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Willy Wonka & the Chocolate Factory (1971)

Charlie receives a golden ticket to a factory, his sweet tooth wants going into the lushing candy, it turns out there's an adventure in everything.

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Writers:

(screenplay), (book)
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Nominated for 1 Oscar. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mrs. Teevee (as Dodo Denney)
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Ursula Reit ...
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Diana Sowle ...
Aubrey Woods ...
David Battley ...
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Mr. Slugworth (as Gunter Meisner)
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Storyline

The world is astounded when Willy Wonka, for years a recluse in his factory, announces that five lucky people will be given a tour of the factory, shown all the secrets of his amazing candy, and one will win a lifetime supply of Wonka chocolate. Nobody wants the prize more than young Charlie, but as his family is so poor that buying even one bar of chocolate is a treat, buying enough bars to find one of the five golden tickets is unlikely in the extreme. But in movieland, magic can happen. Charlie, along with four somewhat odious other children, get the chance of a lifetime and a tour of the factory. Along the way, mild disasters befall each of the odious children, but can Charlie beat the odds and grab the brass ring? Written by Rick Munoz <rick.munoz@his.com>

Plot Summary | Plot Synopsis

Taglines:

It's everybody's non-pollutionary, anti-institutionary, pro-confectionery factory of fun! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

30 June 1971 (USA)  »

Also Known As:

Charlie und die Schokoladenfabrik  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (theatrical)

Sound Mix:

(5.0 Surround Sound) (L-R)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Roald Dahl disowned the film, the script of which was partially rewritten by David Seltzer after Dahl failed to meet deadlines. Dahl said he was "disappointed" because "he thought it placed too much emphasis on Willy Wonka and not enough on Charlie", as well as the non-casting of Spike Milligan. He was also "infuriated" by the deviations in the plot Seltzer devised in his draft of the screenplay, including the conversion of Slugworth, a minor character in the book, into a spy (so that the movie could have a villain) and the "fizzy lifting drinks" scene. To add insult to injury, Seltzer had Willy Wonka spout quotations all the time that were not originally in the book. As a result, Dahl refused to sell the company the rights to the book's sequel, "Charlie and the Great Glass Elevator". See more »

Goofs

In the final scene in Willy Wonka's office, his hair changes back and forth from neatly-gelled and manicured to flyaway and ungroomed. This may be intended to show Willy's unpredictable nature. See more »

Quotes

[first lines]
Bill, candy store owner: All right, all right, all right, what's it going to be? A Triple Cream Cup for Christopher. A Sizzler for June Marie. And listen!
[the children fall silent]
Bill, candy store owner: Wonka's got a new one today.
Children: What is it?
Bill, candy store owner: This is called a Scrumpdiddlyumptious Bar.
See more »

Crazy Credits

At the same time as the end credits are playing, the film shows the Wonkavator rising higher and higher. See more »

Connections

Referenced in The Office: Goodbye, Toby (2008) See more »

Soundtracks

(I've Got a) Golden Ticket
(uncredited)
Lyrics and Music by Leslie Bricusse and Anthony Newley
Performed by Jack Albertson and Peter Ostrum
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Gene Wilder revealed...
20 May 2005 | by (Lake Chelan Wa., United States) – See all my reviews

Most excellent works in the arts are seen and enjoyed at a variety of "levels." That is true of this movie in general and of Gene Wilder in specific.

Wilder has been known in the circles of movie creators as a creative genius for many years. Here, his acting ability showcases that genius. To be sure, at the level of good fun for kids and Moms and Dads, he comes through. But writers must have loved his work. Watch for the "look" in his eyes. You will see "changes" in them as he speaks or as he listens to the kids. Those unheard, barely seen changes can be read many ways. And that is the genius. They put more into the lines than the words themselves.

Art should be clearly and quickly understood. It should also be the tool used to make us wonder a bit. Think a little. Or find meaning we didn't see at first look.

In this movie, Gene Wilder's almost imperceptible nuances speak volumes.


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