| Al Pacino | ... | Bobby | |
| Kitty Winn | ... | Helen | |
| Alan Vint | ... | Hotch | |
| Richard Bright | ... | Hank | |
| Kiel Martin | ... | Chico | |
| Michael McClanathan | ... | Sonny | |
| Warren Finnerty | ... | Sammy | |
| Marcia Jean Kurtz | ... | Marcie | |
| Raul Julia | ... | Marco | |
| Angie Ortega | ... | Irene | |
| Larry Marshall | ... | Mickey | |
| Paul Mace | ... | Whitey | |
| Nancy MacKay | ... | Penny | |
| Gil Rogers | ... | Robins | |
| Joe Santos | ... | DiBono | |
| Paul Sorvino | ... | Samuels | |
| Arnold Williams | ... | Freddy | |
| Vic Ramano | ... | Santo (as Vic Romano) | |
| Bryant Fraser | ... | Prep School Boy | |
| Dora Weissman | ... | Pawnshop Lady | |
| Sully Boyar | ... | Doctor | |
| Florence Tarlow | ... | Ward Nurse | |
| Rutanya Alda | ... | Admitting Nurse (as Ruth Alda) | |
| Anthony Palmer | ... | Hotel Clerk | |
| rest of cast listed alphabetically: | |||
| Anthony Caso | ... | Drug Addict (uncredited) | |
| Jeffrey Walker | ... | Prisoner #1 (uncredited) | |
Directed by | |||
| Jerry Schatzberg | |||
Writing credits | ||
| James Mills | (book) | |
| Joan Didion | (screenplay) and | |
| John Gregory Dunne | (screenplay) | |
Produced by | |||
| Dominick Dunne | .... | producer | |
| Roger M. Rothstein | .... | associate producer | |
Cinematography by | |||
| Adam Holender | (director of photography) | ||
Film Editing by | |||
| Evan A. Lottman | (as Evan Lottman) | ||
Art Direction by | |||
| Murray P. Stern | |||
Set Decoration by | |||
| Philip Smith | |||
Costume Design by | |||
| Jo Ynocencio | |||
Makeup Department | |||
| Herman Buchman | .... | makeup artist | |
| Phil Naso | .... | hair stylist | |
Production Management | |||
| Roger M. Rothstein | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Robert Greenhut | .... | first assistant director | |
| Jim Inch | .... | second assistant director (as James F. Inch) | |
| Paul J. Crossey | .... | dga trainee (uncredited) | |
Art Department | |||
| Joseph M. Caracciolo | .... | property master (as Joe Caracciolo) | |
| Edward Garzero | .... | scenic artist | |
Sound Department | |||
| Dennis Maitland | .... | sound mixer | |
| Al Nahmias | .... | sound editor | |
| Dick Vorisek | .... | sound re-recordist (as Richard Vorisek) | |
| Katherine Wenning | .... | sound editor | |
Camera and Electrical Department | |||
| Edward R. Brown | .... | camera operator (as Edward Brown) | |
| Adger W. Cowans | .... | still photographer | |
| Robert Dolan | .... | gaffer | |
| James Finnerty | .... | key grip | |
| Emmanuel Metaxas | .... | assistant camera | |
| Ron Zarilla | .... | second assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe: men | |
| Marilyn Putnam | .... | wardrobe: women | |
Editorial Department | |||
| Martin Plachter | .... | assistant editor | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation captain | |
Other crew | |||
| Nancy Hopton | .... | script supervisor (as Nancy Tonery) | |
| Shari Leibowitz | .... | production secretary | |
| Ruth A. Oberdorfer | .... | secretary to producer | |
| Sue Dwiggins | .... | production secretary (uncredited) | |
| Eileen Peterson | .... | publicist (uncredited) | |
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| The Basketball Diaries | Requiem for a Dream | Candy | Another Day in Paradise | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Director Jerry Schatzberg's style looks remarkably like Ingmar Bergman's in works like "Scenes From a Marriage." Using no music background only real life sounds, abrupt scene cutting and cross-cutting, highly realistic style, and copious closeups, the Bergman influence is apparent.
Schatzberg fashioned a piece that has a timeless look and feel. While Verdi Square (Needle Park) may not be quite as rich with denizens today and that W. 72nd subway exit not as peopled with thick crowds, it's still bustling mid-Manhattan--like no other place on earth.
And no better actor to play the street savvy slicker than Al Pacino in only his second film appearance. He, Kitty Winn and a host of sharp protogees from the Strasberg seminars breathe life into the scenario.
It remains one of Mr. Pacino's best efforts, and a film that paved the way for a new realism in gritty subject material.