In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society, but one man believes them to be a threat to the human race.
One decade after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.
J. Lee Thompson
Cornelius and Zira's son Caesar leads apes to revolution in this installment of the apes saga. Dogs and cats have been wiped out by a plague and now apes are household pets that are treated like slaves. Caesar has the intelligence to fight this oppression. Written by
Josh Pasnak <email@example.com>
Of all the Planet of the Apes films (including the revivals), this one had the smallest production budget. See more »
In the almost 20 years since Escape from the Planet of the Apes, chimpanzees, gorillas and orangutans have evolved to a perfectly humanistic form, a feat that would take thousands of years, not just one generation. See more »
How do you propose to gain this freedom?
By the only means left to us. Revolution.
But it's doomed to failure!
Perhaps. This time.
And the next.
And you'll keep trying?
You, above everyone else should understand, we cannot be free until we have power! How else can we achieve it?
See more »
The 20th Century-Fox logo does not appear on this film. See more »
My dad doesn't recall her going, but I remember she did. Our family didn't always attend Disney flicks. The opening credits sequence had to have scared her, even I was little unnerved. Back in 1972, this was the "must see" film of the summer. I have always been impressed with the opening credits. The way J. Lee Thompson choreographed the emergence of the apes from around a corner of the Century City Plaza, never ceases to amaze me. Tom Scott's underrated jazz/avant-garde score is perfect for this sequence. A dissonant chord is heard on the soundtrack: North America, 1991. First we see one gorilla, then another, and then another, until finally we see an enormous band of them. I think this is one of the best openings in screen history. Later on, Scott's music wonderfully captures the sheer violence of the ape rebellion. I can never forget the musical cue for the guard with the flame thrower. I like Caesar's speech at the end--even if the tone was changed. And that crazy matte painting of the skyscraper engulfed in fire even startled my girl friend. A job well done.
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