| Photos (See all 40 | slideshow) | Videos (see all 3) |
| Jon Voight | ... | Ed | |
| Burt Reynolds | ... | Lewis | |
| Ned Beatty | ... | Bobby | |
| Ronny Cox | ... | Drew | |
| Ed Ramey | ... | Old Man | |
| Billy Redden | ... | Lonnie | |
| Seamon Glass | ... | First Griner | |
| Randall Deal | ... | Second Griner | |
| Bill McKinney | ... | Mountain Man | |
| Herbert 'Cowboy' Coward | ... | Toothless Man | |
| Lewis Crone | ... | First Deputy | |
| Ken Keener | ... | Second Deputy | |
| Johnny Popwell | ... | Ambulance Driver | |
| John Fowler | ... | Doctor | |
| Kathy Rickman | ... | Nurse | |
| Louise Coldren | ... | Mrs. Biddiford | |
| Peter Ware | ... | Taxi Driver | |
| James Dickey | ... | Sheriff Bullard | |
| Macon McCalman | ... | Deputy Queen | |
| Hoyt Pollard | ... | Boy at Gas Station | |
| Belinda Beatty | ... | Martha Gentry (as Belinha Beatty) | |
| Charley Boorman | ... | Ed's Boy (as Charlie Boorman) |
Directed by | |||
| John Boorman | |||
Writing credits | ||
| James Dickey | (screenplay) | |
| James Dickey | (novel) | |
| John Boorman | additional dialogue (uncredited) | |
Produced by | |||
| John Boorman | .... | producer | |
| Charles Orme | .... | associate producer (uncredited) | |
Cinematography by | |||
| Vilmos Zsigmond | (director of photography) | ||
Film Editing by | |||
| Tom Priestley | |||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Fred Harpman | |||
Set Decoration by | |||
| Morris Hoffman | (uncredited) | ||
Makeup Department | |||
| Michael Hancock | .... | makeup artist | |
| Donoene McKay | .... | hair stylist | |
Production Management | |||
| Wallace Worsley Jr. | .... | production supervisor (as Wallace Worsley) | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| Miles Middough | .... | assistant director | |
| Skip Cosper | .... | assistant director (uncredited) | |
| Charles Ziarko | .... | second assistant director (uncredited) | |
Art Department | |||
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
| Jerry Kobold | .... | prop assistant (uncredited) | |
| Don Pringle | .... | greensman (uncredited) | |
| H. John Ramos | .... | props (uncredited) | |
| James Van de Vort | .... | painter (uncredited) | |
Sound Department | |||
| Jim Atkinson | .... | sound editor | |
| Walter Goss | .... | sound mixer | |
| Doug E. Turner | .... | dubbing mixer (as Doug Turner) | |
| Jerry Smith | .... | boom man (uncredited) | |
| Gary Stahl | .... | cable man (uncredited) | |
Special Effects by | |||
| Marcel Vercoutere | .... | special effects | |
| Joe Day | .... | special effects assistant (uncredited) | |
Stunts | |||
| Bill Couch | .... | stunts (uncredited) | |
| Ralph Garrett | .... | stunts (uncredited) | |
| Gene Witham | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James O. Blair | .... | electrical supervisor (as Jim Blair) | |
| Arthur Brooker | .... | key grip (as Art Brooker) | |
| Bill Butler | .... | photography: second unit | |
| Earl L. Clark | .... | assistant camera (as Earl Clark) | |
| Sven Walnum | .... | camera operator | |
| George Boulette | .... | camera operator (uncredited) | |
| Paul Caven | .... | electrician (uncredited) | |
| James Coe | .... | still photographer (uncredited) | |
| John J. Connor | .... | assistant camera (uncredited) | |
| Bob Farnsworth | .... | grip best boy (uncredited) | |
| Alan Heather | .... | electrician (uncredited) | |
| Daniel R. Jordan | .... | grip (uncredited) | |
| Alexander Klein | .... | camera mechanic (uncredited) | |
| George Kohut | .... | camera operator: second unit (uncredited) | |
| Robert Moore | .... | grip (uncredited) | |
| Aaron Pazanti | .... | electrical best boy (uncredited) | |
| Donald Schmitz | .... | grip (uncredited) | |
| James O. Schori | .... | generator operator (uncredited) | |
