| Photos (See all 36 | slideshow) | Videos (see all 2) |
| Richard Roundtree | ... | John Shaft | |
| Moses Gunn | ... | Bumpy Jonas | |
| Charles Cioffi | ... | Vic Androzzi | |
| Christopher St. John | ... | Ben Buford | |
| Gwenn Mitchell | ... | Ellie Moore | |
| Lawrence Pressman | ... | Tom Hannon | |
| Victor Arnold | ... | Charlie | |
| Sherri Brewer | ... | Marcy | |
| Rex Robbins | ... | Rollie | |
| Camille Yarbrough | ... | Dina Greene | |
| Margaret Warncke | ... | Linda | |
| Joseph Leon | ... | Byron Leibowitz | |
| Arnold Johnson | ... | Cul | |
| Dominic Barto | ... | Patsy | |
| George Strus | ... | Carmen | |
| Edmund Hashim | ... | Lee | |
| Drew Bundini Brown | ... | Willy | |
| Tommy Lane | ... | Leroy | |
| Al Kirk | ... | Sims | |
| Shimen Ruskin | ... | Dr. Sam | |
| Antonio Fargas | ... | Bunky | |
| Gertrude Jeannette | ... | Old Lady | |
| Lee Steele | ... | Blind Vendor | |
| Damu King | ... | Mal | |
| Donny Burks | ... | Remmy | |
| Tony King | ... | Davies | |
| Benjamin R. Rixson | ... | Bey Newfield | |
| Ricardo Brown | ... | Tully | |
| Alan Weeks | ... | Gus | |
| Glenn Johnson | ... | Char | |
| Dennis Tate | ... | Dotts | |
| Adam Wade | ... | Brother #1 | |
| James Hainesworth | ... | Brother #2 | |
| Clee Burtonya | ... | Sonny | |
| Ed Bernard | ... | Peerce | |
| Eddie Barth | ... | Tony (as Ed Barth) | |
| Joe Pronto | ... | Dom | |
| Robin Nolan | ... | Waitress | |
| Ron Tannas | ... | Billy | |
| Betty Bresler | ... | Mrs. Androzzi | |
| Gonzalo Madurga | ... | Counterman | |
| Paul Nevens | ... | Elevator Man | |
| Jon Richards | ... | Elevator Starter | |
| rest of cast listed alphabetically: | |||
| Gordon Parks | ... | Apartment Landlord (uncredited) | |
Directed by | |||
| Gordon Parks | |||
Writing credits | ||
| Ernest Tidyman | (screenplay) and | |
| John D.F. Black | (screenplay) | |
| Ernest Tidyman | (novel) | |
Produced by | |||
| Joel Freeman | .... | producer | |
| David Golden | .... | associate producer | |
| Roger Lewis | .... | producer (uncredited) | |
| Stirling Silliphant | .... | executive producer (uncredited) | |
| Ernest Tidyman | .... | executive producer (uncredited) | |
Original Music by | |||
| Isaac Hayes | |||
| J.J. Johnson | |||
Cinematography by | |||
| Urs Furrer | (director of photography) | ||
Film Editing by | |||
| Hugh A. Robertson | |||
Casting by | |||
| Judith Lamb | |||
Art Direction by | |||
| Emanuel Gerard | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Joseph G. Aulisi | (as Joe Aulisi) | ||
Makeup Department | |||
| Martin Bell | .... | makeup artist | |
Production Management | |||
| Steven P. Skloot | .... | unit production manager (as Steven Skloot) | |
| David Golden | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Ted Zachary | .... | assistant director | |
| Kurt Baker | .... | second assistant director (uncredited) | |
| Alan R. Green | .... | dga trainee (uncredited) | |
| Allan Wertheim | .... | second assistant director (uncredited) | |
Art Department | |||
| Hal Bock | .... | chief carpenter (uncredited) | |
| Robert Hart | .... | chief construction grip (uncredited) | |
| Jack Wright Jr. | .... | props (uncredited) | |
Sound Department | |||
| Lee Bost | .... | sound | |
| Hal Watkins | .... | sound | |
| Charles Geller | .... | sound recordist (uncredited) | |
| Robert Rogow | .... | boom man (uncredited) | |
Stunts | |||
| Bob Herron | .... | stunts (uncredited) | |
| Tommy Lane | .... | stunts (uncredited) | |
| Joe Pronto | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Louis Gerolomi | .... | gaffer (uncredited) | |
| Ronald M. Lautore | .... | camera operator (uncredited) | |
| Randy Munkacsi | .... | still photographer (uncredited) | |
| Larry Orlick | .... | assistant camera (uncredited) | |
| Ed Quinn | .... | second grip (uncredited) | |
| Robert Royal | .... | key grip (uncredited) | |
| Jack Volpe | .... | dolly grip (uncredited) | |
| Ron Zarilla | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | extras casting | |
Costume and Wardrobe Department | |||
| Celia Bryant | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Paul L. Evans | .... | assistant editor | |
Music Department | |||
| Tom McIntosh | .... | technical assistant to composer | |
| Mayuto Correa | .... | musician (uncredited) | |
| Charles 'Skip' Pitts | .... | musician (uncredited) | |
Transportation Department | |||
| James Fanning | .... | transportation captain (uncredited) | |
Other crew | |||
| Bud Brown | .... | auditor (uncredited) | |
| Ozzie Brown | .... | unit publicist (uncredited) | |
| Cle Kent | .... | script supervisor (uncredited) | |
| Tom Miller | .... | unit publicist (uncredited) | |
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| Raw Deal | Shaft | Nails | Dirty Harry | Lethal Weapon 2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
John Shaft is a private detective in Harlem. He is hired by pimp and drug dealer Bumpy Jonas to find Bumpy's daughter who has been kidnapped by an unknown party. Shaft investigates the local Panther organisation but ultimately finds that an Italian mob is trying to move in on Bumpy's territory. With all parties at conflict Shaft must keep his cool to get the girl back.
Ay the start of a decade filled with cheap movies aimed at getting the black audience a product aimed at them in particular. Many of these were poor but Shaft stood out because it could have been a film in it's own right. The story is a normal detective movie with a black twist and that helps because it's not forced at all. The story is gritty and tough as befits the setting and the hero.
Shaft is tough but hadn't yet turned into 007 (as he did in Shaft's Big Score), this makes him tough but also keeps him down to earth. Roundtree handles himself sexily and looks great the film very much revolves around his performance and he holds the attention easily.
The film eventually gets into gun fights and an exciting conclusion but really this is all about mood and funk. And it delivers both.