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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mario Puzo | (novel) | |
| Mario Puzo | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
Produced by | |||
| Gray Frederickson | .... | associate producer | |
| Albert S. Ruddy | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| William Reynolds | |||
| Peter Zinner | |||
Casting by | |||
| Louis DiGiaimo | (as Louis Digiaimo) | ||
| Andrea Eastman | |||
| Fred Roos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Warren Clymer | |||
Set Decoration by | |||
| Philip Smith | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Philip Leto | .... | hair stylist (as Phil Leto) | |
| Phil Rhodes | .... | makeup artist (as Philip Rhodes) | |
| Dick Smith | .... | makeup artist | |
Production Management | |||
| Fred C. Caruso | .... | unit production manager (as Fred Caruso) | |
| Valerio De Paolis | .... | production manager: Sicily (as Valerio DePaolis) | |
| Ned Kopp | .... | production manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | assistant director: Sicily | |
| Fred T. Gallo | .... | assistant director (as Fred Gallo) | |
| Steven P. Skloot | .... | second assistant director | |
Art Department | |||
| Samuel Verts | .... | assistant art director: Sicily | |
| William Canfield | .... | set dresser (uncredited) | |
| Robert Scaife | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| Charles Grenzbach | .... | sound re-recordist (as Bud Grenzbach) | |
| Christopher Newman | .... | production sound recordist | |
| Richard Portman | .... | sound re-recordist | |
| Steve Cook | .... | adr mixer (uncredited) | |
| Pierre Jalbert | .... | assistant sound editor (uncredited) | |
| Les Lazarowitz | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
| A.D. Flowers | .... | special effects | |
| Joe Lombardi | .... | special effects | |
| Paul J. Lombardi | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt coordinator (uncredited) | |
| Joe Bucaro III | .... | stunt double: young Vincenzo (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
| Howard Block | .... | additional camera operator (uncredited) | |
| Bill Butler | .... | director of photography: second unit (uncredited) | |
| Russell Engels | .... | rigging gaffer (uncredited) | |
| Ed Kammerer | .... | rigging grip (uncredited) | |
| Edward Knott | .... | grip (uncredited) | |
| Jim Meyerhoff | .... | generator operator (uncredited) | |
| Anthony R. Palmieri | .... | camera loader (uncredited) | |
| Ed Quinn | .... | best boy grip (uncredited) | |
| Robert Royal | .... | rigging key grip (uncredited) | |
| Joe Rutledge | .... | electrician (uncredited) | |
| Peter Salim | .... | second assistant camera (uncredited) | |
| Tibor Sands | .... | first assistant camera (uncredited) | |
| Jack Stager | .... | still photographer (uncredited) | |
| Edward Tonkin | .... | best boy electric (uncredited) | |
| Robert M. Volpe | .... | dolly grip (uncredited) | |
| Dusty Wallace | .... | gaffer (uncredited) | |
| Robert Ward | .... | key grip (uncredited) | |
| Ray Williams | .... | rigging best boy grip (uncredited) | |
Casting Department | |||
| Riccardo Bertoni | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe supervisor | |
| Marilyn Putnam | .... | wardrobe: women | |
Editorial Department | |||
| Walter Murch | .... | post-production consultant | |
| Pierre Jalbert | .... | assistant editor (uncredited) | |
| Marc Laub | .... | editor: New York (uncredited) | |
| Barbara Marks | .... | assistant editor (uncredited) | |
| Maurice Schell | .... | assistant editor (uncredited) | |
| Murray Solomon | .... | editor: New York (uncredited) | |
| Jack Wheeler | .... | assistant editor (uncredited) | |
Music Department | |||
| Carlo Savina | .... | conductor | |
| Carmine Coppola | .... | composer: additional music, mall wedding sequence (uncredited) | |
| John C. Hammell | .... | music editor (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Jimmy Maxwell | .... | musician: trumpet solo (uncredited) | |
| Paul Salamunovich | .... | choir conductor: boys choir (uncredited) | |
| Stephen Salamunovich | .... | boy soprano, soundtrack (uncredited) | |
Transportation Department | |||
| Raymond Hartwick | .... | driver (uncredited) | |
| Charles Lazzarro | .... | driver (uncredited) | |
| Edward Venn | .... | driver (uncredited) | |
| Louis Volpe | .... | driver (uncredited) | |
| John Whelan | .... | driver (uncredited) | |
| Ed Wilson | .... | driver (uncredited) | |
Other crew | |||
| Robert Barth | .... | unit coordinator | |
| Tony Bowers | .... | location coordinator | |
| Michael Briggs | .... | location coordinator | |
| Gary Chazan | .... | assistant to producer | |
| Nancy Hopton | .... | continuity (as Nancy Tonery) | |
| Robert S. Mendelsohn | .... | executive assistant to producer | |
| Peter Zinner | .... | foreign post-production | |
| Rocco Derasmo | .... | teamster (uncredited) | |
| James Giblin | .... | teamster captain (uncredited) | |
| Sonny Grosso | .... | technical advisor (uncredited) | |
| Johnny Jensen | .... | cinemobile technician (uncredited) | |
| Randy Jurgensen | .... | technical advisor (uncredited) | |
| George Lynch Jr. | .... | teamster (uncredited) | |
| Richard Nelson | .... | car coordinator (uncredited) | |
| Howard Newman | .... | unit publicist (uncredited) | |
| Jasmine Sabu | .... | animal trainer: horses (uncredited) | |
| Maurice Schell | .... | adr loop group (uncredited) | |
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| The Godfather: Part II | Scarface | Black Caesar | Goodfellas | King of New York |
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Rather than concentrating on everything that is great about The Godfather, a much easier way for me to judge its quality is on what is bad about it. Almost every film has something that I don't like about it, but I can honestly say that I wouldn't change anything about The Godfather. There is nothing weak about it and nothing that stands out as bad. That's why it gets ten out of ten.
This is one of those films that made me wonder why I hadn't seen it earlier. The acting from everyone involved is great, Marlon Brando comes across perfectly as the head of the family, and James Caan and Al Pacino are excellent as his sons. The soundtrack by Nino Rota is also very memorable, bringing back memories of the film every time I hear it. The plot has to be excellent for it to get ten out of ten, and it is, it's far from predictable and the film is the definition of a great epic.
The film is pretty shocking in the way every death occurs almost instantaneously, and as it spans ten years so many different things happen and every minute of it is great entertainment. It's a well-made and entertaining film that is only the first part of a trilogy, but it stands on its own as a wonderful film in its own right. If you haven't seen it, what are you waiting for? This was one acclaimed film that didn't disappoint.