Costume and Wardrobe Department | |||
| Bucky Rous | .... | wardrobe master | |
| Pat Kelly | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Ian Rakoff | .... | assistant editor | |
| William Neel | .... | assistant film editor (uncredited) | |
Music Department | |||
| Michael Addiss | .... | banjo playing: Billy Redden (uncredited) | |
Transportation Department | |||
| James Cross | .... | driver (uncredited) | |
| Pat Desmond | .... | driver: studio van (uncredited) | |
| Ed Dutton | .... | transportation gaffer (uncredited) | |
| Pat Miller | .... | transportation captain (uncredited) | |
Other crew | |||
| Sue Dwiggins | .... | production secretary | |
| E. Lewis King | .... | technical advisor | |
| Rospo Pallenberg | .... | creative associate | |
| Ray Quiroz | .... | script supervisor | |
| Charles Wiggin | .... | technical advisor | |
| Tony Adams | .... | tutor (uncredited) | |
| Frank J. Ayre | .... | craft service (uncredited) | |
| Hershey Cohen | .... | timekeeper (uncredited) | |
| John Fowler | .... | company doctor (uncredited) | |
| George C. King | .... | location doctor (uncredited) | |
| Janey Lampros | .... | first aid (uncredited) | |
| Barbara Pallenberg | .... | secretary to director (uncredited) | |
| Ken Ryan | .... | location auditor (uncredited) | |
| Vernon White | .... | publicist (uncredited) | |
| Harry Williams | .... | production accountant (uncredited) | |
Thanks | |||
| Earl 'Preach' Parsons | .... | thanks | |
| Frank Rickman | .... | thanks | |
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| Blastfighter | Into the Wild | The Basketball Diaries | Borstal Boy | Excalibur |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
After having seen Deliverance, movies like Pulp Fiction don't seem so extreme. Maybe by today's blood and bullets standards it doesn't seem so edgy, but if you think that this was 1972 and that the movie has a truly sinister core then it makes you think differently.
When I started watching this movie nothing really seemed unusual until I got to the "Dueling Banjos" scene. In that scene the brutality and edge of this film is truly visible. As I watched Drew(Ronny Cox,Robocop)go head to head with a seemingly retarted young boy it really shows how edgy this movies can get. When you think that the kid has a small banjo, which he could of probably made by hand, compared to Drew's nice expensive guitar, you really figure out just how out of their territory the four men are.
As the plot goes it's very believable and never stretches past its limits. But what really distinguishes this film, about four business men who get more than they bargained for on a canoe trip, is that director John Boorman(Excalibur) breaks all the characters away from plain caricatures or stereotypes. So as the movie goes into full horror and suspense I really cared about all four men and what would happen to them.
The acting is universally excellent. With Jon Voight(Midnight Cowboy, Enemy of the State) and Burt Reynolds(Boogie Nights, Striptease) leading the great cast. Jon Voight does probably the hardest thing of all in this film and that is making his transformation from family man to warrior very believable. Unlike Reynolds whose character is a warrior from the start, Voight's character transforms over the course of the movie. Ned Beatty(Life) is also good in an extremely hard role, come on getting raped by a hillbilly, while Ronny Cox turns in a believable performance.
One thing that really made this movies powerful for me is that the villains were as terrifying as any I had ever seen. Bill Mckinney and Herbert "Cowboy" Coward were excellent and extremely frightening as the hillbilly's.
Overall Deliverance was excellent and I suggest it to anyone, except for people with weak stomachs and kids. 10/10. See this movie.