men arrive to rub out McCabe after he refuses to sell his holdings to a corporation intent on buying him out.
Not surprisingly, considering the director, "McCabe & Mrs. Miller" is a strange film. There are virtually no scenes given to outright plot exposition or to showy acting. Much of the plot is conveyed through asides, casual glances and subtle nuances. Wilderness life is shown in all its unglamorous detail, and many of the normally familiar actors are unrecognizable behind their bad teeth, greasy hair and dirty faces. The harsh environment is a character itself, and few movies have a more memorable ending, with McCabe engaged in a most unconventional shoot out amid waist-high drifts of snow.
Altman is of course interested in debunking the usual Western myths. There are no heroes to be found here. McCabe is a decent enough guy, but he's a bit of a fool, and when the bad guys come calling, he runs and hides. The American frontier depicted here is not a sacred place waiting for brave and noble men to come and realize their dreams. Instead, it's a brutal and dangerous wasteland, in which only the craftiest can survive. The theme of corporate exploitation that pervades the film still rings resoundingly to a present-day audience.
But for all its harshness, "McCabe & Mrs. Miller" is a beautiful film to look at. Vilmos Zsigmond bathes everything in an ethereal light, and if there are images of icy starkness, there are also reverse images of rich warmth, notably those that take place in the whorehouse itself, which ironically becomes much more of a civilizing agent and cultural epicenter for the small town than the church that figures so prominently in other ways.
One of the best from Altman's golden period as a director, and one of the best films to emerge from any director in the 1970s.
Grade: A