| William Holden | ... | Frank Harmon | |
| Kay Lenz | ... | Edith Alice Breezerman ('Breezy') | |
| Roger C. Carmel | ... | Bob Henderson | |
| Marj Dusay | ... | Betty Tobin | |
| Joan Hotchkis | ... | Paula Harmon | |
| Jamie Smith-Jackson | ... | Marcy (as Jamie Smith Jackson) | |
| Norman Bartold | ... | Man in Car | |
| Lynn Borden | ... | Harmon's Overnight Date | |
| Shelley Morrison | ... | Nancy Henderson | |
| Dennis Olivieri | ... | Bruno | |
| Eugene Peterson | ... | Charlie | |
| Lew Brown | ... | Police Officer | |
| Richard Bull | ... | Doctor | |
| Johnnie Collins III | ... | Norman | |
| Don Diamond | ... | Maitre d' | |
| Scott Holden | ... | Veterinarian | |
| Sandy Kenyon | ... | Real Estate Agent | |
| Jack Kosslyn | ... | Driver | |
| Mary Munday | ... | Waitress | |
| Frances Stevenson | ... | Saleswoman | |
| Buck Young | ... | Paula's Escort | |
| Priscilla Morrill | ... | Dress Customer | |
| Earle | ... | Sir Love-A-Lot | |
| rest of cast listed alphabetically: | |||
| Clint Eastwood | ... | Man at Marina (uncredited) | |
| Earl Rivard | ... | Cashier (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Jo Heims | (written by) | |
Produced by | |||
| Robert Daley | .... | producer | |
| Jo Heims | .... | associate producer | |
| Jennings Lang | .... | executive producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Frank Stanley | (director of photography) | ||
Film Editing by | |||
| Ferris Webster | |||
Art Direction by | |||
| Alexander Golitzen | |||
Set Decoration by | |||
| James W. Payne | (as James Payne) | ||
Production Management | |||
| Donald Roberts | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| James Fargo | .... | first assistant director (as Jim Fargo) | |
| Tom Joyner | .... | second assistant director | |
Art Department | |||
| Chester Duncan | .... | property master (uncredited) | |
Sound Department | |||
| James R. Alexander | .... | sound | |
| William Griffith | .... | sound recordist (uncredited) | |
| Dennis C. Salcedo | .... | machine room loader (uncredited) | |
| Edwin J. Somers Jr. | .... | mikeman (uncredited) | |
Camera and Electrical Department | |||
| Bob Barber | .... | second assistant camera | |
| John W. Brumshagen | .... | lamp operator | |
| Bobby Burton | .... | best boy | |
| William N. Clark | .... | camera operator | |
| Joe Cucci | .... | company grip | |
| Bud Howell | .... | second grip | |
| Doug Pentek | .... | gaffer | |
| Al Perry | .... | generator operator | |
| Cliff Ralke | .... | first assistant camera | |
| Steve Shaver | .... | lamp operator | |
| Lloyd Stafford | .... | second grip | |
| Orlando Suero | .... | still photographer | |
| Edward Thompson | .... | crane grip | |
Other crew | |||
| Jack Kosslyn | .... | dialogue coach | |
| Recent Posts (updated daily) | User |
|---|---|
| Breezy | rustedangelx23 |
| Really enjoyed this | karchad |
| weird ass flick | Dodgemaguire |
| Guy Flick | rahcash |
| Jailbait? | bashar_amir |
| Now on Video! | Silverscreen_lover |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I watched this film again today on AMC, and I find it to be an in-depth character study set in a time of a rapidly changing society, 1973.
Breezy is a young, free spirited, outgoing hippy living on the streets of Los Angeles. Frank is a middle aged, roughened, hard drinking real estate salesman with an ex-wife and ex-girlfriend. They are total opposites. A chance meeting brings the two together. The relationship that ensues is one of turbulence, kindness, and complexities as the two attempt to merge their worlds.
This is the third film directed by Clint Eastwood; the richness of the characters resembles that of Play Misty for Me. Of particular interest to fans of Clint Eastwood's work, and for people who remember the 70's.